Altri libri che potrebbero interessarti

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  Asadah All about her Business

  Asadah Carpenter

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  Asadah is all excited and ambitious about starting her own business of lip gloss. She works on it day in and day out to make its quality stand out. Her parents believed in her and support this dream of hers to come true. With the help of her parents, Asadah is able to complete all formalities and start her company. Asadah found what she wants to do in her life and she's happy.

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  Face Down - The Disappearance of...

  David Blake Knox

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  On 27 December 1973 the nightmare began: late that night German businessman Thomas Niedermayer was kidnapped from his home in Belfast. Never seen alive again by his friends or family, he became one of the 'disappeared' and it seemed that no one knew what had happened to him.
  His wife, Ingeborg, and his daughters, Renate and Gabriele, spent the next seven years not knowing if Thomas were alive or dead. In 1980, an IRA informant led police to recover his body. But the trauma for Thomas's family was far from over: there were further devastating consequences for all of them.
  Five decades on, FACE DOWN sets out to discover what really happened in Belfast all those years ago.
  Now in its second, updated edition and the subject of an IFTA nominated feature-length documentary, this astonishing story of one family's generational trauma undermines any attempt to glamorise or minimise the effects of political violence.

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  Introduction to Consent Culture...

  Michele Meek

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  Enjoy audio of the introduction to the book Consent Culture and Teen Films: Adolescent Sexuality in Teen Films read to you by the author. 
  Teen films of the 1980s were notorious for treating consent as irrelevant with scenes of boys spying in girls' locker rooms and tricking girls into sex. Contemporary movies, on the other hand, now routinely prioritize consent, ensuring date rape is no longer a joke and girls' desires are celebrated. Yet, sexual consent remains a problematic and often elusive ideal in teen films. 
  The introduction to the book Consent Culture and Teen Films: Adolescent Sexuality in US Movies demonstrates how teen films throughout the last several decades have shifted from trivializing nonconsent to emphasizing affirmative consent, or “yes means yes.” In doing so, they have adapted to “consent culture,” the cultural prioritization of obtaining clear verbal consent in all interactions—particularly sexual ones. 
  This chapter provides a historical context for how consent culture developed as a response to rape culture and traces how affirmative consent gained strength through legislation related to Title IX and sexual assault on college campuses between the 1990s and today. 
  Yet, at the same time, Meek reveals how teen films continue to expose how affirmative consent does not protect youth from unwanted and unpleasant sexual encounters. In the genre, we are confronted by innumerable problematic aspects of consent in practice—youth say yes when they clearly feel no; they insist on a consent and agency adults deem invalid due to their age; and they regret their sexual experiences. 
  While consent culture has provided some of the language during cinematic moments, it is strikingly evident that those words often fall short. Consent, it turns out, has not been the panacea we had hoped—that is, at least, not according to teen films.

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  The Atomic Bombings of Hiroshima...

  Usac Engineers

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  On 6 and 9 August 1945, the United States detonated two atomic bombs over the Japanese cities of Hiroshima and Nagasaki respectively. The bombings killed between 129,000 and 226,000 people, most of whom were civilians, and remain the only use of nuclear weapons in an armed conflict. Japan surrendered to the Allies on 15 August, six days after the bombing of Nagasaki and the Soviet Union's declaration of war against Japan and invasion of Japanese-occupied Manchuria. The Japanese government signed the instrument of surrender on 2 September, effectively ending the war.

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  In praise of make-up: from...

  Camille Saint Jacques

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  Pourquoi les femmes se maquillent-elles ? Les réponses des intéressées sont souvent évasives : «Pour se sentir bien...» Pourraient-elles cesser de se farder ? «Non !» L'idée de ne plus se maquiller peut même être perçue comme une atteinte à l'identité.
  
  Dans un style élégant et lumineux, l'auteur nous plonge dans une histoire du maquillage qui démontre l'importance, depuis que l'être humain se civilise, du geste cosmétique. «S'arranger» est un art du compromis, de l'ouverture, un jeu bienveillant plutôt qu'un artifice trompeur. Derrière un rouge à lèvres, un mascara, il y a toute une manière d'être, plus nuancée, plus enchantée, moins violente que celle des hommes.

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  Beatles The: The Interviews

  John Lennon, Paul McCartney,...

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  A collection of interviews from the June 1964 Beatles' tour of Australia and New Zealand.

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