Altri libri che potrebbero interessarti

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  Francesca Caccini at the Medici...

  Suzanne G. Cusick

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  A “priceless” study of the life and career of the Renaissance-era Italian who was the first woman to have composed an opera (Gender & History).“Extraordinary in its breadth, its detail, its insight, and its worth to all participants in early music…. Its contribution is not limited to the musical world, however, as Cusick’s remarkable command and analysis of her material…has immense value for scholars engaged in cultural studies, performance studies, history, politics, or the study of difference.”—Renaissance Quarterly A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women. In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.

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  Audio Snaps Volume One - 100...

  Simon Napier-Bell

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  Audio Snaps is a series of 100 minute audiobooks packed with fun stories from my books about my life in the music business. Volume One features stories from You Don’t Have to Say You Love Me, a book I wrote in 1983 about my time in London in the Sixties when, amongst other things, I was managing the Yardbirds and wrote the lyrics to the song, You Don’t Have to Say You Love Me. Reading it back now, it seems extraordinarily frank, more so than I might be nowadays, and sometimes rather rude too. When it came out, the music press loathed the book, I think because it trivialised the music industry, whereas the tabloids loved it. Nowadays, they’ve all come to see it as a classic of its time and the Observer newspaper has it at Number Eleven on its list of “The 50 Greatest Music Books Ever.” In the Independent, Charles Shaar Murray called my books, “ The cold print equivalent of spending an evening with a world-class raconteur.”  With Audio Snaps, you get the raconteur without wading through the cold print.

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  Night-time Stories

  Yen-Yen Lu

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  A child waits for the tooth fairy; a mother spends a night watching a recording of the previous night; two women face the ghosts that haunted their grandmothers. The nights in these ten stories are thick and substantial, ambiguous and alluring.
  
  Eerie, magical, hushed and surprisingly alive, this anthology shows the night as a place where connections are made and daylit lives can be changed.

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  I'm Single Because I Hate My...

  Sarah Amy Jennifer Jones

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  “To be fair, there are lots of reasons I’m single, but some of my friends’ husbands certainly make me happy with that choice.” 
  In this series of essays, Sarah Amy Jennifer Jones (not her real name), a self-described hot mess masquerading as a normal human being discusses love, relationships, and the often confusing life of a true, modern-day spinster. 
  Join her for the laughs, misery, and insights that only someone with too much time on their hands can deliver.

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  The North Country Murder of...

  Dave Shampine, Raymond O....

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  A road trip becomes a dead end for a schoolteacher in this haunting cold case of murder that became a fifty-year fight for justice. 
   
   
    
  In June of 1968, Irene Izak, a young French teacher from Scranton, Pennsylvania, was pulling an all-nighter on the road toward the promise of a new life in Quebec. The last time she was seen alive was at 2:09 a.m. by a toll collector at Thousand Island Bridge who claimed Irene was visibly afraid. Less than a half-hour later, Irene was found bludgeoned to death in a ravine bordering DeWolf Point State Park. There were no signs of robbery or sexual assault. For reasons unknown, Irene had been compelled to pull off the interstate and abandon her car, only to be brutally murdered. 
   
   
    
  Irene's body was discovered by State Trooper Dave Hennigan, who'd stopped her for speeding shortly before—and issued the young woman a warning. 
   
   
    
  Blending novelistic suspense with true-crime reporting, author Dave Shampine investigates a crime that shook the communities of northeast Pennsylvania and New York's North Country—a vicious and confounding killing that has remained unsolved but not forgotten.

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  Ongoingness - The End of a Diary

  Sarah Manguso

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  "[Manguso] has written the memoir we didn't realize we needed." ―The New Yorker 
  In Ongoingness, Sarah Manguso continues to define the contours of the contemporary essay. In it, she confronts a meticulous diary that she has kept for twenty-five years. "I wanted to end each day with a record of everything that had ever happened," she explains. But this simple statement belies a terror that she might forget something, that she might miss something important. Maintaining that diary, now eight hundred thousand words, had become, until recently, a kind of spiritual practice. 
  Then Manguso became pregnant and had a child, and these two Copernican events generated an amnesia that put her into a different relationship with the need to document herself amid ongoing time. 
  Ongoingness is a spare, meditative work that stands in stark contrast to the volubility of the diary―it is a haunting account of mortality and impermanence, of how we struggle to find clarity in the chaos of time that rushes around and over and through us. 
  "Bold, elegant, and honest . . . Ongoingness reads variously as an addict's testimony, a confession, a celebration, an elegy." ―The Paris Review

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