Übersetzer C. F. Andrews Rabindranath Tagore
Verlag: Glomarble
Rabindranath Tagore contains stories about a tax collector who stayed in an old palace against the backdrop of the Mughal Empire in this book.
What if the loudest voice in society came from inside a reptile? Step right up to hear Ivan Matveich—safely lodged in a crocodile’s stomach—proclaim his grand designs for the future of civilization! Dostoevsky’s outrageous satire comes alive in this dynamic audio edition, where bustling market sounds, astonished onlookers, and Ivan’s echoing monologues plunge you into the heart of 19th-century spectacle. What you’ll hear inside: — The Complete Story of The Crocodile – Every absurd twist delivered in a crisp, contemporary performance — Rich Soundscapes of St. Petersburg – Street vendors, gasping crowds, and the reptile’s rumbling belly — Four‐Dimensional Characters in Comic Conflict – Ivan’s self-importance, his wife Elena’s scheming, and the narrator’s exasperation — A Swift, Satirical Experience – Under two hours, perfect for a single listening session that will leave you laughing—and thinking Pop in your earbuds and discover why Dostoevsky’s strangest tale remains a deadly accurate mirror of our media-obsessed age.Zum Buch
Camel from Kyzylkum: A Memoir What does it take to leave everything behind in search of freedom? Born in Ukraine and later working in the Kyzylkum Desert of Uzbekistan, Lara Gelya spent the first half of her life behind the Iron Curtain. In 1989, at the age of thirty-nine, she fled the crumbling Soviet Union as a stateless refugee — carrying little more than hope. Her journey took her across Austria and Italy before she finally reached the United States, where she began the long and difficult process of rebuilding her life. With honesty and vivid detail, Lara shares her experiences of growing up under Soviet rule, navigating cultural dislocation, and finding strength in the face of uncertainty. Camel from Kyzylkum is more than a memoir of immigration — it is a story of resilience, courage, and the universal search for freedom and belonging. Perfect for listeners of historical memoirs, refugee stories, and anyone who values the enduring power of the human spirit.Zum Buch
Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his mature period of writing. The novel is often cited as one of the supreme achievements in world literature.Crime and Punishment follows the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who plans to kill an unscrupulous pawnbroker, an old woman who stores money and valuable objects in her flat. He theorises that with the money he could liberate himself from poverty and go on to perform great deeds, and seeks to convince himself that certain crimes are justifiable if they are committed in order to remove obstacles to the higher goals of 'extraordinary' men. Once the deed is done, however, he finds himself racked with confusion, paranoia, and disgust. His theoretical justifications lose all their power as he struggles with guilt and horror and confronts both the internal and external consequences of his deed.Zum Buch
How does time shape consciousness and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time? Uncommon Measure explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until performance anxiety forced her to give up the dream of becoming a concert solo violinist. Anchoring her story in illuminating research in neuroscience and quantum physics, Natalie Hodges traces her own passage through difficult family dynamics, prejudice, and enormous personal expectations to come to terms with the meaning of a life reimagined—one still shaped by classical music but moving toward the freedom of improvisation.Zum Buch
Arthur Llewelyn Jones was born in Caerleon, Monmouthshire on the 3rd March 1863. Machen came from a long line of clergymen, and when he was two, his father became vicar of a small parish about five miles north of Caerleon, and Machen was brought up at the rectory there. In his early years he received an excellent classical education, but family poverty ruled out university, and he was sent to London to sit exams to attend medical school but failed the exams. He did show literary promise with the publication of the poem ‘Eleusinia’ in 1821. But life in London was difficult and it was only in 1884 that he published again and was taken on to translate several French works which thereafter became the standard editions for many years. In 1887, his father died. That same year he married Amelia Hogg, a maverick music teacher with a passion for the theatre. He also began to receive legacies from Scottish relatives which allowed him to devote more time to writing. After publishing in literary magazines in 1894 he published his first book ‘The Great God Pan’. Its sexual and horrific content very much helped sales. Over the next decade or so he wrote some of his best work but was unable to find a publisher mainly due to the collapse of the decadent market over Oscar Wilde’s scandalous trial. In 1899, his wife died and during his long recovery he took up acting and travelled around the country as part of a travelling company. Three years later he was publishing again and had remarried. Re-publishing of earlier works helped anchor both his reputation and his income. By the time the Great War opened Europe’s wounds he returned to the public eye with ‘The Bowmen’ helped by the publicity around the ‘Angel of Mons’ episode. However, by the late 20’s new works had dried up and his back catalogue was no longer a source of regular income. In 1932 he received a Civil List pension of ₤100 per annum but other work was not forthcoming. His finances finally stabilised with a literary appeal in 1943 for his eightieth birthday and allowed him to live his remaining years in relative comfort. Arthur Machen died on 15th December 1947 in Beaconsfield. He was 84.Zum Buch
Jane Ellen Harrison (1850-1928) is the most famous female Classicist in history, the author of books that revolutionized our understanding of Greek culture and religion. A star in the British academic world, she became the quintessential Cambridge woman—as Virginia Woolf suggested when, in A Room of One's Own, she claims to have glimpsed Harrison's ghost in the college gardens. This lively and innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame. Mary Beard captures Harrison's ability to create her own image. And she contrasts her story with that of Eugénie Sellers Strong, a younger contemporary and onetime intimate, the author of major work on Roman art, and once a glittering figure at the British School in Rome—but who lost the race for renown. The setting for the story of Harrison's career is Classical scholarship in this period—its internal arguments and allegiances and especially the influence of the anthropological strain most strikingly exemplified by Sir James Frazer. Questioning the common criteria for identifying intellectual "influence" and "movements," Beard exposes the mythology that is embedded in the history of Classics. At the same time she provides a vivid picture of a sparkling intellectual scene. The Invention of Jane Harrison offers shrewd history and undiluted fun.Zum Buch
