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  Cinema of the Present

  Lisa Robertson

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  What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating colour? Would the seams afford a new sensibility around the pronoun ‘you’? Would the precise words of philosophy, fashion, books, architecture and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema?
     
  These and other questions are answered in the new long poem from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley + Maxwell.
     
  Praise for Lisa Robertson:
     
  'Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields languageexpertly, even beautifully.' —The New York Times

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  Dearly - New Poems

  Anonyme

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  A new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret Atwood 
  In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived. 
   
  While many are familiar with Margaret Atwood’s fiction—including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others—she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry.  This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.

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  Persephone's Pancreas - A Myth &...

  Imé Corkery

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  Experience the raw and unfiltered journey of Imé Corkery as she fearlessly confronts the harsh realities of a rare and agonizing chronic illness in her breathtaking debut collection, Persephone's Pancreas. In this remarkable memoir of creative nonfiction, Imé takes you on an unforgettable odyssey that traverses the chasm between illness and earthly delights. From Netflix binges to the warmth of oxytocin, and from the intimacy of hospital date nights to the touch of the divine, this is a story that will capture your heart and soul. Imé Corkery's brave narrative not only explores the trials and tribulations of living with Sphincter of Oddi Dysfunction (SOD), a rare and excruciating chronic illness, but also delves deep into the essence of love, both human and mythological. As you embark on this medical journey alongside our resilient heroine, you'll witness the escalating trials, the strengthening of drugs, and the profound descent into a world of myth. Persephone's Pancreas is a profound exploration of love, pain, and the intricate dance between the two. If you've ever experienced the rawness of human emotions, this poetic masterpiece is a must-read, offering solace and inspiration to all who seek the light in the darkest of times. 
  Harrowing, sharp-witted, tender, raw and necessary, this is an indelible account from a poet with the sheer nerve to keep testifying, even when ‘pain is at its zenith.’ Persephone’s Pancreas is a collection from a writer who deserves the title heroine. - Tracey Slaughter  
  Persephone's Pancreas draws us skin to skin with chronic pain...sensory detail, myth and the everyday, to find the things needed to survive the liminal and lost zones of a long ‘sick girl summer.’- Aimee-Jane Anderson-O’Connor

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  Expressway

  Sina Queyras

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  Shortlisted for the Governor General's Award for Poetry
     
  This poem resembles urban sprawl. This poem resembles the freedom to charge a fee. The fee occurs in the gaps. It is an event. It is not without precedent. It is a moment in which you pay money. It is a tribute to freedom of choice.
     
  Reality is a parking lot in Qatar. Reality is an airstrip in Malawi.
     
  Meanwhile the expressway encloses, the expressway round and around the perimeters like wagon trains circling the bonfire, all of them, guns pointed, Busby Berkeley in the night sky.
     
  Echoing the pastoral and elegiac modes of the Romantic poets, whose reverence for nature never prevented them from addressing it with all the ideas and sensibilities their times allowed, Sina Queyras's stunning collection explores the infrastructures and means of modern mobility. Addressing the human project not so much as something imposed on nature but as an increasingly disturbing activity within it, Expressway exposes the paradox of modern mobility: the more roads and connections we build, the more separate we feel. 'Cleanse the doors of perception,' Blake urged, and with that in mind, Queyras has written a bravely lyrical critique of our ethical and ecological imprint, a legacy easily blamed on corporations and commerce, but one we've allowed, through our tacit acquiescence, to overwhelm us. Every brush stroke, every bolt and nut, every form and curve in our networks of oil and rubber, every thought and its material outcome – each decision can make or unmake us.
     
  'The works in Expressway are all so tightly wound, hyper-distilled and stressed ... This is poetry for the apocalypse.'
     
  —Broken Pencil
     
  'As a poet, Queyras is secretly romantic, writing with lyricism and a voice that's unafraid of sentiment or emotion ... Queyras' words spark like pickaxes on old asphalt.'
     
  — Eye Weekly
     
  'Queyras show[s] what poetry can do when it simultaneously maps roadways of transportation and lines of human thought.'
     
  —Spacing
     
  'Eclectic engagements characterize Queyras’s work, but any suggestion of characterization of her work immediately brings a morphing to something new, intelligent, and provocative ... Sina Queyras is a poet to read and reckon with.'
     
  —Lambda Literary Review

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  The Politics of Knives

  Jonathan Ball

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  Winner of the 2013 Aqua Books Lansdowne Prize for Poetry (Manitoba Book Awards)
     
  If David Lynch crashed into Franz Kafka in a dark alley, the result might look like The Politics of Knives. Moving from shattered surrealism to disembowelled films, these poems land us in a limbo between the intellectual and the visceral, between speaking and screaming. Finding the language of violence and the violence in language, Jonathan Ball becomes the Stephen King of verse.

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  Account of a Visit from Saint...

  Clement Clark Moore

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  "A Visit from St. Nicholas", routinely referred to as "The Night Before Christmas" and "Twas the Night Before Christmas" from its first line, is a poem first published anonymously under the title "Account of a Visit from St. Nicholas" in 1823. Authorship has been attributed to Clement Clarke Moore, who claimed authorship in 1837, but it has also been suggested that Henry Livingston Jr. may have written it. While the authorship may be questioned by some, the poem remains a favorite during the Christmas season and helps conjure up visions of sugarplums and secret gifts for children even to this day.

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