Outros livros que poderiam interessá-lo

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  Mountain Rampage - A National...

  Scott Graham

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  In the riveting second installment of the National Park Mystery Series, archaeologist Chuck Bender finds himself and his young wife and stepdaughters in the crosshairs of an unknown killer when he defends his brother–in–law from false accusations of murder in the brutal slaying of a resort worker in Rocky Mountain National Park.

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  Risk Required

  Faith Wood

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  Marcus Beckham paed his pipe, flicked the lighter, then puffed 5 times — the exact same thing he did every time he felt like indulging. “She’s really quite naive, isn’t she?” Another puff. “Still she serves our purposes nicely I think…” 
  Daniel Carstairs glanced toward the generous window, noting Miami’s stormy skies. “A storm is brewing.” he commented as he returned his attention to his junior partner. “And I’m not talking about the weather…” 
  A snort. “She’s expendable — if things aren’t as we desire, then we simply make other arrangements. It’s really a rather basic solution…” 
  Carstairs stood, his intention clear as he headed for Beckham’s office door. “Should we find it’s not as simple as you pronounce, there will be consequences. If you’re not familiar with them, it will behoove you to become enlightened.” His hand on the door knob, he turned, his eyes signaling the message he meant to deliver. “This better work, Marcus…” 
  When Declan Kilgarry and Colbie Colleen joined forces against a hush-hush and illicit environmental triumvirate, partners of Kilgarry, Bryson and Colleen Investigations find themselves mired in danger, intrigue, and murder, Unsuspecting of undercurrents catapulting them into alarming and deadly situations, each embarks on a case separate from the others. Their intentions clear…make out a alive. 
  Author Faith Wood’s Risk Required transports readers into the lives of Declan Kilgarry and Colbie Colleen, each preferring their own investigative style. Interweaving individual idiosyncrasies, Wood creates an unfamiliar tension as they discover true intentions, deceit, the knowledge that life is precious.

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  The FBI Suicide Squad's Last Mile

  Emile C. Tepperman

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  Once again, the F.B.I.'s elite manhunt trio confronts the underworld. Battling through treacherous paths, they're resolute to dismantle the empire of a malevolent crime-czar, who has mercilessly declared death upon all G-men, offering lucrative rewards for their lifeless bodies. It's a perilous journey of valor, vengeance, and vendetta, where every step could be their last, but justice is an unyielding pursuit. 
  "Boss! This is Pim," he said. "I was watching outside of Powers' place like you told me. Kerrigan and Murdoch and Klaw came, with the Roche dame, like you figured. Klaw went in alone. They got Roche out, and they got the evidence, too. Kerrigan and Murdoch is taking the eleven o'clock train to Washington, and Klaw is gonna take Roche and his wife up to their house."  
  At the other end of that telephone line, a tall thin man listened carefully to every word. At the end of the report he said softly, "All right, Pim. I didn't expect that Powers would be able to take those three hellions. Now I'll use my own plan. Did Powers get away?"  
  "Yes, Boss. I guess he's gone to the other hideout."  
  "Very well," said the other man. "Go there at once. Tell him to take every available man he has up to Riverdale where Roche lives. I'll meet him there, and bring more men of my own. We must have everything set before Klaw gets up there!"  
  "But what about Kerrigan and Murdoch, Boss? They'll be on the way to Washington with the evidence—"  
  "No they won't, Pim—not when I've got this thing arranged. Pim, this is going to be the Suicide Squad's last mile!"  
   * * *  
  Tepperman was one of the high-output pulp author of the 1930s, able to deliver readable, action-packed fiction stories like clockwork, securing his place in the hall of fame of pulp writers. 
  More information on https://fbi-suicide-squad.com

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  Murder Like Magic

  Trisha Blanchet

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  tbc

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  American Afterlife

  Pedro Hoffmeister

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  The Pacific Northwest lies in ruins in the aftermath of the 9.2 Cascadia earthquake. There is a tsunami at the coast, annihilated infrastructure in all the towns and cities, and failed dams in the Oregon river valley where fifteen-year-old Cielo lives with her mother, a fearful evangelical who’s become caught up in a fearsome cult called The Collection of Redeemed Souls. Cielo and her mother, Mexican citizens without U.S. papers, have always had their status teeter on the edge—and now it’s about to plunge into the abyss. When the earthquake hits, Cielo’s mother hasn’t been home in days, but Cielo suspects that she’s holed up with the cult and might even be dead. When the National Guard arrives to evacuate survivors, she stays behind in the flooded city to find her body. Members of The Collection of Redeemed Souls have also chosen to stay, and their disciples are capturing anyone still left behind and converting them to the cult by force. Entering a deadly game of cat-and-mouse, Cielo tries to evade the cult at every turn as she desperately searches for her mother’s remains. With gunfights and mass killings engulfing the city, Cielo is one step away from her own demise, but the bonds of blood drive her on toward a confrontation with pure evil—and a final chance for her mother’s redemption.

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  The Thing in the Moonlight

  H. P. Lovecraft, J. Chapman Miske

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  This audiobook is narrated by an AI Voice. Lovecraft's story regarding a tram conductor whose head transforms into tentacles, recorded in a letter dated November 25, 1927, to Donald Wandrei. 
   
  The story is currently considered inauthentic, as it is partially not authored by Lovecraft. The content of two letters, one containing 'The Very Old Folk' and the other with this 'work,' Wandrei sold to the publisher of the magazine 'Scienti-Snaps' (later renamed 'Bizarre'), J. Chapman Miske. He published both texts as stories written by Lovecraft, with the addition of two paragraphs to 'The Thing in the Moonlight': one at the beginning and one at the end.

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