Altri libri che potrebbero interessarti

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  Ripples Across Time

  Santiago Machain

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  Ripples Across Time explores the sweeping changes that shaped Europe from the Middle Ages to the dawn of modernity. Through a series of thematic chapters, the book examines the continent’s demographic shifts, the evolution of social structures, the rise of cities and the middle class, the impact of wars and religion, and the flourishing of art, science, and literature. It delves into the forces that propelled Europe from a patchwork of feudal societies to a global powerhouse, highlighting the interplay between tradition and innovation, conflict and cooperation, and local and global influences. By tracing the ripple effects of key developments, the book offers a nuanced understanding of how Europe’s transformation not only redefined the continent but also set the stage for its expansion and enduring influence on the world.

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  The Bauhaus Movement - Art and...

  Nova Ashford

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  The Bauhaus Movement is one of the most influential art and design movements of the 20th century, shaping not only the world of architecture, but also industrial design, graphic design, and education. Founded in 1919 in Weimar, Germany, the Bauhaus school represented a radical shift in the way artists and designers approached their work, bridging the gap between art and industrial production. The term "Bauhaus," which translates to "building house," symbolized the school's fundamental belief in the fusion of craftsmanship and design with new technological advances. It advocated for an integrated, functional approach to design, emphasizing simplicity, clean lines, and the use of modern materials such as steel, glass, and concrete. 
  At the heart of the Bauhaus movement was the idea of total design, an approach that sought to unify art, craft, and industry into a single cohesive whole. The Bauhaus school emphasized collaboration between artists, architects, and designers, breaking down the traditional boundaries between fine arts and applied arts. This approach was revolutionary at a time when art was still often considered a separate entity from industrial production. The school encouraged students to experiment with new techniques and materials, while maintaining a commitment to functional design that was both aesthetically pleasing and usable in the modern world. 
  One of the defining features of the Bauhaus movement was its focus on the intersection of art and technology. The early 20th century saw rapid advancements in industrial production and materials science, which gave rise to new possibilities in design. Bauhaus educators believed that the application of these new technologies should be at the core of creative work. This philosophy led to the creation of iconic pieces of modern furniture, groundbreaking architectural designs, and revolutionary typography that defined the aesthetic of the era.

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  We Had Fun and Nobody Died -...

  Amy T. Waldman, Peter Jest

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  This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap. This funny, nostalgia-inducing book details the lasting friendships Jest established with John Prine, Arlo Guthrie, and Milwaukee’s own Violent Femmes, among others. It also shines a light into the seldom-seen world of music promotion, as Jest attempts to manage a turbulent band on the road, negotiates with agents, deals with fires (both real and metaphorical), struggles through a pandemic, and takes pleasure in presenting music of all kinds—from world-famous acts to up-and-coming local bands. The book documents decades of rock, folk, and alternative shows that helped put Milwaukee on the live music map. As the music industry has become dominated by profit-driven corporations, We Had Fun and Nobody Died chronicles the career of a one-of-a-kind independent promoter whose hardheadedness and love of music have helped him keep it real and make it in the music business for more than forty years.  "[An] adventure-filled biography of music promoter Peter Jest. . . . Reflecting decades of changes to the music business, We Had Fun and Nobody Died is a fascinating biography of a passionate promoter’s work to transform Milwaukee’s music scene."  —Foreword Reviews  “Amy Waldman and Peter Jest weave a thrilling tale of fanhood gone pro. Dreams followed, dragons slain, and the roof of a venerable venue repeatedly blown sky-high. We’re proud to have provided the name [for Shank Hall]; it took men and women of sterner stuff to do the heavy lifting.”   —Michael McKean, actor and comedian, This Is Spinal Tap

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  Paddy Reilly - From The Fields...

  Paddy Reilly

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  Patrick 'Paddy' Reilly is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well". Reilly released his version of "The Fields of Athenry" as a single in 1983; it was the most successful version of this song, remaining in the Irish charts for 72 weeks.
  After years a solo performer, he joined The Dubliners in 1996 as a replacement for long-time member Ronnie Drew. He played with the group for nine years before leaving for New York City.
  In this memoir, Paddy is gracious and generous about sharing his memories, good and bad, with the readers who have helped make him Ireland's best loved balladeer for almost 60 years.

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  A Gentleman Gets Dressed Up...

  John Bridges, Bryan Curtis

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  A Gentleman Gets Dressed Up is not a book about style—it is a book about the rules—rules that will allow any man to feel more comfortable in the choices he makes about what he wears. 
  Let’s get one thing straight. Clothes do not make the man . . . but they do make a difference. And regardless of whether we like the idea of appearances driving impressions, a man’s exterior often is perceived as an indicator of what’s happening on the interior. 
  Fortunately, tasteful and appropriate dressing doesn’t require inordinate amounts of time or money. Any man can hit the door in fine shape with only a little forethought and a bit of attention to a few guidelines. Never mind the heady cologne and designer labels. With a navy blazer, a good bar of soap, and a regular haircut regimen, he’ll be well on his way to becoming the guy who knows exactly how to suit up, regardless of the occasion. Most important, A Gentleman Gets Dressed Up illustrates how a man’s natural confidence and personality are the best foundation for any wardrobe. 
  Accompanying charts and visual examples are included in the accompanying PDF.

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  Motorcycles Minotaurs & Banjos -...

  Steven Sherrill

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  This book is about twenty-one days, and sixty years. A motorcycle ride down the spine of Appalachia, with a little banjo  and big myth for company, to play and sing at the graves of dead banjo heroes. About making a life about making work. This book is about outsiders. Interlopers. Class migrants. Death. Awakening. Creative Process. Growth through risk-taking. It’s a book about ghosts. Music. Writing. Not writing. What’s this book not about? “Finding myself.” I know who I am.  
  Steven Sherrill is a high school dropout, a nearly retired professor, a family man, a ne'er-do-well banjo player, a motorcyclist, an aquarist, a sonic/video muckraker, and a novelist with five books in the world, one of which (The Minotaur Takes a Cigarette Break) is a cult classic. 

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