Altri libri che potrebbero interessarti

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  Emma - A classic retelling

  Jane Austen

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  Emma, is a novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. The novel was first published in December 1815, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian–Regency England. Emma is a comedy of manners, and depicts issues of marriage, sex, age, and social status. 
   
  Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and a happy disposition... had lived nearly twenty-one years in the world with very little to distress or vex her." Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray. 
   
  Emma, written after Austen's move to Chawton, was her last novel to be published during her lifetime, while Persuasion, the last complete novel Austen wrote, was published posthumously. 
   
  The novel has been adapted for a number of films, television programmes and stage plays. 
   
  Jane Austen was an English novelist known primarily for her six major novels, which interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favorable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism.

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  Andaz-e-Bayaan - Beloved Urdu...

  Ismat Chughtai, Munshi...

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  This audio compilation has been made with love for anyone wanting to immerse themselves in the world of Urdu stories but may find it difficult to read the script. 
  Featured authors include legends like Ismat Chughtai of the ‘Taraqqii Pasand Tehreek’ (Progressive Writer’s Movement), one of the first Muslim women to write boldly about subjects such as sexuality in the 1940’s; Munshi Premchand, a Hindu writer born in 1880, who was a pioneering figure in both Hindi and Urdu short fiction and wrote on topics such as caste, which were marked by sociopolitical and religious sensitivities; Sa’adat Hassan Manto, who belonged to both Bombay & Lahore and wrote about the partition that resulted in the nations of India and Pakistan, known for stories that showed a mirror to society regardless of the discomfort caused by stark reflections; Rajinder Singh Bedi, a versatile short fiction, novel, and film writer who also amplified the social issues of rurality as they dovetailed with national and metropolitan life; Ghulam Abbas, a novelist and short fiction writer interested in bringing to light the many ironies of modernity; Noon Meem (“NM”) Rashid, a groundbreaking modernist poet who wrote primarily in free verse, exploring contrasting relationships such as those between language & meaning and self & society; Asad Muhammad Khan, whose short fiction weaves his rich life experiences into commentaries on topics such as family life and class relations; and Intizar Hussain, who was arguably the most significant Urdu literary prose writer of the contemporary era, painting epics of migration and nostalgia on an intergenerational canvas. 
  Our narrator, Mr. Zia Mohyeddin, perhaps more than any other single figure in modern times, has shaped an appreciation for Urdu literature by making it accessible in masterfully emotive and lucid audio performances to generations of listeners who may have otherwise remained deprived of such learning and aesthetic pleasure.

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  The Eater of Souls

  Henry Kuttner

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  "The Eater of Souls" by Henry Kuttner tells the story of Sindara, the ruler of Bel Yarnak, who confronts a monstrous entity known as the Eater of Souls. This entity's call has been drawing his people to their deaths in the Gray Gulf of Yarnak. Sindara, rejecting the advice of his necromancers and hydromancers, turns to his god, Vorvadoss, for help. After a harrowing battle, Sindara undergoes a horrific transformation, merging with the Eater of Souls to break the cycle of despair. The story ends with his tragic descent into darkness, forever separated from the beauty of his homeland.

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  Little Women (Part 1)

  Louisa May Alcott

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  Little Women (Part 1): Four sisters and their mother, whom they call Marmee, live in a new neighborhood (loosely based on Concord) in Massachusetts in genteel poverty. Having lost all his money, their father is serving as a chaplain for the Union Army in the American Civil War, far from home. The mother and daughters face their first Christmas without him. When Marmee asks her daughters to give their Christmas breakfast away to an impoverished family, the girls and their mother venture into town laden with baskets to feed the hungry children. When they return, they discover their wealthy, elderly neighbor Mr. Laurence has sent over a decadent surprise dinner to make up for their breakfast. The two families become acquainted following these acts of kindness.
  Little Women is a coming-of-age novel written by American novelist Louisa May Alcott, originally published in two volumes in 1868 and 1869. The story follows the lives of the four March sisters—Meg, Jo, Beth, and Amy—and details their passage from childhood to womanhood. Loosely based on the lives of the author and her three sisters, it is classified as an autobiographical or semi-autobiographical novel.

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  A Pink Stocking

  Anton Chekhov

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  "The Pink Stocking" by Anton Chekhov is a short story that unfolds on a dreary, rainy day with Pavel Petrovitch Somov, feeling bored and restless, pacing in his study. His wife, Madame Somov, is described as a pretty little lady wearing a light blouse and pink stockings, busily writing a letter to her sister Varya. Curious and looking for a distraction, Somov asks to read the letter and, while initially disinterested, he becomes increasingly concerned and confused as he progresses through the pages. Upon finishing the letter, he reacts with shock and disbelief, flinging the sheets on the table and uttering that the content is "beyond anything" and "positively incredible." The story hints at a marital dynamic filled with secrets and perhaps suggests that Madame Somov has written something unexpected or alarming, leaving both the character and the reader with a sense of perplexity and intrigue.

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  The Beautiful and Damned

  F. Scott Fitzgerald

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  The Beautiful and Damned is a 1922 novel by American writer F. Scott Fitzgerald. Set in New York City, the novel's plot follows a young artist Anthony Patch and his flapper wife Gloria Gilbert who become "wrecked on the shoals of dissipation" while excessively partying at the dawn of the hedonistic Jazz Age. As Fitzgerald's second novel, the work focuses upon the swinish behavior and glittering excesses of the American social elite in the heyday of New York's café society.
  Fitzgerald modeled the characters of Anthony Patch on himself and Gloria Gilbert on his newlywed spouse Zelda Fitzgerald. The novel draws circumstantially upon the early years of Fitzgeralds' tempestuous marriage following the unexpected success of the author's first novel This Side of Paradise. At the time of their wedding in 1920, Fitzgerald claimed neither he nor Zelda loved each other, and the early years of their marriage in New York City were more akin to a friendship.
  Having reflected upon the criticisms of his debut novel This Side of Paradise, Fitzgerald sought to improve upon the form and construction of his prose in The Beautiful and Damned and to venture into a new genre of fiction altogether. Consequently, he revised his second novel based on editorial suggestions from his friend Edmund Wilson and his editor Max Perkins. When reviewing the manuscript, Perkins commended the conspicuous evolution of Fitzgerald's literary craftsmanship.
  Metropolitan Magazine serialized the manuscript in late 1921, and Charles Scribner's Sons published the book in March 1922. Scribner's prepared an initial print run of 20,000 copies. It sold well enough to warrant additional print runs reaching 50,000 copies. Despite the considerable sales, many critics typically consider the work to be among Fitzgerald's weaker novels. During the final decade of his life, Fitzgerald remarked upon the novel's lack of quality in a letter to his wife: "I wish The Beautiful and Damned had been a maturely written book because it was all true. We ruined ourselves - I have never honestly thought that we ruined each other."

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