Altri libri che potrebbero interessarti

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  Get Well Soon - Poems

  Jamie Sharpe

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  In the spring of 2020, Jamie Sharpe was in New Brunswick, purportedly studying the famed Magnetic Hill outside Moncton. A dog-walker discovered Sharpe in a ditch, disrobed except for his backpack containing a manuscript …
  		 
  With his fifth collection, Get Well Soon, Sharpe reaffirms “he is utter master of his language. Whether [Sharpe’s] poems are the result of long lucubration or the inspiration of the moment, they bear no mark of effort, and it is not without admiration, nor even without astonishment, that one is carried along — by the noble, unswerving amble of those gorgeous stanzas, proud white hackneys harnessed in gold — into the glory of the evenings. Rich and subtle, [Jamie Sharpe]’s poetry is never merely lyrical; it always encloses an idea within the garland of its metaphors, and however vague or general that idea may be, it serves to strengthen the necklace; the pearls are secured by a thread that, though sometimes invisible, is ever sure.”

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  The Top 10 Poets – The American...

  Alice Dunbar Nelson, Amy Lowell,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
   
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
   
  The American poetess may have lived in the constancy and overbearing shadows of their male colleagues but their verse is the equal of each and every man, whoever they may be.  Their words do not surrender to pity or lack of self-esteem, but are glowing tributes to the talents of humanity despite the shadows that often clouded their lives.

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  My Grandfather's God

  David Somerfleck

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  In My Grandfather's God, David Somerfleck invites readers into a poetic journey through the vast landscape of human experience—where love and loss, spirituality and skepticism, pain and transcendence intersect. 
  Each poem is a revelation—sometimes tender, sometimes unflinching—exploring how belief, memory, and identity shape our understanding of self and the cosmos. Within these pages, the divine is questioned, confronted, and occasionally found in the quiet corners of everyday life. 
  Themes range from the generational weight of faith and family to the scars left by abuse, the solace of love, the ache of loss, and the elusive beauty of truth. These poems move between the intimate and the infinite, where personal wounds echo against the backdrop of cosmic thought and hard-won wisdom. 
  My Grandfather's God is at once deeply personal and universally resonant—a collection for anyone who has wrestled with the unseen, questioned what they were taught, or sought meaning amid both deception and revelation.

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  The Cherry Orchard

  Anton Chekhov, Julius West

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  The highly acclaimed Russian classic of twentieth-century theatre about a wealthy family unable to let go of the past or face the future. At the turn of the century, Russia is undergoing massive changes. Feudalism has ended, the middle class is growing, and the aristocracy are uncertain of their future . . .  The cherry orchard on the Ranevskaya grounds is known throughout the country for its beauty, but it now sits on the brink of ruin. The entire estate is headed for auction if the family cannot pay off their debts. The land’s fate lies in the hands of the family’s matriarch, Madame Ranevskaya, recently returned from five years in Paris where she wasted away much of her fortunes.  Neither Ranevskaya nor anyone else in her household can fathom the gravity of the situation. But a merchant, the son of a former serf on the land, has an idea . . .  Written in 1903, The Cherry Orchard premiered in Moscow in 1904. It was Chekhov’s last play before his death that same year. Since then, the work has been translated and adapted into numerous languages and performed around the world.

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  A Healer’s Hymns

  Ved Vyas

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  "Dedicated to my mother, the Great Goddess." 
  Life, unpredictable, yields return for sacrifices made. Departing from the conventional path, I surrendered much to existence. Pain, a constant companion, birthed verse—each line a product of anguish turned art. In the ebb and flow of life's challenges, I found solace in writing. What emerged were rhythmic verses, transforming suffering into poetry. Some reflect, others introspect; some offer insight, and others observe. Regardless, each verse is a product of life's trials and emotions. Surprisingly, these verses multiplied over the years. Today, I share them not for accolades, but to be heard amidst the chaos. Some stories must be told, some silences shattered. I offer my rhymes openly, a reflection, a token of my journey.

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