Altri libri che potrebbero interessarti

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  The Odes of Anacreon

  Anacreon

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  Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85. 
  Few of Anacreon's works survive, but those that do focus on wine, love (homosexual and heterosexual), and the overall pleasures of the legendary Roman symposium. Anacreon used various techniques in his writings, including self-deprecation and irony. The collection of miscellaneous Greek poems from the Hellenistic Age and beyond known as the Anacreontea was "mistakenly labeled" with Anacreon's name. Despite later appreciation for Anacreon's true poems, his works were not appreciated during his lifetime.
  This work is a collection of the Odes of Anacreon, translated into English by Thomas Moore.

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  Sometimes Therapy Isn’t Enough

  D. R. Nguyen

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  “Sometimes Therapy Isn’t Enough” finds the author coping with mental health struggles through poetry. The book is divided into four chapters taking the reader on a raw emotional journey through anxiety, addiction, depression, and grief. 
  “Some people are so broken  
  They mistake abuse  
  For love”

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  The Raven - A Robin Reads Audiobook

  Edgar Allan Poe

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  Edgar Allan Poe's peerless narrative poem about a forlorn lover who is visited by a mysterious raven. 
  First published in 1845. Narrated by Robin Reads.

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  Poems Of Peace

  James Allen

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  Wordsworth held that every true poet was a teacher; and he said, “I wish either to be considered as a teacher, or as nothing.” The poems in this volume are designed to teach; and as instruction is best administered by methods which please while they elevate, the immediate object of these poems is to comfort, to bless, and to make happy; and, being framed on the principles of Truth, I doubt not that they will inspire men to embrace loftier ideals of life, draw them to a closer acquaintance with virtue, and lead them to a more intimate union with that perfect Wisdom whose ways are “ways of pleasantness,” and whose paths are “paths of peace.” 
  - James Allen 
  In this unusual departure from his usual practical and direct style, Allen here writes a series of thoughtful, reflective and inspirational poems laying out his unique thoughts in a new style.  
  Spiritual, secular, and deeply embedded in the genuine practice of faith, the book begins with Eolaus, an extended work following a man struggling through the depths of his spiritual sorrow, comforted and assailed by the vocies of earth and nature.  
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  James Allen wrote nineteen self-help books combining Buddhism, Confucianism, and classical Christianity between 1903 and 1912. Born to improvrished parents, one of whom was murdered when searching for work in America when Allen was fifteen, he went on to combine the esoteric and philosophical slant of eastern religions with the solid practicality and common-sense approach of a Victorian Englishman from Leicester.

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  Cutting Pieces in Darkness & Light

  Renata Di Valentin

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  This collection of lyrical and thoughtful free verse poetry takes readers on a journey through life's thoughts and sentiments. Everything from the loss of a mother to the ache of heartbreak is given a moment on the page. Readers can feel the beat of the poetry’s pulse and lose themselves in a life other than their own, while still seeing reflections of themselves in the poems’ deep waters. 
  Poetry is written to inspire, and Cutting Pieces in Darkness & Light hopes to show readers a path through the hard times in life. Put yourselves in the shoes of the poet and experience the beauty in everything and everyone.

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  The Underlook

  Helen Seymour

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  The Underlook balances precariously between the real and the surreal. Informed by experiences of physical disability, surgery, and medical trauma, this collection articulates a life lived under the bed, at the bottom of a well, in the glances exchanged between doctors. The poems revel in the uncanny and in the power of ignored or repressed spaces, summoning us under to 'listen … crouch down … press [a] hand against the white gloss shuddering'.

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