Other books that might interest you

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  Altman (Text-Only Edition)

  Kathryn Reed Altman

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  This intimate and critical biography of the pioneering director explores his life, work, and creative process—with contributions by fellow filmmakers. 
   
  For decades, Robert Altman fascinated audiences with films such as McCabe and Mrs. Miller, Nashville, Gosford Park, and many others. He won critical acclaim by combining technical innovation with subversive, satirical humor and impassioned political engage­ment. His ability to explore so many different worlds with a single vision changed the landscape of cinema forever. This signature "Altmanesque" style is, in the words of Martin Scorsese: "as recognizable and familiar as Renoir's brushstrokes or Debussy's orchestrations."  
   
  Now, the Altman estate opens its archive to celebrate his extraordinary life and career in this authorized biography. Written by Altman’s widow Kathryn Reed Altman and film critic Giulia D’Agnolo Vallan, this volume brims with personal recollections of the director. Alongside the intimate story of his life is a complete historical and critical narrative of Altman’s films and his process.  
   
  To honor the Altman trademark of using a wide cast of characters, Altman also features contributions from his collaborators and contemporaries including Frank Barhydt, E. L. Doctorow, Roger Ebert, Jules Feiffer, Julian Fellowes, James Franco, Tess Gallagher, Pauline Kael, Garrison Keillor, Michael Murphy, Martin Scorsese, Lily Tomlin, Alan Rudolph, Michael Tolkin, and Kurt Vonnegut Jr.

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  Big-Screen Drive-In Theater

  Donald Davis

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  The drive-in is dying. People can blame the demise on cable television, luxury theaters with sound systems so technical NASA engineers are needed to install them, or on a host of other modern conveniences and distractions. In reality, the drive-in operator of the Sulpher Springs Big-Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day. When the last movie, The Guns of Navarrone, is almost over, and the theater could be closed for the winter, Davis and his crew find a way to close it down forever.
  For Ages 10 to Adult.
  
  An August House audio production.

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  Classic Beer Radio Commercials -...

  Various Various

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  This fascinating and historical audio program includes actual radio commercials for the following classic beers: Hamm's, Killian's Irish Red, Lucky, Miller, Miller High Life, Milwaukee's Best, Pabst Blue Ribbon, Rheingold, Schaefer's, Schlitz, Walter's

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  Classic Rock & Rock Radio...

  The Beatles

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  The Beatles, an English rock band formed in Liverpool in 1960, became the most commercially successful and critically acclaimed act in the history of popular music. The songs of Paul McCartney, John Lennon, George Harrison, and Ringo Starr scanned several genres, from pop ballads to psychedelic rock, often incorporating classical and other elements in innovative ways. As their songwriting grew in sophistication during the decade, they came to be viewed as integral to the development of the 1960s counterculture and popular music's recognition as an art form. This fascinating audio program includes actual radio commercials from the 1960s for the band.

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  Take You Wherever You Go - A Memoir

  Kenny Leon, Samuel L. Jackson

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  "You can do whatever you want to do.The only limits are the ones you set yourself.You have all you need in you right now." 
  When Kenny Leon's grandmother told him to "take you wherever you go," she could hardly have anticipated that he would establish himself as one of Broadway's most exciting and acclaimed directors. But through years of hard work, Kenny would migrate from a small wooden house in rural Florida to the Tony Awards' stage, where he would win Best Direction of a Play for his 2014 revival of A Raisin in the Sun. 
  In Take You Wherever You Go, Leon reflects on the pillars of wisdom he learned every step of the way from the most important people in his life-from his grandmother's sagacious and encouraging motivations to the steady hand of his mother to the deep artistic and social influence of iconic American playwright August Wilson.  
  Take You Wherever You Go is a poignant, ruminative, and inspirational memoir that empowers you to be true to yourself as you navigate your own path.

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  Michelangelo

  Eugène Müntz

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  Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, all the passions, all the thoughts of humanity were personified in his eyes in the naked bodies of men and women. He rarely conceived his human forms in attitudes of immobility or repose. Michelangelo became a painter so that he could express in a more malleable material what his titanesque soul felt, what his sculptor's imagination saw, but what sculpture refused him. Thus this admirable sculptor became the creator, at the Vatican, of the most lyrical and epic decoration ever seen: the Sistine Chapel. The profusion of his invention is spread over this vast area of over 900 square metres. There are 343 principal figures of prodigious variety of expression, many of colossal size, and in addition a great number of subsidiary ones introduced for decorative effect. The creator of this vast scheme was only thirty-four when he began his work. Michelangelo compels us to enlarge our conception of what is beautiful. To the Greeks it was physical perfection; but Michelangelo cared little for physical beauty, except in a few instances, such as his painting of Adam on the Sistine ceiling, and his sculptures of the Pietà. Though a master of anatomy and of the laws of composition, he dared to disregard both if it were necessary to express his concept: to exaggerate the muscles of his figures, and even put them in positions the human body could not naturally assume. In his later painting, The Last Judgment on the end wall of the Sistine, he poured out his soul like a torrent. Michelangelo was the first to make the human form express a variety of emotions. In his hands emotion became an instrument upon which he played, extracting themes and harmonies of infinite variety. His figures carry our imagination far beyond the personal meaning of the names attached to them.

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