Altri libri che potrebbero interessarti

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  Touch to Affliction

  Nathalie Stephens

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  From the ruins of poetry, fiction and philosophy comes Touch To Affliction, a meditation on the notion of homeland, on patrie and the inhumanity that arises from it.
     
  This is a text obsessed with ruins: the ruins of genre, of language, of the city, of the body. The history of the twentieth century is a history of barbarism, and Stephens walks, like a fl̢neur, through its midst, experiencing through her own body the crumbled buildings, the dessicated cities, the eviscerated language and humanity of our time, calling out in passing to those before her who have contemplated atrocity: Martin Buber, Henryk Gorecki, Simone Weil. In the end, it considers what we are left with Рindeed, what is left of us Рas both participants in and heirs to the twentieth century.
     
  Insistently political but never polemical, Touch To Affliction, at the interstices of thought and theunnameable, is at once lament, accusation and elegy.
     
  Praise for Paper City:
     
  ‘Understanding is almost antithetical to the project Stephens seems to have assigned herself, that of unraveling or radically altering our sense of logic, of language, of narrative, of body, of desire, of words on paper. She wants the book to burn in our hands and, indeed, it does.’
     
  – NewPages

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  Born in the USA - Exploring...

  Emily Dickinson, Nathaniel...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in New England.  This corner of America where the first Europeans began to push the indigenous culture back from its home is a grid of small States that have been home to some of the greatest poets ever born anywhere, including Henry Wadsworth Longfellow, Helen Hunt Jackson, Oliver Wendell Holmes, and Kathy Lee Bates.

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  After the Fall: Dirges Among Ruins

  Eric Tinsay Valles

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  This collection explores the creative space of poetry as a means to unravel feelings evoked by the violence of war or by everyday traumatic events. One may come to terms with uncomfortable, including unspeakable, feelings by describing them with imagery from nature and one’s immediate environment. By participating in grieving, the self can better face any lingering effects of trauma. In this creative space, dramatic speakers retell stories and give vent to contradictory feelings through silences and free play. Their accounts attest to the dappled beauty of the human condition even if the full nature, scope and effects of traumatic memories are always beyond their grasp.

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  Fierce Elegy

  Peter Gizzi

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  Peter Gizzi has said that "the elegy is a mode that can transform a broken heart in a fierce world into a fierce heart in a broken world." For Gizzi, ferocity can be reimagined as vulnerability, bravery and discovery, a braiding of emotional and otherworldly depth, "a holding open." In Gizzi's voice joy and sorrow make a complex ecosystem. In their quest for a lyric reality, these poems remind us that elegy is lament but also—as it has been for centuries—a work of love. "This new poetry," Kamau Brathwaite has written about Gizzi, "taking such care of temperature—the time & details of the world—meaning the space(s) in which we live—defining love in this way. Writing along the edge. A way of writing about hope."[sample poem] Creely Songall that is lovely in words, even if gone to pieces all that is lovely gone, all of it for love and autobiography as if I were writing thishello, listen the plan is the body and all of it for love now in pieces all that is lovely echoes still in life & death still memory gardens open onto windows lovely, the charm that mirrors all that was, all that is, lovely in a song

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  The Snow Storm

  Ralph Waldo Emerson

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  The storm arrives, unbidden yet unstoppable, sculpting the world in reckless white. The north wind, a faceless mason, works without plan or patience—bastions rise, wreaths drape, roads vanish. No symmetry, no restraint, only the wild hand of winter shaping chaos into fleeting grandeur.
  By dawn, the architect is gone. What remains is a frozen wonder, a masterpiece of whim and force, too perfect to last, too wild to be remade.

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  My Hope Within Syllables - A...

  Alta H Haffner

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  Hope within syllables was and always will be my "soul child". 
  When I wrote my 1st ever Haiku, I knew that I would be counting syllables until my last breath. 
  This book is a little sad but incredibly hopeful.

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