Altri libri che potrebbero interessarti

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  Ultor De Lacy: A Legend of...

  Joseph Sheridan Le Fanu

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  "The shadows of Cappercullen hold more than just memories; they hold the restless spirits of those we betrayed."
  
  Returning to the rugged landscape of Munster, Le Fanu weaves a tale of the doomed De Lacy family. Ultor De Lacy, a man whose family was ruined by their loyalty to the lost Jacobite cause, lives a shadow of a life in the decaying Tower of Cappercullen. But the physical ruin of his estate is nothing compared to the spiritual rot within. When his daughters encounter a mysterious and beautiful stranger in the woods, they unknowingly reopen a door to a supernatural debt that has remained unpaid for generations. It is a story where political exile meets ghostly visitation, proving that for the De Lacys, the war never truly ended.
  
  History Haunted by Myth: Le Fanu brilliantly utilizes the real-world tension of the 18th-century Jacobite rebellions to ground his ghost story. The "legend" isn't just a campfire tale; it is a manifestation of the trauma of a defeated aristocracy. The ghosts of Cappercullen are symbols of a bygone era that refuses to die or stay silent.
  
  The "Stranger" in the Woods: A recurring theme in Le Fanu's work is the deceptive nature of the supernatural. The figure who haunts the periphery of the De Lacy estate is both alluring and terrifying, representing the "Otherworld" of Irish folklore. The story explores the vulnerability of innocence when faced with an ancient, calculating evil.
  
  Atmospheric Mastery: From the "death-tick" in the walls to the chilling descriptions of the secret chamber hidden within the tower, Le Fanu builds a sense of mounting dread. Ultor De Lacy is a masterclass in the "liminal" ghost story—where the horror is found in the transition between the historical world we know and the spectral world we fear.
  
  Step into the tower of shadows. Purchase "Ultor De Lacy: A Legend of Cappercullen" today.

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  The Wendigo

  Algernon Blackwood

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  "The Wendigo" by Algernon Blackwood is a chilling tale of supernatural terror, first published in 1910. Set in the remote Canadian wilderness, the story follows a hunting party led by Dr. Cathcart and his companions as they venture deep into the forest. When one of their guides, the experienced but superstitious Defago, begins to act strangely, the group finds themselves confronted by an ancient, malevolent force: the Wendigo, a legendary creature born of isolation and hunger. 
  Blending eerie atmosphere, psychological tension, and vivid descriptions of nature’s vastness, Blackwood crafts a haunting exploration of the human psyche and the primal fears that lurk in the wild. This classic tale is a cornerstone of supernatural horror and a must-read for fans of the genre.

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  Rise of Historical Criticism The...

  Oscar Wilde

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  Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s.
  THE RISE OF HISTORICAL CRITICISM: This Essay was written for the Chancellor's English Essay Prize at Oxford in 1879, the subject being 'Historical Criticism among the Ancients.' The prize was not awarded. To Professor J. W. Mackail thanks are due for revising the proofs.

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  Polaris (Unabridged)

  H. P. Lovecraft

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  The story begins with the narrator describing the night sky as observed over long sleepless nights from his window, in particular that of the Pole Star, Polaris, which he describes as "winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey". - He then describes the night of the aurora over his house in the swamp, and how on this night he first dreamed of a city of marble lying on a plateau between two peaks, with Polaris above in the night sky. The narrator describes after a while observing motion within the houses and seeing men beginning to populate the streets, conversing to each other in language that he had never heard before but still, strangely, understood. However, before he could learn any more of this city, he awoke. Many times, he would again dream of the city and the men who dwelt within. After a while, the narrator becomes tired of merely existing as an incorporeal observer and desires to establish his place within the city, simultaneously beginning to question his conceptualization of what constituted reality and thus whether this was just a dream or whether it was real. Then, one night, while listening to discourses of those who populate the city, the narrator obtains a physical form: not as a stranger, but as an inhabitant of the city, which he now knew as Olathoë, lying on the plateau of Sarkis in the land of Lomar, which was besieged by an enemy known as the Inutos. While the other men within the city engage in combat with Inutos, the narrator is sent to a watchtower to signal if the Inutos gain access to the city itself. Within the tower, he notices Polaris in the sky and senses it as a malign presence, hearing a rhyme which appears to be spoken by the star...

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  Feuille d’Album - A Classic...

  Katherine Mansfield

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  What happens when love is felt deeply but never spoken aloud? In “Feuille d’Album” by Katherine Mansfield, a shy and socially awkward young man observes the woman who lives across from him, constructing an entire emotional world from brief glances and silent longing. His affection grows not through conversation or action, but through careful watching and inward reflection. Set in a quiet European city, the story unfolds as a delicate study of romantic idealism, isolation, and the fear of human connection. As the young man’s inner life becomes richer and more intense, the gap between imagination and reality slowly narrows - until a single, fragile moment forces him to confront the limits of his private dream. With her signature psychological precision, Mansfield captures the vulnerability of unexpressed love, revealing how desire can flourish in silence. Press play and step into one of her most subtly moving short stories, where longing lives in the space between seeing and being seen.

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  Medea - (National Theatre of...

  Euripides

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  'She's chucked out like an old coat that nae langer fits him…'
  Medea and Jason, clinging together as refugees in Corinth, have struggled to bring up their beloved offspring in this alien and unsympathetic society. Now Jason has a plan to better integrate himself. Unfortunately, this involves abandoning his wife, the mother of his children…
  Spurned, destitute, desperate, Medea exacts her terrible retribution.
  Liz Lochhead's Scots-inflected version of Euripides' classic revenge tragedy was first performed by Theatre Babel in 2000 and won the Saltire Society Scottish Book of the Year Award. It was revived by the National Theatre of Scotland as part of the 2022 Edinburgh International Festival, with Adura Onashile as Medea, directed by Michael Boyd.

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