Unisciti a noi in un viaggio nel mondo dei libri!
Aggiungi questo libro allo scaffale
Grey
Scrivi un nuovo commento Default profile 50px
Grey
Iscriviti per leggere l'intero libro o leggi le prime pagine gratuitamente!
All characters reduced
Sweet and Lowdown - Woody Allen's Cinema of Regret - cover

Ci dispiace! L'editore o autore ha rimosso questo libro dal nostro catalogo. Ma per favore non ti preoccupare, hai ancora oltre 500.000 altri libri da scegliere!

Sweet and Lowdown - Woody Allen's Cinema of Regret

Lloyd Michaels

Casa editrice: WallFlower Press

  • 0
  • 0
  • 0

Sinossi

Over a career that has spanned more than six decades, Woody Allen has explored the emotion of regret as a response to the existentialist dilemma of not being someone else. Tracing this recurrent theme from his stand-up comedy routines and apprentice work through classics like Annie Hall, Manhattan, The Purple Rose of Cairo, Hannah and Her Sisters, and Bullets Over Broadway as well as less esteemed accomplishments (Another Woman, Sweet and Lowdown, Cassandra's Dream), this volume argues that it is ultimately the shallowness of his protagonists' regret—their lack of deeply felt, sustained remorse—that defines Allen's pervasive view of human experience. Drawing on insights from philosophy, theology, psychology, and literature, the book discusses nearly every Woody Allen film, with extended analyses of the relationship films (including Alice and Husbands and Wives), the murder tetralogy (including Match Point and Irrational Man), the self-reflexive films (including Stardust Memories and Deconstructing Harry), and the movies about nostalgia (including Radio Days and Midnight in Paris). The book concludes by considering Allen's most affirmative resolution of regret (Broadway Danny Rose) and speculating about the relevance of this through-line for understanding Allen's personal life and prospects as an octogenarian auteur.
Disponibile da: 07/03/2017.

Altri libri che potrebbero interessarti

  • Why We Love Star Wars - The Great Moments That Built a Galaxy Far Far Away - cover

    Why We Love Star Wars - The...

    Ken Napzok

    • 0
    • 0
    • 0
    Celebrate the greatest saga ever told with this “intergalactically awesome book” (Tiffany “Smithlord” Smith). 
     
    The first shots of the ragtag Rebels running from the monstrous Galactic Empire. Young Anakin winning the podrace. The first time we saw the crackle of Luke Skywalker’s lightsaber. All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments, and each time the screen goes black and we see those words—A Long Time Ago, In A Galaxy Far, Far Away—the music blasts through us and we feel like kids again. 
     
    In this book, Star Wars aficionado Ken Napzok counts down one hundred of those special moments that makes this series not just the best movies of all time, but the Greatest Saga Ever Told. What began as one movie about good people, evil oppressors, and the space wizards that stood between them has exploded into so much more. The moments that continue to inspire are on screen and in the pages of novels. They are found in the panels of comic books and among animated sequences on television. And they all continue to grow in stature, importance, and myth through discussions, debates, and daydreams. Why We Love Star Wars is a joyful journey through the universe we love to inhabit, again and again.
    Mostra libro
  • Pissarro - cover

    Pissarro

    Nathalia Brodskaya

    • 0
    • 0
    • 0
    “Father Pissarro”, as his friends liked to call him, was the most restrained of the artists of the Impressionist movement. Perhaps it was his age, being older than his fellow artists Monet, Sisley, Bazille, and Renoir, or rather his maturity, which resulted in his works having such serene and sober subjects and compositions. 
    A man of simple tastes, he enjoyed painting peasants going about their daily lives. However, Pissarro owes his belated fame to his urban landscapes, which he treated with the same passion he used to paint beautiful stormy skies and frost-whitened mornings.
    Mostra libro
  • A Grain as Big as a Hen's Egg - cover

    A Grain as Big as a Hen's Egg

    Julie Sormark

    • 0
    • 0
    • 0
    Art Classic Stories is a special series of English fairy tales that combines the paintings of great painters with classic fairy tales.
    Mostra libro
  • Abbott and Costello: Bank Robbery with Marlene Dietrich - Old Time Radio Shows - cover

    Abbott and Costello: Bank...

    Bud Abbott, Lou Costello

    • 0
    • 0
    • 0
    Abbott and Costello ride into Dead Pan Gulch on the trail of Black Pete, the bank robber. Black Pete turns out to be guest Marlene Dietrich!
    Mostra libro
  • Why the Beach Boys Matter - cover

    Why the Beach Boys Matter

    Tom Smucker

    • 0
    • 0
    • 0
    “An excellent introduction to the band that might have evolved, [the author] suggests, into the Beatles.” —New York Journal of Books Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock. No other group can claim the Ronettes and the Four Seasons as early 1960s rivals; the Mamas and the Papas and Crosby, Stills and Nash as later 1960s rivals; and the Beatles and the Temptations as decade-spanning counterparts. This is the first book to take an honest look at the themes running through the Beach Boys’ art and career as a whole and to examine where they sit inside our culture and politics—and why they still grab our attention.
    Mostra libro
  • Bold Ventures - Thirteen Tales of Architectural Tragedy - cover

    Bold Ventures - Thirteen Tales...

    Charlotte Van den Broeck

    • 0
    • 0
    • 0
    A prize-winning Belgian poet explores the nature of creative endeavor—the godlike ambition, the crushing defeat of failure—through the stories of thirteen tragic architects.In thirteen fascinating chapters, Charlotte Van den Broeck goes in search of buildings that were fatal to their architects—architects who either killed themselves or are rumored to have done so. They range across time and space from a church with a twisted spire in seventeenth-century France to a theater that collapsed mid-performance in 1920s Washington, DC, and an eerily sinking swimming pool in the author's hometown. Drawing on a vast range of material, from Hegel and Darwin to art history, stories from her own life, and popular culture, Van den Broeck brings patterns into focus as she asks, What is that strange, life-or-death connection between a creation and its creator?Threaded through each story is the author's meditation on the question of suicide—what Albert Camus called the "one truly serious philosophical problem"—in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking ground in literary nonfiction, as well as providing solace and consolation to anyone who has ever attempted a creative act.
    Mostra libro