Altri libri che potrebbero interessarti

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  Mother's Day 360

  Carl Amari

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  This episode of Hollywood 360 is a salute to mom, with Mother’s Day-themed episodes of The Life of Riley, Dragnet, This is Your F.B.I. and Box 13. Plus, we’ll go from mothers to sisters, as actress Kathy Garver, better known as Sissy from Family Affair joins Carl and Lisa live in studio.
  A Falcon Picture Group audio production.

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  Renaissance Paintings

  Victoria Charles

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  In utter contrast to the obscurity of the medieval period which preceded it, the rapid and unexpected arrival of the Renaissance conquered Europe during the 14th to the 16th centuries. Placing man at its centre, the actors of this illustrious movement radically altered their vision of the world and refocused their aesthetic pursuits towards anatomy, perspective, and the natural sciences. Creator of numerous talents, the Renaissance offered the history of art great names such as Botticelli, Raphael, and Leonardo da Vinci, whose glorious masterpieces still today hang on the walls of museums the world over.

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  Lay It On The Line - A Backstage...

  Rik Emmett

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  From Triumph superstar Rik Emmett comes the thrilling, inspiring story of a life of rock and roll
  		 
  While describing the impulse driving his life and work, Rik Emmett explains, “I was never in it for the sex and drugs — ah, but the rock and roll. Creativity was, and still is, my it — the truth I bet my life on. It was also, always, about play. The play’s the thing …”
  		 
  Merging memoir, anecdotes, and masterclasses on guitar, songwriting, and the artist’s mindset, Lay It On The Line offers insight and perspective into the many roles Rik Emmett took on. “It” was always a parboiling, psychological gumbo: and this book attempts to finally share the recipe.
  		 
  It also includes photos from Emmett’s own archives, plus the definitive, detailed reasons behind why he walked from Triumph — and came back two decades later.
  		 
  Rock star, it seems, was a character for Rik Emmett to inhabit … a great gig, a catalytic door-opener … it was a role that led to other adventures — and these are the stories he’s chosen to tell.

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  The Ring of Truth - The Wisdom...

  Roger Scruton

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  “Nothing in opera is grander than The Ring, no work more suited to the deep reading the writer gives here.” —Opera News   Richard Wagner’s Ring of the Nibelung is one of the greatest works of art created in modern times, and has fascinated both critics and devotees for over a century and a half. No recent study has examined the meaning of Wagner’s masterpiece with the attention to detail and intellectual power that Roger Scruton brings to it in this inspiring account.  The Ring of Truth is an exploration of the drama, music, symbolism, and philosophy of The Ring from a writer whose knowledge and understanding of the Western musical tradition are the equal of his capacities as a philosopher. Scruton shows how, through musical connections and brilliant dramatic strokes, Wagner is able to express truths about the human condition which few other creative artists have been able to convey so convincingly. For Wagner, writes Scruton, the task of art is to “show us freedom in its immediate, contingent, human form, reminding us of what it means to us. Even if we live in a world from which gods and heroes have disappeared we can, by imagining them, dramatize the deep truths of our condition and renew our faith in what we are.”   Love, death, sacrifice and the liberation that we win through sacrifice—these are the great themes of The Ring, as they are of this book. Scruton’s passionate and moving interpretation allows us to understand more fully than ever how Wagner conveys his ideas about who we are, and why TheRing continues to be such a hypnotically absorbing work.   “Scruton’s presentation is grounded throughout in a deep understanding of the culture of Wagner’s era . . . the writing is clear and persuasive.” —Library Journal (starred review)   “A fascinating and valuable study.” —Sunday Times

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  The Object at Hand - Intriguing...

  Beth Py-Lieberman

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  With charm and exuberance, The Object at Hand presents a behind-the-scenes vantage point of the Smithsonian collections. Veteran Smithsonian magazine editor Beth Py-Lieberman weaves together adaptations of the magazine's extensive and compelling coverage and interviews with scholars, curators, and historians to take listeners on an unforgettable journey through the Smithsonian museums.Objects are grouped into the themes audacity, utopia, fierce, haunting, deception, lost, desire, triumph, scale, optimism, playful, rhythm, and revealing to engage with the emotional dimensions of each object, how they relate to each other, and how they fit into the larger American story.Py-Lieberman reflects on the profound connections between even outwardly dissimilar objects and offers insight and stories from Smithsonian experts. The book explores artworks, scientific specimens, historical artifacts, airplanes, spacecraft, plants, and so much more, contemplating how each item represents different facets of humanity and resonates with cultural meaning in surprising ways. Whimsical, affecting, and insightful, The Object at Hand offers an intimate and exclusive tour of the Smithsonian collections.

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  The Birth of Tragedy

  Friedrich Nietzsche

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  Friedrich Nietzsche’s The Birth of Tragedy out of the Spirit of Music was published in 1872. In 1869, at the age of 24, he had been appointed a professor of classical philology at the University of Basel, a remarkable position for one of his age, and the book was his first significant publication. It did little, however, to help his reputation as a scholar; his views were controversial and aroused strong criticism in some quarters, while his deliberate espousal of the cause of the composer Richard Wagner was, to say the least, unhelpful. Nietzsche later revised his views on Wagner and re-issued The Birth of Tragedy in 1886 under the title The Birth of Tragedy, or Hellenism and Pessimism, introducing it with An Attempt at a Self-Criticism. The present reading includes this last, his 1871 Preface to Richard Wagner and the original book itself, with its famous discussion of the Apollonian and Dionysian in Greek tragedy.

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