Casa editrice: KenWrites
Acknowledging God, his majesty and supreme presence and might that baffle, intrigue and command worship from all mortals with all their human imperfections.
This is a collection of poems read by LibriVox volunteers for the month of September and October 2010.Mostra libro
Ivor Bertie Gurney was born in Gloucester on 28th August 1890. A chorister at Gloucester cathedral Ivor began to compose music at 14 before winning a scholarship to the Royal Academy of Music in 1911. Noted for his enormous potential he was equally thought by many to be un-teachable. His studies were interrupted by World War I and his enlistment with the Gloucestershire Regiment. He was wounded in April 1917. He returned to duty but was gassed a few months later. After his release from hospital he was posted to Seaton Delaval, a mining village in Northumberland, where he wrote poems including 'Lying Awake In The Ward'. His first volume of poetry, Severn and Somme, was published in November 1917, followed by War's Embers in 1919. Unfortunately his life was blighted by bi-polar disorder which had developed from his mid-teens and culminated in his first major breakdown whilst still in uniform in 1918. The trigger was a failed relationship with Annie Drummond. After the war he seemed to thrive for a while but the bi-polar return with increasing severity in 1922 to the point where we was declared insane. Although he continued to write poems and a few pieces of music he was to spend the next fifteen years of his life until his death in various mental hospitals. Ivor Gurney died on 26th December 1937. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Mostra libro
Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. Zangwill was initially educated in Plymouth and Bristol. At age 9 he was enrolled in the Jews' Free School in Spitalfields in east London. Zangwill excelled here. He began to teach part-time at the school and eventually full time. Whilst teaching he also studied with the University of London and by 1884 had earned his BA with triple honours in philosophy, history, and the sciences. His writing earned him the sobriquet ‘the Dickens of the Ghetto’ primarily based on his much-lauded novel ‘Children of the Ghetto: A Study of a Peculiar People’ in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter. As a writer he was keen to reflect on his political and social outlooks. His simulation of Yiddish sentence structure in English aroused great interest. His mystery work, ‘The Big Bow Mystery’ (1892) was the first locked room mystery novel. Zangwill was also involved with narrowly focused Jewish issues as an assimilationist, an early Zionist, and later a territorialist. In the early 1890's he joined the Lovers of Zion movement in England. In 1897 he joined Theodor Herzl (considered the father of modern political Zionism) in founding the World Zionist Organization. Zangwill quit the established philosophy of Zionism when his plan for a homeland in Uganda was rejected and founded his own organisation; the Jewish Territorialist Organization. Its stated goal was to create a Jewish homeland in whatever territory in the world could be found for them. Amongst the challenges in his life he found time to write poetry. He had translated a medieval Jewish poet in 1903 and his volume ‘Blind Children’ in 1908 was well received. ‘The Melting Pot’ in 1909 made Zangwill’s name as an admired playwright. When the play opened in Washington D.C., former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." Israel Zangwill died on 1st August 1926 in Midhurst, West Sussex.Mostra libro
A university professor is caught in a storm when an image of her in a changing room is shared online. Exploring how images of women are represented in art and social media, Annie Fox's Woman Caught Unaware is a searing examination of the culture of body-shaming. A monologue play, Woman Caught Unaware was a finalist in the inaugural Heretic Voices competition, presenting the best new writing in monologue form, and celebrating unique voices with exceptional stories to tell. It was first performed at the Arcola Theatre, London, in 2018. The play is also available in the volume, Heretic Voices: Three Award-winning Monologues. 'Three exceptional plays… powerful, emotional, rage-filled works that rail against injustice but contain tenderness, humour and passion… it's a pleasure to witness this simple, powerful storytelling' - LondonTheatre1 'A whole theatrical season condensed into an evening' - Exeunt Magazine 'Inspiring… a poetic assembly indeed' - A Younger TheatreMostra libro
Malachi's been looking forward to a fresh start at uni for months. He's settling in, he's got a stack of books to read and he's met someone new – Kojo, a musician with a megawatt smile, who's basically perfect. But something doesn't feel right. He keeps having the same nightmare – sinking, crushed by the weight of the ocean – and it's getting worse… A beast grows in the water, hungry, relentless, hunting him but always just out of sight. As the boundaries between nightmare and reality fracture, Malachi must fight harder than ever to stay afloat. Kwame Owusu's play Dreaming and Drowning is an intimate and visceral deep-dive into the boundless mind of a young Black queer man wrestling with anxiety. It won the Mustapha Matura Award, was shortlisted for the Alfred Fagon Award, and was one of the winning plays in the RSC's 37 Plays competition. It was first performed at the Bush Theatre, London, in November 2023, directed by the playwright, performed by Tienne Simon, and produced by WoLab. 'A visceral but lyrical look at anxiety and acceptance' - Guardian 'A joyful play that will leave you hopeful… funny, well-paced, and engaging' - LondonTheatre1 'Pithy, poetic, and viscerally evocative' - Reviews Hub 'Wonderfully life-enhancing… punchy and richly imaginative… delivers a double hit of theatrical dopamine… witty, contemporary and at times compellingly poetic… a fleet, gripping piece of storytelling… a little gem… a must-see for anybody interested in fine new writing' - WhatsOnStageMostra libro
Nawal El Saadawi's most recent play, God Resigns at the Summit Meeting, created an uproar in her native Egypt. On the basis of the title alone, officials declared the work heretical and charged El Saadawi with insulting the "Almighty God", not just Islam. Her prosecutors requested that all her books be destroyed, that she be arrested on return to Egypt and her Egyptian nationality be revoked. In the play, the prophets and great women gather for a meeting with God. Satan arrives to tender his resignation but neither Jesus, nor Mohammad, nor Moses are willing to replace him. Finally, God himself resigns. The second play in this collection is Isis, a critique of the discriminatory rules that control women, the daughters of Isis. Both God Resigns and Isis incorporate key themes to El Saadawi's work: that all religions are inimical to women and the poor, that the oppression of women is reprehensible and not uniquely characteristic of the Middle East or the ''Third World'', and that free speech is fundamental to any society. "El Saadawi writes with directness and passion" New York Times Book Review 'A poignant and brave writer' Marie Claire 'The leading spokeswoman on the status of women in the Arab World' Guardian 'More than any other woman, El Saadawi has come to embody the trials of Arab feminism.' San Francisco ChronicleMostra libro
