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  The Tent Generations -...

  Fadwa Tuqan, Salem Jubran,...

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  From the Introduction by Mohammed Sawaie:
  The Palestinian poets included in The Tent Generations, Palestinian Poems represent different age groups and backgrounds, yet they all express a strong sense of "Palestinian-ness". They include Israeli citizens, the offspring of those who remained in Palestine after 1948. They also include poets who lived or continue to live in the West Bank and Gaza, areas that are still occupied, or controlled by Israelis as of this writing. Finally, they include poets born in Palestine, but whose families were expelled, or migrated to neighboring Arab countries as a result of the Arab-Israeli wars of the Nakba in 1948, and then of 1967 and 1973.
  The educational backgrounds of the poets represented here vary. Salem Jubran, Samih al-Qasim, Tawfiq Zayyad, and Marwan Makhoul, for example, were products of the Israeli educational system. Others attended institutions of learning in various Arab countries. Fadwa Tuqan received little formal education in her city of Nablus; she, however, acquired instruction in language, support in writing poetry, and encouragement to publish her poems from her brother, the well-known poet Ibrahim Tuqan, mentioned previously.
  All these poems are written in fusha Arabic, Modern Standard Arabic, the codified literary, written language shared by educated speakers of Arabic in their various respective regions. Palestinian folkloric poetry, referred to as al-Shi'r al-Sha'bi or Shi'r al-'Ammiyya, is not included in this work. Folk poetry, richly expressed orally in the Palestinian dialect, 'Ammiyya, embraces a variety of themes (national pride, panegyric, love, generosity toward guests/strangers, and so on), including the political themes expressed in the poems in this work. There is a rising interest in collecting and preserving this folkloric poetry, and several anthologies of oral poetry as well as studies have recently appeared.
  The 1948 Nakba, the wars of 1967 and 1973, and their subsequent tragic impact find expression in the work of Palestinian poets. Some of the authors in this collection had firsthand experience of the loss of home, and the up-rootedness from and destruction of their villages and cities. Others acquired knowledge of such experiences, the tragedy that befell Palestinians, through stories told by grandparents or parents, stories of hardship and deprivation transmitted from one generation to another. Thus, poets express in vocabulary specific to the Palestinian experience of the dispossession of homeland, the forced expulsion, the pain of living in the miserable conditions of refugee camps in the diaspora.

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  The Domino Effect (NHB Modern...

  Fin Kennedy

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  A silent girl finds her voice, and her mother, when a mysterious East End antiques dealer teaches her how small actions lead to big effects, and how to master the law of unintended consequences.
  The Domino Effect – a five-star hit at the 2014 Edinburgh Festival Fringe – is an ensemble play for teenage performers created by award-winning playwright Fin Kennedy.

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  I'm Nobody

  Emily Dickinson

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  LibriVox volunteers bring you 17 different recordings of I’m Nobody, by Emily Dickinson. Dickinson’s text of this poem contains two possible versions of it. There is a great deal of discussion among academics as to which she preferred. Only one version forms part of this collection. This was the weekly poetry project for the week of March 18th, 2007.

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  Worth While

  Ella Wheeler Wilcox

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  LibriVox volunteers offer you 15 different recordings of Worth While, by Ella Wheeler Wilcox. This was the weekly poetry project for the week of March 28, 2010.

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  The Poetry of Edith Wharton -...

  Edith Wharton

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  Edith Newbold Jones was born in New York on 24th January 1862.   Born into wealth, this background of privilege gave her a wealth of experience to eventually, after several false starts, produce many works based on it culminating in her 1921 Pulitzer Prize winning novel ‘The Age of Innocence’ 
   
  Marriage to Edward Robbins Wharton, who was 12 years her senior in 1885 seemed to offer much and for some years they travelled extensively.  After some years it was apparent that her husband suffered from acute depression and so the travelling ceased and they retired to ‘The Mount’, their estate designed by Edith.  By 1908 his condition was said to be incurable and prior to divorcing Edward in 1913 she began an affair, in 1908, with Morton Fullerton, a Times journalist, who was her intellectual equal and allowed her writing talents to push forward and write the novels for which she is so well known.  
   
  Acknowledged as one of the great American writers Wharton was also a dazzling though largely unrecognised poet.  Her talents allowed her to create poems that both capture and explore many situations of life and society.  
   
  Edith Wharton died of a stroke in 1937 at the Domaine Le Pavillon Colombe, her 18th-century house on Rue de Montmorency in Saint-Brice-sous-Forêt, in France. 
   
  1 - The Poetry of Edith Wharton - An Introduction 
  2 - Terminus by Edith Wharton 
  3 - Some Busy Hands by Edith Wharton 
  4 - A Failure by Edith Wharton 
  5 - A Hunting Song by Edith Wharton 
  6 - Happiness by Edith Wharton 
  7 - Mould and Vase by Edith Wharton 
  8 - Jade by Edith Wharton 
  9 - Aeropagus by Edith Wharton 
  10 - Non Dolet by Edith Wharton 
  11 - Botticlelli’s Madonna in the Louvre by Edith Wharton 
  12 - Patience by Edith Wharton 
  13 - The Comrade by Edith Wharton 
  14 - Mona Lisa by Edith Wharton 
  15 - Life by Edith Wharton 
  16 - The Bread of Angels by Edith Wharton 
  17 - Chartres by Edith Wharton 
  18 - Survival by Edith Wharton 
  19 - All Saints by Edith Wharton 
  20 - All Souls by Edith Wharton 
  21 - The Young Dead by Edith Wharton 
  22 - Belgium by Edith Wharton 
  23 - Battle Sleep by Edith Wharton 
  24 - Experience by Edith Wharton 
  25 - A Torchbearer by Edith Wharton 
  26 - A Grave by Edith Wharton 
  27 - An Autumn Sunset by Edith Wharton 
  28 - Grief by Edith Wharton

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  Depth Perception - Poems and a...

  Robin Morgan

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  This fourth book of poems from award-winning author Robin Morgan has an almost-novelistic shape, with plot twists that are realizations of self, other, and the nature of change In this book of transitions, Robin Morgan’s poetry crosses the boundaries of age, race, culture, and gender. The lifelong love-hate passion between mother and daughter is here, as is a vivid, rhetoric-free depiction of the suffering and rage of women cross-culturally. Morgan also traces the slow dissolution of a marriage, parsed in poems of alternating hope and despair, humor and fury—and also in a tragicomic, two-character, one-act verse play, “The Duel: A Masque.” The play, which inverts the Orpheus-Eurydice myth, was performed at the Public Theater in New York City.   Praised by the literary world for her technique, but dedicated to keeping her craft accessible and impassioned, Morgan takes us through inevitable deaths and resurrections of the self in pitch-perfect language shot through with dazzling imagery and irony.

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