Altri libri che potrebbero interessarti

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  Lou Harrison - American Musical...

  Brett Campbell, Bill Alves

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  A biography on the legendary gay American composer of contemporary classical music. 
   
  American composer Lou Harrison (1917–2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Björk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant-garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called “world music” phenomenon that has invigorated Western music with global sounds over the past two decades. 
   
  In this biography, authors Bill Alves and Brett Campbell trace Harrison’s life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives’s Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first “happenings” with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career. 
   
  “Lou Harrison’s avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell’s new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Henry Cowell and Arnold Schoenberg and Charles Ives and Harry Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well.” —Kyle Gann, author of Charles Ives’s Concord: Essays After a Sonata

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  By Cécile

  Tereska Torrès

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  A coming of age novel set in post-war France by an author who “launched the modern genre of the lesbian paperback” (Susan Stryker, author of Queer Pulp).   When eighteen-year-old Cécile is orphaned at the end of World War II, the curious and adventurous Catholic student finds refuge in Paris, and with an older man. A former member of the Resistance with Cécile’s parents, Maurice is handsome, a thrilling cultured patron of the arts, and a mentor eager to introduce the budding young author to his intimate circle of friends—Cocteau, Sartre, and Eartha Kitt! As liberating an influence as he is, Maurice also encourages Cécile to shed her inhibitions he sees as bourgeois. Possessing a sensual and passionate temperament, Cécile is eager to begin exploring—by sharing Maurice’s mistress, and writing of every life-changing and delightfully scandalous new experience.   Credited with penning the first, candidly lesbian novel—Women’s Barracks, in 1950—Tereska Torrès “scandalized mid-century America” (The New York Times). In By Cécile, written in 1963, “Madame Torres has re-imagined a youthful Colette (here called Cécile) in the infinitely seductive post-World War II period in Paris, where she moves like a sleeping princess through the perverse fairy tales of man-made cafe society. [It’s] a sharply perceptive novel” (Joan Schenkar, author of The Talented Miss Highsmith).

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  Code Red

  N.R. Walker

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  Maddox Kershaw is the main vocalist of the world’s biggest boy band. He’s at the top of every music chart, every award show, every social media platform, and every sexiest-man-alive list. He’s the bad boy, the enigma, the man everyone on the planet wants a piece of. 
  He’s also burned out and exhausted, isolated and lonely. Not in a good headspace at the start of a tour. 
  Roscoe Hall is Maddox’s personal manager. His job is high-flying, high-demand, high-profile, and he loves it. Maddox has consumed his entire life for the past four years. Roscoe knows him. He sees the real Maddox no one else gets to see. 
  He’s also in love with him. 
  When the tour and stress become too much, when the world begins to close in, Roscoe becomes Maddox’s lifeline. But as Maddox knows already, and as Roscoe is about to learn, the brighter the spotlight, the darker the shadow.

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  Criminal Intentions: Season One...

  Cole McCade

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  ABOUT THIS EPISODETragedy strikes on the homefront when a husband and father snaps . . . but if Detectives Malcolm Khalaji and Seong-Jae Yoon can't track down a killer on the run, this crime of passion may take one more victim. Moral boundaries blur, lines cross, and even as a secretive puppetmaster watches from the shadows, both Malcolm and Seong-Jae must make a choice. One path leads to salvation.While the other may leave an innocent dead.And not even the feelings growing between them will stop Malcolm and Seong-Jae from shattering for good.Contains mature themes.

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  King Slayer - A Fog City Novel

  Layla Reyne

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  Never fall for a mark. Mission fail. 
  Christopher Perri—a.k.a. Dante Perry—infiltrated the Madigan organization with one goal: vengeance for his murdered partner. Falling for the assassin at the head of the table wasn't part of the plan, but Hawes Madigan is not the cold, untouchable Prince of Killers Chris expected. Everything about the newly crowned king is hot, and every inch of him eminently touchable . . . and off-limits once Chris's cover is blown. 
  Exposure couldn't come at a worse time. Hawes's throne is threatened, and Chris suspects the same person who killed his partner is behind the coup. Working with Hawes benefits them both, but Chris's employer has other ideas. Dismantling criminal organizations is what Chris does best, and his boss expects the King Slayer to deliver. 
  But Hawes is taking the Madigans in a new direction, one Chris can get behind, and the two men form a shaky alliance strengthened by the irresistible attraction between them . . . until Chris learns who killed his partner. Once he knows the truth, the King Slayer is unleashed, and Chris will stop at nothing to destroy those who betrayed him, including the king who stole his heart. 
  Contains mature themes.

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  As You Look

  Verónica Gutiérrez

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  Former LAPD cop turned private investigator Yolanda Ávila blames herself for her mother's death. If she'd only followed her cop instincts instead of the juju—her random prophetic dreams—the perpetrator would have been off the streets and her mother would still be alive. The only salve against her guilt is Yolanda's vow to reject that juju crap, and to solve cases using only good solid detective work.But when her godson is kidnapped and his parents are suspected of murder, Yolanda finds herself caught between what she feels and what she knows. And with the escalation of the case comes the escalation of her dreams. Until she can no longer ignore their importance.If she wants to overcome the guilt and deal with her pent-up grief, Yolanda must confront the juju and learn to trust its place in her life. If she doesn't, she risks losing yet another loved one. And she can't possibly let that happen.

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