Altri libri che potrebbero interessarti

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  Collier Laddie

  Rab Wilson

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  Forty years on from the 1984–85 UK Miners' Strike, the largest union-led industrial action in the 20th century, Rab Wilson – a former miner deeply entrenched in the strike – delivers a powerful narrative through his mining poems and strike diary, addressing contemporary social and economic issues in Scotland and the UK then and now.
  Having toiled in Scotland's mining industry for eight years, Rab provides an authentic voice that resonates with the struggles faced during the strike, vividly captured from his involvement between 12 March 1984 and 5 March 1985. This book serves as a testament to the working-class struggle, offering a unique perspective on the historical significance of Scotland's mining industry, skillfully expressed by a poet intimately connected to it. Rab Wilson emerges as an essential chronicler, ensuring the legacy of the miners' challenging strike endures in the pages of this evocative and timely work.
  Collier Laddie is an ode to resilience, solidarity and the enduring legacy of those who fought for justice during a pivotal moment in industrial history.

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  Visit - Short science fiction story

  Dr. Amr Mounir

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  In the distant future, students from Atlantic City and their teacher embark on a journey to explore the Capitol Building, the last remnant of a vanished American civilization. Amid the ruins, questions arise that reshape the past.

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  The Father and the Assassin

  Anupama Chandrasekhar

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  'Our wars may come in many forms. On the battlefields. Within ourselves.'
  Mahatma Gandhi: lawyer, champion of non-violence, beloved leader. Nathuram Godse: journalist, nationalist – and the man who murdered him.
  Anupama Chandrasekhar's play The Father and the Assassin traces Godse's life over thirty years during India's fight for independence: from a devout follower of Gandhi, through to his radicalisation and their tragic final encounter in Delhi in 1948.
  An essential exploration of oppression and extremism, this gripping play opened to critical acclaim at the National Theatre, London, in May 2022, directed by Indhu Rubasingham – and was revived there the following year. It was a finalist for the 2022-23 Susan Smith Blackburn Prize.

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  Rock (NHB Modern Plays)

  Chris Bush

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  Susie used to be a rocker. Susie used to be a radical. Susie was the future once, but that was a long time ago. It's been fifty years since her father bought an old scissor factory, and handed it over to her brother to run. Now Eddie's dead, and finally it's her time in the spotlight. She has big plans for it. She's turning up the volume. She's going to make this city sing again, if it's the last thing she does.
  Rock is a play about family, heritage and legacy, and is part of Chris Bush's trilogy of plays about a Sheffield manufacturing family, Rock / Paper / Scissors. The three plays were first performed simultaneously with the same cast moving between three theatres in Sheffield – the Crucible, the Lyceum and the Studio – as part of Sheffield Theatres' fiftieth birthday celebrations in 2022.

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  Shout

  Alexis Zegerman

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  'I want to connect. I want to be able to laugh and love, and be loved back... I want to be able to speak, without throwing up.'
  In a world full of words, how can Dana be herself when she can't speak? Dana has selective mutism, but that doesn't stem her vivid imagination. Because it's not just the noise you make that makes you who you are.
  Alexis Zegerman's play Shout is a funny, moving drama about anxiety, celebrating difference, and finding your voice. It wonders what exactly it takes to overcome anxiety and cope with mental health issues when you're a teenager.
  Written specifically for young people, the play formed part of the 2024 National Theatre Connections Festival and was premiered by youth theatres across the UK, including a performance at the National Theatre, London. It offers opportunities for a flexible cast of any size and mix of genders.

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  Scenes from a Repatriation

  Joel Tan

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  'All of human history? It's basically people taking things from each other.'
  A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government.
  As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.
  Joel Tan's daring, shape-shifting play unfolds the statue's journey from China to Britain and back again, stirring up age-old ghosts and asking who can claim cultural artefacts – and why?
  Scenes from a Repatriation was first performed at the Royal Court Theatre, London, in 2025, directed by experimental theatre-makers emma + pj.

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