Ci dispiace! L'editore o autore ha rimosso questo libro dal nostro catalogo. Ma per favore non ti preoccupare, hai ancora oltre 500.000 altri libri da scegliere!
Casa editrice: APS Publications
If you've ever commuted by bus then the situations, people, thoughts and exasperations explored by John wright in this collection of unique verse will be intensely familiar.
Animated by many different types of kinship, the poems in Dear Friend(s) explore webs of experience that wind between parents, extended families and friends. They will take readers back to powerful, often early influences, which result from relations of likeness and empathy as well as blood. The long title poem is an elegy – to a specific Dear Friend, dead from AIDS in its earliest years. It's also an elegy for the loss of innocence and freedom of sexual expression that flowed generously in the 1970s and 80s, in the UK and in the US.Mostra libro
Langston Hughes is a widely celebrated African American writer and important leader of the 1920s Harlem Renaissance. Deeply inspired by the great poet Walt Whitman, Hughes’ own writings gave voice to the Black community in the American literary canon. His assertion that “I, too, sing America” echoes through history and continues to be a battle cry in the fight for fair representation and equality. The Weary Blues, published in 1926, was Hughes’ first collection of poetry. He was only twenty-four years old at the time, but his insights carry wisdom beyond his years. Hughes made his literary debut at the height of Jim Crow when racial segregation ran deep through American society. Through the pain and hardship, there is also an unshakable pride in his African American heritage. Enjoy the rich notes and rhythms of Hughes’ distinct “jazz poetry” style, brought to life in this extraordinary InAudio production.Mostra libro
A magical, compelling play from the author of The Weir. Present day Dublin. Christmas Eve. Undertaker John Plunkett is sharing memories of funerals over the years and dispensing advice to his young assistant. But the arrival of his daughter Mary - estranged, grown-up - shows him the time has come to face up to his own disastrous past. Otherwise, he will never be able to create some kind of truce with his fear of the future. 'a theatrical spellbinder' - Daily Telegraph 'McPherson's short play is excellent: tough on love and the causes of love; profoundly sympathetic and damning about the denizens of the drunk tank.' - Time OutMostra libro
Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave, and Olivier himself. They were based on works by the worlds’ leading authors, among them Charles Dickens, Henry James, Oscar Wilde, and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first installment of theatrical history.Mostra libro
"This is a locals pub. And what's the problem with locals? They die." "Inconsiderate bastards." All over London public houses become private flats. Tomorrow The Anchor closes for good. It's the end of an era, but Kenny and the gang are going out with a bang. There's a blow-up sheep, karaoke and a lot of Campari. There's secrets and grudges and forgotten dreams. As the front doors are locked and the bar is drunk dry, there's a lot more to lose than just a pub. Anna Jordan's play We Anchor in Hope was premiered at The Bunker, London, in September 2019.Mostra libro
