Other books that might interest you

• 

  The Letter - Rural tale of...

  Viola Meynell

  • 0
  • 0
  • 0

  The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors.  From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them are the intriguing and tender narratives tackling delicate social subjects of Viola Meynell.

  Show book

• 

  Marius' Mules XV: The Ides of...

  S.J.A. Turney

  • 0
  • 0
  • 0

  The war in Gaul is over. 
   
  The rebels are defeated. 
   
  Now the battle for Rome has begun.

  Show book

• 

  Tales of Three Hemispheres - A...

  Lord Dunsany

  • 0
  • 0
  • 0

  In the dark days that followed the first world war, it seemed to many that all dreams had died, that wonder and fantasy could not survive in a world that knew trenches and poppies blooming where the blood fell.Come now as we travel through strange adventures and wonderful magics. Learn of the whimsies of gods, and the terrible fates that await those that cross them. See how the office of postman fell vacant in Otford-under-the-wold, and how a sack of emeralds brought only disaster to it's holder. Explore the strange mysteries of the old brown coat, the deep inland of China with a confused shepherd, the lands where the dwarves fought the demigods, and a city of wonder perhaps less unreal than it first appears.Includes Idle Days On The Yann from A Dreamer's Tales as the first part of three stories, collectively titled 'Beyond The Fields We Know'. Come along with the poet as he searches to once again pass beyond the realities mundane and into the Lands of Dream, along the fabled river Yann, to find the fate of the Avenger of Perdondaris.Edward Plunkett, the Baron Dunsany, was just gaining his stride as the world's first modern fantasy author, and wrote this book of tales to help show that dreams still came, dark and fantastical as they may be.

  Show book

• 

  COMING SOON from Richard Cullen

  Richard Cullen

  • 0
  • 0
  • 0

  Not Yet Available

  Show book

• 

  Code Noir - Fictions

  Canisia Lubrin, Christina Sharpe

  • 0
  • 0
  • 0

  "Code Noir is storytelling at its deepest and most intimate. These stories are magic and you must enter them as if you, too, are wondrous." —Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return 
   
   
   
  Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure, deceptively simple, is based on the infamous Code Noir, a set of real historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multilayered fragments filled with globe-wise characters who desire to live beyond the ruins of the past. 
   
   
   
  With a foreword by Christina Sharpe, Code Noir ranges in style from contemporary realism to dystopian literature, from futuristic fantasy to historical fiction. This inventive, shape-shifting braid of narratives exists far beyond the boundaries of an official decree.

  Show book

• 

  Fascist as Author The - A Short...

  Knut Hamsun, Luigi Pirandello,...

  • 0
  • 0
  • 0

  Authors are authors and we are drawn to their works because of their style, their narrative, and their characters and how each part is assembled into the arc of the whole. 
   
  But are we?  Do social conventions, or fashion or other influences decide what we read or what we listen to? 
   
  Its famously said that everyone has a story, everyone should be heard. 
   
  So, when we discover a particular author has a dark past, a difficult character, what do we do?   
   
  Europe was in the last century riven by two catastrophic world wars and a myriad of other local ones.  And like good citizens everywhere our thoughts are stilled by the word ‘Fascist’.  This word which originally meant many strands held together to make a stronger whole is now a one word response to evil and work done in its name. 
   
  In this volume our approach has been to take authors of then great renown, two of whom won the Nobel Prize, and compile a work from each which is seen in a literary context rather than in the heinous shadow of their political and social beliefs.   
   
  We are taught that authors write of their own experiences, but is that really true?  Can an author be separated from their nihilistic approach to politics and actually be a good writer who adds to our knowledge and experience rather than taint us with their reprehensible beliefs on their fellow man. 
   
  Its an ongoing argument.  Perhaps both sides are right.  Perhaps both sides are wrong.

  Show book