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  Peer Gynt

  Henrik Ibsen

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  Peer Gynt is a five-act play written by Henrik Ibsen, a renowned Norwegian playwright. First published in 1867, it tells the adventurous and introspective journey of the title character, Peer Gynt. The play follows Peer's exploits, starting from his youthful escapades in a small Norwegian village to his encounters with trolls, a seductive woman named Solveig, and various characters he meets along the way. Peer Gynt is known for its vivid imagery, symbolic language, and exploration of themes such as identity, self-discovery, and the nature of human existence. 
   
  At the heart of Peer Gynt is the character of Peer himself, a complex and multi-faceted individual. He is portrayed as a dreamer and a wanderer, constantly seeking meaning and purpose in life. Peer's journey is marked by his encounters with different aspects of himself and society, allowing the audience to reflect on the nature of human behavior and the consequences of one's actions. The play challenges conventional ideas of morality and societal norms, presenting Peer as a character who moves between selfishness and selflessness, illusion and reality, and ultimately learns the importance of personal responsibility and authenticity. 
   
  One of the notable aspects of Peer Gynt is its use of fantasy and folklore elements, particularly in Peer's encounters with trolls and other mythical creatures. These episodes provide a surreal and symbolic backdrop for Peer's psychological and spiritual journey. Through these encounters, Ibsen delves into themes of illusion versus reality, the human capacity for self-deception, and the consequences of chasing after superficial desires. The play also incorporates elements of Norwegian culture and folklore, adding a distinct national flavor to the story.

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  Young Goodman Brown and Other...

  Anthony M. Rud, Joseph Sheridan...

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  Step into the world of classic literature with our digital audiobook version of "Young Goodman Brown and Other Stories." Immerse yourself in the haunting tales penned by some of the greatest authors in literary history. 
   
  First up is Nathaniel Hawthorne's timeless masterpiece, "Young Goodman Brown," a journey into the heart of darkness where the line between reality and illusion blurs, leaving you questioning the nature of good and evil. 
   
  Followed by Anthony M. Rud's "Ooze," a chilling exploration of the macabre that will send shivers down your spine as you venture into the mysterious depths of the unknown. 
   
  Next, Joseph Sheridan Le Fanu's "A Debt of Honor" introduces you to a world of secrets and vengeance, where debts must be paid in blood, and the past can never truly be escaped. 
   
  And finally, E. F. Benson's "Mr. Tilly's Seance" invites you to a gathering where the boundaries between the living and the dead are blurred, and the consequences of dabbling in the supernatural are all too real.

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  Alice Dunbar Nelson - A Short...

  Alice Dunbar-Nelson

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  Alice Ruth Moore was born on 19th July 1875 in New Orleans where she was part of the multi-racial Creole community.  She was the first generation seemingly born free after the Civil War and unusually for the times, obtained a university education which led to her becoming a teacher at a public school in New Orleans.   
  In 1895, when she was 20, she published her first collection of short stories and poems, ‘Violets and Other Tales’, and moved to New York City where she co-founded and taught at the White Rose Mission, a Home for Girls.   
  Alice was always politically active and sought to advance the position of black women.  She began work as a journalist at the Woman’s Era newspaper where her work was seen by the established poet and journalist Paul Laurence Dunbar.  After corresponding for two years she joined him in Washington DC and they married in 1898.   
  It was a difficult relationship, due mainly to Dunbar’s fragile health, alcoholism and depression.  After a severe beating she left him and moved to Delaware to teach for a decade though took time out to enroll at Cornell University. 
  A short-lived marriage to Henry A. Callis, a physician and professor at Howard University ended in divorce and she became co-editor and writer for an influential publication of the African Methodist Episcopal Church.  A third marriage to civil rights activist Robert J. Nelson came about, as did affairs with several women, notably the activist Fay Jackie Robinson.   
  In Wilmington Delaware she and her husband devoted their time and writings to working for equality for African Americans and women’s suffrage.   
  Alice Dunbar Nelson was a natural and gifted writer across many genres, from novels, essays, plays to diaries, criticism, poetry and of course short stories, of which ‘Stones in the Village’ is a fine example.  The protagonist, like herself, is light skinned from New Orleans, which allows for a social mobility and a unique position in American society that Dunbar Nelson captures with an imagination and insight to explores another divisive perspective on race.  It is unsurprising that Alice was a prominent part of the early Harlem Renaissance and influenced many others including Langston Hughes and Countee Cullen. 
  Alice and her husband moved to Philadelphia in 1932 and it was here that she died on 18th September 1935, at the age of 60, from a heart ailment.

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  Hop-Frog

  Edgar Allan Poe

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  Hop-Frog is a short story by American writer Edgar Allan Poe, first published in 1849. The title character is a dwarf taken from his homeland who becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for striking his friend and fellow dwarf Trippetta, he dresses them as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta. It has been suggested that Poe wrote the story as a form of literary revenge against a woman named Elizabeth F. Ellet and several others.

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  A Wagner Matinee - From their...

  Willa Cather

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  Willa Sibert Cather had Welsh ancestry but like her parents Charles and Mary, was born in Virginia, on 7th December 1873.  Despite strong roots in the community, Willa was 9, when the family moved to Nebraska, to work the rich soil and avoid TB of which there were numerous outbreaks in Virginia.   
  The vastness and drama of the Nebraska prairie and its’ extreme weather conditions as well as the many diverse cultures of the local families proved to be a major influence on her and can be evidenced in much of her later writing.   
  Her first writing was for the local journal when she was at the University of Nebraska and later became the managing editor of the student newspaper.    
  In 1896 she obtained work for a woman’s magazine in Pittsburgh and soon after became a regular contributor to the Pittsburgh Leader and wrote poetry and short stories for the Library, another local publication.   
  Her first collection of short stories, ‘The Troll Garden’, was published in 1905 and contains several of her most famous including ‘A Wagner Matinee’ and ‘Paul's Case.’ As a writer Cather was now taking immense strides forward.   
  Between 1913 and 1918 Cather wrote her Prairie Trilogy: ‘O Pioneers!’, ‘The Song of the Lark’, and ‘My Ántonia’ and in 1922 the Pulitizer Prize was hers for her novel ‘One of Ours’ set during WWI.  
  Acknowledged as one of America's greatest writers’ further honours flowed. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year Cather received the gold medal for fiction from the National Institute of Arts and Letters.  
  A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. 
  On 24th April 1947, Willa Siebert Cather died of a cerebral haemorrhage at her Manhattan home. She was 73.

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  Madam Crowl's Ghost and the Dead...

  Joseph Sheridan Le Fanu

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  "The dead do not always rest, and the past is never truly buried."
  
  In this collection, Le Fanu takes us into the dark corners of the human conscience. "Madam Crowl's Ghost" tells the story of an ancient, wealthy woman whose deathbed secrets refuse to remain hidden. As a young servant girl discovers, the old woman's spirit continues to wander the corridors of Applewale House, driven by a terrifying need to reveal a hidden crime. In "The Dead Sexton," the focus shifts to the mysterious and grim Mr. Toby Appleby, a man whose life—and death—are bound up with a sinister bargain. These stories are not merely about things that go bump in the night; they are about the weight of guilt and the inevitability of justice from beyond the grave.
  
  The Terror of the Domestic: Le Fanu excels at making the familiar feel threatening. A rustle of silk in an empty room, a misplaced key, or the sight of a familiar face where it shouldn't be—these are the tools he uses to create a sense of profound unease. He pioneered the idea that the most terrifying ghosts are those tied to our own families and histories.
  
  The "Hanging Past": Both stories explore the theme of the "Unresolved." Whether it is a hidden will in a secret drawer or a soul sold for earthly gain, Le Fanu's ghosts are active agents of fate. They don't just haunt; they demand a reckoning. This collection showcases his ability to blend traditional folklore with a sophisticated psychological edge.
  
  A Legacy of Influence: These tales were famously rediscovered and praised by M.R. James, the father of the modern ghost story. To read "Madam Crowl's Ghost" is to see the blueprint for every "secret in the attic" horror story that followed. It is essential reading for anyone who loves the classic, atmospheric thrill of the Victorian macabre.
  
  Turn the page and face the past. Purchase this classic collection today.

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