Casa editrice: MVP
Emma is a comic novel by Jane Austen, first published in December 1815, about the perils of misconstrued romance. The main character, Emma Woodhouse, is described in the opening paragraph as "handsome, clever, and rich" but is also rather spoiled. Prior to starting the novel, Austen wrote, "I am going to take a heroine whom no-one but myself will much like."
Carmen Aguirre has lived many lives, all of them to the full. At age six she was a Chilean refugee adjusting to life as a Latina in North America. At eighteen she was a revolutionary dissident married to a generous-hearted man she couldn’t fully love. In her early twenties she fought to find her voice as an actress and to break away from the stereotypical roles thrust upon her–Housekeeper, Hotel Maid, Mexican Hooker #1–all the while navigating the complex paths of lust and heartbreak. As she grew in her career, Aguirre became a writer, a director, an actress, and then a mother, but alongside her many multi-faceted identities was another that was unbearable to embrace yet impossible to escape; that of the thirteen-year-old girl attacked by one of Canada’s most feared rapists. Thirty-three years after the assault, Aguirre decided it was time to meet the man who changed her life.Fierce, funny and enlightening, Aguirre interweaves her account of overcoming the attack that shook her world with a host of stories of life and love. From her passionate but explosive relationship with a gorgeous Argentinian basketball player to the all-consuming days at drama school in Vancouver; from the end of the Chilean revolutionary dream to life among the Chicano theatre scene of Los Angeles; from the child who was made the victim of a terrible crime to the artist who found the courage to confront her assailant, Aguirre tells a story of strength and survival that will leave you speechless.Mostra libro
This book proposes a renewed myth-critical approach to the so-called 'wasteland modernism' of the 1920s to reassess certain key texts of the American modernist canon from a critical prism that offers new perspectives of analysis and interpretation. Myth-criticism and, more specifically, the critical survey of myth as an aesthetic and ideological strategy fundamental for the comprehension of modernist literature, leads to an engaging discussion about the disenchantment of myth in modernist literary texts. This process of mythical disenchantment, inextricable from the cultural and historical circumstances that define the modernist zeitgeist, offers a possibility for revising from a contemporary standpoint a set of classic texts that are crucial to our understanding of the modern literary tradition in the United States. This study carries out an exhaustive and updated myth-critical examination of works by T.S. Eliot, John Dos Passos, F. Scott Fitzgerald, Ernest Hemingway, John Steinbeck and Djuna Barnes to broaden the scope of familiar themes and archetypes, enclosing the textual analysis of these works in a wider exploration about the purpose and functioning of myth in literature, particularly in times of crisis and transformation.Mostra libro
“A perceptive and gripping biography” of the enigmatic British explorer, photographer, and author of Arabian Sands (Daily Mail, UK). Wilfred Thesiger, the last of the great gentlemen explorer-adventurers, journeyed for sixty years to some of the remotest, most dangerous places on earth, from the mountains of western Asia to the marshes of Iraq. The author of Arabian Sands, The Marsh Arabs and The Life of my Choice, he was a legend in his own lifetime. Yet his character and motivations have remained an intriguing enigma. In this authorized biography—written with Thesiger’s support before he died in 2003 and with unique access to the rich Thesiger archive—Alexander Maitland investigates this fascinating figure’s family influences, his wartime experiences, his philosophy as a hunter and conservationist, his writing and photography, his friendships with Arabs and Africans amongst whom he lived, and his now-acknowledged homosexuality.Mostra libro
“I love her courage and heart! Funny, poignant, wise, and woke—an ideal travel companion.”—Joan Walsh (The Nation, CNN)Joyful and informative Places I Remember: Tales, Truths, Delights from 100 Countries—a memoir covering over 50 years of travel throughout the world. You'll find unforgettable people and places through vivid personal experiences—good, bad and often, laugh-out-loud funny."With her charming essays, Places I Remember speaks to both travelers and wannabes—including the growing numbers going solo.”—Bella DePaulo (author, Singled Out)Organized from A to Z, it rewards a binge or a browse, here and there—with loads of interesting travel info, too! “...the perfect gift...it tells little stories—poignant and funny and sad.”—Margie Goldsmith (forbes.com)Lea Lane is an award-winning author of eight books, and has contributed to a dozen guidebooks. She has written for magazines, websites, and newspapers, including The New York Times and The Miami Herald. She is currently a regular contributor to forbes.com.Mostra libro
A veteran railroad columnist takes readers on a wild ride through the American train industry with remembrances that crisscross the country and the world. In Last Train to Texas, author Fred W. Frailey examines the workings behind the railroad industry and captures incredible true stories along the way. He vividly portrays the industries larger-than-life characters, such as William “Pisser Bill” F. Thompson, who weathered financial ruin, bad merger deals, and cutthroat competition, all while racking up enough notoriety to inspire a poem titled “Ode to a Jerk.” Whether he’s riding the Canadian Pacific Railway through a blizzard, witnessing a container train burglary in the Abo Canyon, or commemorating a poem to Limerick Junction in Dublin, Frailey’s journeys are rife with excitement, incident, and the spirit of the rails. Filled with humorous anecdotes and thoughtful insights into the railroading industry, Last Train to Texas is a grand adventure for the railroad connoisseur.Mostra libro
“Josyph takes an aggressively unconventional approach to McCarthy’s work, combining elements of travelogue, interview and memoir.” —The Washington Post In Cormac McCarthy’s House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy’s work. As a visual artist, Josyph wrestles with the challenge of rendering McCarthy’s former home in El Paso as a symbol of a great writer’s workshop. As an actor and filmmaker, he analyzes the high art of Tommy Lee Jones in The Sunset Limited and No Country for Old Men. Invoking the recent suicide of a troubled friend, he grapples with the issue of “our brother’s keeper” in The Crossing and The Sunset Limited. But for Josyph, reading the finest prose-poet of our day is a project into which he invites many voices, and his investigations include a talk with Mark Morrow about photographing McCarthy while he was writing Blood Meridian; an in-depth conversation with director Tom Cornford on the challenges of staging The Sunset Limited and The Stonemason; a walk through the streets, waterfronts, and hidden haunts of Suttree with McCarthy scholar and Knoxville resident Wesley Morgan; insights from the cast of The Gardener’s Son about a controversial scene in that film; actress Miriam Colon’s perspective on portraying the Dueña Alfonsa opposite Matt Damon in All the Pretty Horses; and a harsh critique of Josyph’s views on The Crossing by McCarthy scholar Marty Priola, which leads to a sometimes heated debate. Illustrated with thirty-one photographs, Josyph’s unconventional journeys into the genius of Cormac McCarthy form a new, highly personal way of appreciating literary greatness.Mostra libro
