Altri libri che potrebbero interessarti

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  The Eye of the Camera - From...

  Fred M White

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  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

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  Medea

  Euripides

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  The story of Medea is only one part of a myth about the Argonauts' campaign. It portrays Jason joining a battle with fire-breathing bulls and a dragon guarding the Golden Fleece, Medea is helping him tame the beasts. She then follows him to Greece, because she falls in love.
  It is also a story of how a once young, beautiful and joyful woman, transforms into a monster, hungry for revenge, she kills even her own children. A long trail of horrible deaths, tied to her life path, is hard to imagine.

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  The Picture of Dorian Gray

  Oscar Wilde

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  The story revolves around a portrait of Dorian Gray by Basil Hallward, an artist impressed and infatuated by Dorian's beauty. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfilment are the only things worth pursuing in life. Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied amoral experiences while staying young and beautiful; all the while, his portrait ages and records every one of Dorian's sins.

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  Nameless City The (Unabridged)

  H. P. Lovecraft

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  The unnamed narrator of the story goes into the middle of the Arabian Peninsula to seek out and enter a lost city. After hearing a clanging seemingly coming from deep inside the earth, the narrator inspects mysterious carvings and ruins until nightfall. The next day, the narrator discovers a cliff riddled with low-ceilinged buildings, unfit for human use. While he attends to his suddenly nervous camel, the narrator discovers a somewhat larger temple, with altars, painted murals, and a small staircase going down. After he descends, his torch dies, and he crawls on his hands and knees until he enters a hallway with small wooden coffins containing bizarre reptiles inside of them lining the walls. The narrator notices a large amount of light coming from an unknown source. After crawling to it on his hands and knees, he sees a large brass door with a descent into a misty portal. He then hears moaning coming from the coffin passage, and feels a strong wind coming from the passage, trying to pull him down. Against all odds, he resists, and sees what appear to be reptiles with a body shaped like a cross between a crocodile and a seal with a strange head common to neither of them, involving a protruding forehead, horns, lack of a nose, and an alligator-like jaw crawling behind the lit portal. The wind dies down after the last of it flows down into the light, when suddenly the door closes behind the narrator, leaving him in the dark.

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  The Little Governess

  Katherine Mansfield

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  "The Little Governess" is a 1915 short story by Katherine Mansfield. It was first published in Signature on 18 October 1915 under the pen name of Matilda Berry, and later reprinted in Bliss and Other Stories. The text is written in the modernist mode, without a set structure, and with many shifts in the narrative.
  After receiving advice from the lady at the Governess Bureau, a young and naive English governess (referred to throughout as "the little governess") is off on the train from France to Munich, from where she will go to a new house for work. The governess has never been abroad before, and is duly forewarned of the dangers by the lady at the Governess Bureau, who tells her to "mistrust people at first". She is harassed by a porter on the way to her train, and once aboard, by a group of rowdy French men.

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  A Rainy Day - From their pens to...

  Mary Elizabeth Hawker writing as...

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  The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors.  From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Mary Elizabeth Hawker.

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