Altri libri che potrebbero interessarti

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  Lightgazer's Narration of The...

  Carlo Collodi

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  The Story and shenanigens about how a log of wood came to life and the adventures that it had. 
  Original Author: Carlo Collodi 
  Translator: Carol Della Chiesa 
  Narrator: Lightgazer

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  It Can't Happen Here

  Briefly Summaries

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  This is a concise summary and analysis of It Can’t Happen Here, by Sinclair Lewis. It is not the original book and is not affiliated with or endorsed by Sinclair Lewis. Ideal for those seeking a quick and insightful overview
   
  It Can’t Happen Here is a 1935 dystopian political novel. The story is set in a fictionalized version of 1930s United States and follows an American politician, Berzelius “Buzz” Windrip, who quickly rises to power to become the country’s first outright dictator. The novel describes the rise of Windrip, a demagogue who is elected President of the United States, after fomenting fear and promising drastic economic and social reforms while promoting a return to patriotism and “traditional” values.

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  Christmas Carol A: Retold...

  Charles Dickens, Kath Shone

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  One Christmas eve many years ago Scrooge was haunted by three ghosts! 
  We know this, yes. But how do we know? 
  We know because A Christmas Carol is part of our collective Christmas consciousness. 
  A Christmas Carol is a brilliant story, with fabulous characters including Scrooge whose dramatic transformation has our human heart strings all a harping for Christmas at the close of the story. 
  Christmas revelers of any age love Scrooge! 
  Unfortunately the old Victorian English alienates most of us from the content of the story. And so we come to the reason for this audio book. This audio book serves listeners who would like to experience the original story more easily.

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  Gulliver's Travels

  Jonathan Swift

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  Jonathan Swift invites readers on an unforgettable journey with Lemuel Gulliver, a ship's surgeon whose adventures span fantastical realms. Encountering societies from the minuscule Lilliputians to the towering Brobdingnagians, and the rational Houyhnhnms to the barbaric Yahoos, Gulliver's experiences satirize the eccentricities and defects of human civilization. Swift's biting humor and insightful critique craft a timeless exploration of humanity's virtues and vices.

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  The Picture of Dorian Grey

  Oscar Wilde

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  In The Picture of Dorian Gray, Oscar Wilde weaves a gothic tale of vanity, moral corruption, and the pursuit of eternal youth. Dorian Gray, a young man of extraordinary beauty, makes a dark pact that allows him to remain forever young while a hidden portrait ages and bears the weight of his sins. As Dorian’s outward appearance remains perfect, the portrait becomes a grotesque reflection of his inner decay. 
  Narrated by Christian Neale, this classic exploration of the dangers of vanity and hedonism comes alive in a story that captivates with its wit, elegance, and haunting moral undertones.

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  Candide

  Voltaire

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  Candide is characterised by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel with a story similar to that of a more serious bildungsroman, it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously.    Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. Voltaire's men and women point his case against optimism by starting high and falling low. A modern could not go about it after this fashion. He would not plunge his people into an unfamiliar misery. He would just keep them in the misery they were born to. But such an account of Voltaire's procedure is as misleading as the plaster cast of a dance.    Look at his procedure again. Mademoiselle Cunégonde, the illustrious Westphalian, sprung from a family that could prove seventy-one quarterings, descends and descends until we find her earning her keep by washing dishes in the Propontis. The aged faithful attendant, victim of a hundred acts of rape by negro pirates, remembers that she is the daughter of a pope, and that in honor of her approaching marriage with a Prince of Massa-Carrara all Italy wrote sonnets of which not one was passable. We do not need to know French literature before Voltaire in order to feel, although the lurking parody may escape us, that he is poking fun at us and at himself. His laughter at his own methods grows more unmistakable at the last, when he caricatures them by casually assembling six fallen monarchs in an inn at Venice.    A modern assailant of optimism would arm himself with social pity. There is no social pity in "Candide." Voltaire, whose light touch on familiar institutions opens them and reveals their absurdity, likes to remind us that the slaughter and pillage and murder which Candide witnessed among the Bulgarians was perfectly regular, having been conducted according to the laws and usages of war. Had Voltaire lived today he would have done to poverty what he did to war. Pitying the poor, he would have shown us poverty as a ridiculous anachronism, and both the ridicule and the pity would have expressed his indignation.

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