Casa editrice: Full Well Ventures
Mr. Henry Litchfield West, in this interesting article from the November 1919 issue of The Bookman magazine, gives some interesting details of the initial publication of Charles Dickens' famous book, "A Christmas Carol," the various editions printed over the years, its value as a collectors' item, etc.
Drug cartels have become a pervasive and highly organized criminal force with a significant global reach. These powerful syndicates control large portions of the illegal drug trade, operating not only within their home countries but across continents. Their operations extend far beyond drug trafficking, often influencing global markets, politics, and even social structures. The history of drug cartels is intertwined with the rise of drug consumption worldwide, as their growth is directly linked to the increasing demand for illicit substances such as cocaine, heroin, methamphetamines, and marijuana. The origins of modern drug cartels can be traced back to the mid-20th century, when illicit drug trade routes first began to form. Latin America, with its extensive agricultural regions, became a focal point for the cultivation of drugs, particularly in countries like Colombia, Mexico, and Peru. These regions not only provided the raw materials needed for drug production but also became hubs for smuggling operations that reached the United States, Europe, and other parts of the world. Cartels began to emerge as centralized organizations within these areas, with influential leaders at the helm. The most notorious of these early cartels, such as the Medellín and Cali cartels in Colombia, gained immense wealth and power. By the 1980s and 1990s, they had established networks that spanned the globe, trafficking drugs through elaborate and sophisticated systems of production, distribution, and money laundering.Mostra libro
Classic crime fiction's 'Indiana Jones' Tony Medawar unearths more unpublished and uncollected stories from the Golden Age of suspense. ‘Five books in, and the selection here might well be the strongest yet. This series continues to delight with the high standard of forgotten gems that Medawar uncovers, and there’s sufficient range to ensure that all fans of the genre will find something to enjoy. Book 6 can’t come soon enough.’ Jim Noy, author of The Red Death Murders The end of the First World War saw the rise of an insatiable public appetite for clever and thrilling mystery fiction and a new kind of hero – the modern crime writer. As the genre soared in popularity, so did the inventiveness of its best authors, ushering in a “Golden Age” of detective fiction – two decades of exemplary mystery writing: the era of the whodunit, the impossible crime and the locked-room mystery, with stories that have thrilled and baffled generations of readers. The Golden Age still casts a long shadow, with many of the authors who were published at that time still hugely popular today. Aside from novels, they all wrote short fiction – stories, serials and plays – and although many have been republished in books over the last 100 years, Bodies from the Library collects the ones that are impossible to find: stories that appeared in a newspaper, magazine or an anthology that has long been out of print; ephemeral works such as plays not aired, staged or screened for decades; and unpublished stories that were absorbed into an author’s archive when they died . . . Complete with fascinating biographies by Tony Medawar of all the featured authors, this latest volume in the annual Bodies from the Library series once again brings into the daylight the forgotten, the lost and the unknown, and is an indispensable collection for any bookshelf. The historical thrillers in this collection are top-notch, showcasing the traditional storytelling techniques that made the Golden Age of detective fiction so beloved. Each story is a journey back in time, a thrilling ride filled with suspense and intrigue. For fans of Carter Dickson (The White Priory Murders), E.C.R. Lorac (Death of an Author), John Dickson Carr (The Black Spectacles), Christianna Brand (Suddenly at His Residence), and Tony Medawar (Ghosts from the Library). HarperCollins 2022Mostra libro
Long acclaimed as one of America’s preeminent novelists, Jane Smiley is also an unparalleled observer of the craft of writing. In The Questions That Matter Mostthis Pulitzer Prize–winning writer offers steady and penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. Beginning with a personal introduction tracing Smiley’s migration from Iowa to California, the author reflects on her findings in the varied literature of the Golden State, whose writers have for decades litigated the West’s contested legacies of racism, class conflict, and sexual politics through their pens. As she considers the ambiguity of character and the weight of history, her essays provide new entry points into literature, and we lucky readers can see how Smiley draws inspiration from across the literary spectrum to invigorate her own writing. With enthusiasm and meticulous attention, Smiley dives beneath surface-level interpretations to examine the works of Marguerite de Navarre, Charles Dickens,Anthony Trollope, Harriet Beecher Stowe, Louisa May Alcott, Mark Twain, Willa Cather, Franz Kafka, Halldór Laxness, and Jessica Mitford. Throughout, Smiley seeks to think harder and, in her words, with “more clarity and nuance” about the questions that matter most.Mostra libro
VOLUME 8 CHAPTER 11 Change in style in writing this narrative. • Reckless amours. • Nelly L**l*e and Sophy S***h. • Neophyte harlots. • A first night out. • Madame S***k*n*us. • Cuntal contrasts. • A lascivious evening. • Their antecedents and future. • Nelly's face, form, and quim. • Voluptuous complacency. • Her after life. • My tastes for being gamahuched. • Externals of sodomites. • Fantastic male lascivieties. • Champagne and sperm. • Dildo and arse-hole. • Birching tried on me. • Policemen's forbearance. • One in plain clothes. • Nelly's illness and my aid. • Sophy's face, figure, and colour. • Her sliggery pudenda. • Vulgarity and voice. • Married, mother, and widowed. • Harlotting resumed. • Drunken and degraded. • Love in her armpits. My Secret Life is an anonymously penned memoir written during a period from the 1840s to the 1880s by a wealthy and sex obsessed English gentleman who refers to himself simply as ‘Walter’. Part confessional, part investigative erotic journalism, it meticulously documents every detail of the author’s prolific sexual encounters, offering us in the process an eye and thigh opening account of life behind closed doors in the Victorian age. Women, in both mind and body, were the all consuming object of Walter’s interest. From early youth through to old age his quest for erotic discovery and adventure with them was never diminished. Unlike contemporary 19th century erotic texts, such as The Pearl, whose sole object was to titillate, Walter’s interest in his subjects did not end with the extinguishing of the carnal flame. His hunger to understand the circumstances and minds of the women he encountered is never upstaged by the sex. Their potted life histories, their most intimate desires and acts were shared with him and in turn meticulously recorded by him, written down verbatim while still fresh in his mind. The resulting poignant record of a lost era and the intimate moments of the women who inhabited it offer us a remarkable insight into the 19th century that cannot be gleaned from any other source. The complete unabridged text is being released as a fully scored audiofilm (an audio book with accompanying music soundtrack) by film composer Dominic Crawford Collins.Mostra libro
Educational, uplifting, and thoroughly hilarious, this rollicking “bald memoir” is a one-stop guide to appreciating life as you lose your hair, and offers dating, grooming, marriage, sex, and even toupee advice for bald men and the people who claim to love them. Humorist and comedy television writer Julius Sharpe woke up on 9/11 to his own personal disaster: his hair was falling out. So You’re Going Bald is his hilarious odyssey—a tale filled with despair, horror, acceptance, and humor that everyone can relate to, whether you’re nineteen or approaching ninety—or are simply bald-curious. As Julius tells it, going bald is for-real traumatic. Losing his hair preoccupied his days and kept him up Googling every night for five straight years. He suffered in private, but now he’s making it his mission that no cue ball will live alone with the agony of hair loss ever again. Sharpe examines what it means to be hairless up top, and walks you through how to look at yourself in the mirror and not want to die. He outlines the three stages of baldness (anger, more anger, even more anger), and volunteers himself as a guinea pig, testing laser helmets, plugs, and toupees. So You’re Going Bald is one-part tough love and one-part inspiration . . . the same way that Fran Drescher’s Cancer Schmancer inspired a cure for schmancer. We all know someone who is bald, or going bald, or got their hair cut way too short. In So You’re Going Bald, Sharper provides an emotional roadmap for living life in the bald lane, giving voice to what it feels like to know that “grass doesn’t grow on a busy street.”Mostra libro
A searing memoir about growing up in a fiercely loving, abusive rabbinical family in which the author's father, the charismatic head of a splinter Orthodox religious community, demands unswerving loyalty—and a commitment to guarding terrible secrets. Sara Sherbill was raised by a father who was both a representative of God and a broken man harboring an intricate set of secrets. Her riveting story explores what happens when a daughter is tasked with keeping those secrets, and the cost of keeping them. It asks: How do we live with suffering? What does it mean to heal? In the face of unspeakable harm, what can be reclaimed? Sherbill's tale, written with grace and brutal honesty, reveals her struggle to reclaim her identity as a daughter, woman, and now mother. Most of all, it's a story about learning to live alongside our traumas without letting them consume us—what some might call redemption.Mostra libro
