Casa editrice: Good Press
The skipper of the schooner 'The Madeleine' is preparing for a trip to Polynesia and the South Seas when a young man introduces himself as John Stuart, the son of the owner of the schooner. He is to journey with him. The journey is perilous but nothing the skipper can say will dissuade him.
Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, all the passions, all the thoughts of humanity were personified in his eyes in the naked bodies of men and women. He rarely conceived his human forms in attitudes of immobility or repose. Michelangelo became a painter so that he could express in a more malleable material what his titanesque soul felt, what his sculptor's imagination saw, but what sculpture refused him. Thus this admirable sculptor became the creator, at the Vatican, of the most lyrical and epic decoration ever seen: the Sistine Chapel. The profusion of his invention is spread over this vast area of over 900 square metres. There are 343 principal figures of prodigious variety of expression, many of colossal size, and in addition a great number of subsidiary ones introduced for decorative effect. The creator of this vast scheme was only thirty-four when he began his work. Michelangelo compels us to enlarge our conception of what is beautiful. To the Greeks it was physical perfection; but Michelangelo cared little for physical beauty, except in a few instances, such as his painting of Adam on the Sistine ceiling, and his sculptures of the Pietà. Though a master of anatomy and of the laws of composition, he dared to disregard both if it were necessary to express his concept: to exaggerate the muscles of his figures, and even put them in positions the human body could not naturally assume. In his later painting, The Last Judgment on the end wall of the Sistine, he poured out his soul like a torrent. Michelangelo was the first to make the human form express a variety of emotions. In his hands emotion became an instrument upon which he played, extracting themes and harmonies of infinite variety. His figures carry our imagination far beyond the personal meaning of the names attached to them.Mostra libro
Rita Hayworth, born Margarita Carmen Cansino, (October 17, 1918 - May 14, 1987) was an American actress who appeared in 61 films over 37 years achieving fame in the 1940s as one of the top stars of the Golden Age of Hollywood. Dubbed "The Love Goddess" by the Hollywood press, Hayworth is best known for her performance in the 1946 film noir Gilda as the femme fatale opposite Glenn Ford in her first major dramatic role. The following is from a 1972 interview at the San Francisco National Film Festival.Mostra libro
It began with just 10 electric scooters in Santa Monica, California, but soon sidewalks and streets were flooded with thousands of them. Essentially skateboards with handles that can be picked up and dropped off anywhere, they've been rolled out in scores of U.S. cities, where local officials have struggled to cope and residents have mixed feelings. Special correspondent Catherine Rampell reports.Mostra libro
Songs for My Father is a raw and honest collection of free verse poetry about the author’s relationship with her father. It chronicles how his anger and abuse left her emotionally trapped for many years, and how she found her way back into herself through her art.Katherine Lazaruk takes the reader through her early childhood experiences, drawing connections between how family, music, and learning shaped the writer and artist within her. It is a poignant window into the things that so often go unspoken, the elephants in the rooms of our families. Readers who have experienced what it means to be the outsider or scapegoat in their family of origin will be uplifted by this vision of how to break cycles of abuse and reclaim themselves through therapeutic and artistic journeys.Songs for My Father is at times dark, at times uplifting, and always deeply human.Mostra libro
From the late artist’s unfinished project, a compendium of drawings capturing the characters, and character, of New York City. Jason Polan was on a mission to draw every person in New York, from cab drivers to celebrities. He drew people eating at Taco Bell, admiring paintings at the Museum of Modern Art, and sleeping on the subway. With a foreword by Kristen Wiig, Every Person in New York, Volume 1 collects thousands of Polan’s energetic drawings in one chunky book. As full as a phone book and as invigorating as a walk down a bustling New York street, this is a love letter of sorts to a beloved city and the people who live there. “In 2008, illustrator Jason Polan set out to capture the enormous human poetics compressed in Gotham’s geographic smallness by drawing every person in the city. The first seven years of this ongoing project, totaling drawings of 30,000 people, are now collected in Every Person in New York—a marvelous tome of Polan’s black-and-white line drawings, colored in with the intense aliveness of a city where, as E.B. White wrote more than half a century earlier, “wonderful events are taking place every minute.” What emerges is a kind of poetry—fragmentary glimpses of ideas and images, commanded by an internal rhythm to paint a complete whole of this human hive.” —Brain Pickings “This digest of sketches brings to life the everyday moments of New Yorkers and finds a spark of excitement in the sometimes-banal shuffle of city living.” —Monocle magazine “Polan’s drawings exude, in unbroken but flexible lines, the momentum of a Manhattan streetscape with only brief moments of stillness. Those pauses can last minutes or over an hour, enough time for fully textured, impressionistic portraits. But more often Mr. Polan’s drawings are of scenes that pass in seconds: a father ordering hot dogs for his stubborn children, or Diane Keaton trying to hail a cab.” —The New York TimesMostra libro
Throughout her astonishing fifty-year career - which has encompassed TV triumphs, a string of international hits, an Oscar statuette and a Las Vegas residency - Cher's personal life has continually made front-page news. In the shadow of her success, Cher has married twice, battled depression, defied the censors, and dealt with the tragedy of Sonny Bono's early death. Including exclusive interviews with Cher and those she has worked with on and off stage, Strong Enough documents the ins, outs, ups and downs of a one-name American icon at her outrageous best - by the writer behind Cher's Vegas tour programmes.Mostra libro
