Altri libri che potrebbero interessarti

• 

  Christmas Tree A (Unabridged)

  Charles Dickens

  • 0
  • 0
  • 0

  Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.
  I have been looking on, this evening, at a merry company of children assembled round that pretty German toy, a Christmas Tree. The tree was planted in the middle of a great round table, and towered high above their heads. It was brilliantly lighted by a multitude of little tapers; and everywhere sparkled and glittered with bright objects. There were rosy-cheeked dolls, hiding behind the green leaves; and there were real watches (with movable hands, at least, and an endless capacity of being wound up) dangling from innumerable twigs; there were French-polished tables, chairs, bedsteads, wardrobes, eight-day clocks, and various other articles of domestic furniture (wonderfully made, in tin, at Wolverhampton), perched among the boughs, as if in preparation for some fairy housekeeping; there were jolly, broad-faced little men, much more agreeable in appearance than many real men-and no wonder, for their heads took off, and showed them to be full of sugar-plums; there were fiddles and drums; there were tambourines, books, work-boxes, paint-boxes, sweetmeat-boxes, peep-show boxes, and all kinds of boxes; there were trinkets for the elder girls, far brighter than any grown-up gold and jewels; there were baskets and pincushions in all devices; there were guns, swords, and banners; there were witches standing in enchanted rings of pasteboard, to tell fortunes; there were teetotums, humming-tops, needle-cases, pen-wipers, smelling-bottles, conversation-cards, bouquet-holders; real fruit, made artificially dazzling with gold leaf; imitation apples, pears, and walnuts, crammed with surprises; in short, as a pretty child, before me, delightedly whispered to another pretty child, her bosom friend, "There was everything, and more."

  Mostra libro

• 

  HorrorBabble's Subterranean...

  Robert Bloch, Edmond Hamilton,...

  • 0
  • 0
  • 0

  A collection of horror stories set in shadowy caverns, crypts, and other undesirable hollows. 
  Contents: 
  Far Below by Robert Barbour Johnson (Weird Tales, June-July 1939) 
  The story of dreadful creatures burrowing up into the New York subway. 
  The Creeper in the Crypt by Robert Bloch (Weird Tales, July 1937) 
  An unusual case of kidnapping in witch-haunted Arkham. 
  The Secret in the Tomb by Robert Bloch (Weird Tales, May 1935) 
  A man answers an inexplicable summons from beyond the grave. 
  Murder in the Grave by Edmond Hamilton (Weird Tales, February 1935) 
  A night of terror ten feet below the surface of the ground. 
  The Thing in the Cellar by David H. Keller (Weird Tales, March 1932) 
  The tale of a terrified little boy, and his fear of what might be lurking in the basement. 
  It Walks by Night by Henry Kuttner (Weird Tales, December 1936) 
  A ghastly horror that stalked through the crypts beneath an old graveyard. 
  The Graveyard Rats by Henry Kuttner (Weird Tales, March 1936) 
  A cemetery caretaker must exterminate a colony of monstrous rats. 
  The People of the Pit by Abraham Merritt (All-Story Weekly, January 1918) 
  An individual descended much too deeply into the heart of the Earth. 
  The Epiphany of Death by Clark Ashton Smith (The Fantasy Fan, July 1934) 
  A shocking revelation in the catacombs of Ptolemides. 
  The Seed from the Sepulchre by Clark Ashton Smith (Weird Tales, October 1933) 
  In the Venezuelan jungle, a diabolical plant lived on human life.

  Mostra libro

• 

  Doctor Grimshawe's Secret: A...

  Nathaniel Hawthorne

  • 0
  • 0
  • 0

  Doctor Grimshawe's Secret: A Romance is a haunting and reflective work by Nathaniel Hawthorne that reveals the author's enduring fascination with secrecy, moral struggle, and the unseen forces that shape human lives. Written during the final years of Hawthorne's life and published posthumously, the novel stands as a compelling example of his late style—quiet, atmospheric, and deeply introspective.
  
  The story centers on an orphaned young man whose life becomes closely linked to the mysterious Doctor Grimshawe, a solitary scholar burdened by a hidden past. As the narrative unfolds across settings in Boston and England, Hawthorne gradually exposes a web of concealed histories, ancestral obligations, and unresolved guilt. At the heart of the novel lies a secret—long guarded, deeply personal, and morally complex—that influences relationships and destinies across generations.
  
  Rather than focusing on dramatic action, Hawthorne turns inward, exploring the psychological and spiritual dimensions of his characters. Themes of identity, inheritance, loyalty, and moral responsibility are woven into the narrative, reflecting Hawthorne's belief that the greatest conflicts often occur within the human conscience. The "romance" of the title signals Hawthorne's distinctive approach to fiction, where realism blends with imagination to reveal deeper emotional and symbolic truths.
  
  Though unfinished, Doctor Grimshawe's Secret possesses a powerful sense of mood and intention. Its shadowed settings, quiet tension, and symbolic undertones recall Hawthorne's greatest works, including The Scarlet Letter and The House of the Seven Gables. The novel invites readers to contemplate the weight of hidden knowledge and the lasting consequences of choices made in silence.
  
  Doctor Grimshawe's Secret: A Romance is an essential read for students, scholars, and admirers of classic American literature. It offers a rare and intimate glimpse into Hawthorne's final creative vision and remains a thoughtful meditation on secrecy, conscience, and the enduring complexity of the human soul.

  Mostra libro

• 

  A Pen-and-Ink Effect - From...

  Frances E Huntley the writing...

  • 0
  • 0
  • 0

  The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors.  From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Ethel Colburn Mayne.

  Mostra libro

• 

  Conscience - A Judith Lee...

  Richard Marsh

  • 0
  • 0
  • 0

  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
   
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
   
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
    
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
   
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

  Mostra libro

• 

  The Science of Getting Rich

  Wallace D. Wattles

  • 0
  • 0
  • 0

  The Science of Getting Rich is the classic guide to creating wealth through the Law of Attraction. First published in 1910, a hundred years later it inspired Rhonda Byrne's bestselling book and movie, The Secret. According to Wallace D. Wattles, "There is a science of getting rich, and it is an exact science, like algebra or arithmetic. There are certain laws which govern the process of acquiring riches; once these laws are learned and obeyed by any man, he will get rich with mathematical certainty."

  Mostra libro