Altri libri che potrebbero interessarti

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  Janet Jackson's The Velvet Rope

  Ayanna Dozier

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  The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson’s career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman. This book examines Janet’s continuation of her quest for control as heard in her sixth album, The Velvet Rope. Engaging with the album, the promotion, the tour, and its accompanying music videos, this study unpacks how Janet uses Black cultural production as an emancipatory act of self-creation that allows her to reconcile with and, potentially, heal from trauma, pain, and feelings of alienation. The Velvet Rope’s arc moves audiences to imagine the possibility of what emancipation from oppression--from sexual, to internal, to societal--could look like for the singer and for others. The sexually charged content and themes of abuse, including self-harm and domestic violence, were dismissed as “selling points” for Janet at the time of its release. The album stands out as a revelatory expression of emotional vulnerability by the singer, one that many other artists have followed in the 20-plus years since its release.

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  Hallelujah Karolina - Karolina

  Mike Blake

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  Hallelujah KarolinaThis is the 5th and final Poem written about the wonderful Karolina and her Violin playing in California on the streetsof Santa Monica. Includes some verse on her family.

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  The Tenderness of Silent Minds -...

  Martha C. Nussbaum

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  The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. 
   
   
   
  Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.

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  A Rare Recording of Film Icon...

  Peter Ustinov

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  Sir Peter Alexander Ustinov, born Peter Alexander Freiherr von Ustinov in London, England (April 16, 1921 - March 28, 2004) was a British actor, writer and director. An internationally known raconteur, he was a fixture on television talk shows and lecture circuits for much of his career. Ustinov received two Academy Awards and two other Oscar nominations (one for screenwriting), a BAFTA Award, three Emmy Awards, and a Grammy Award. The following recording is from a tv interview form the 1980s.

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  The New Female Antihero - The...

  Gillian Silverman, Sarah Hagelin

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  The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. 
    
  The last ten years have seen a shift in television storytelling toward increasingly complex storylines and characters. In this study, Sarah Hagelin and Gillian Silverman zoom in on a key figure in this transformation: the archetype of the female antihero. Far from the sunny, sincere, plucky persona once demanded of female characters, the new female antihero is often selfish and deeply unlikeable. 
    
  In this entertaining and insightful study, Hagelin and Silverman explore the meanings of this profound change in the role of women characters. In the dramas of the new millennium, they show, the female antihero is ambitious, conniving, even murderous; in comedies, she is self-centered, self-sabotaging, and anti-aspirational. Across genres, these female protagonists eschew the part of good girl or role model. In their rejection of social responsibility, female antiheroes thus represent a more profound threat to the status quo than do their male counterparts. From the devious schemers of Game of Thrones, The Americans, Scandal, and Homeland, to the joyful failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism. They push back against the myth of the modern-day super-woman—she who “has it all”—and in so doing, they give us new ways of imagining women’s lives in contemporary America.

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  Kakatiya Dynasty - Fortresses...

  Rolf Hedger

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  The Kakatiya Dynasty emerged as a formidable power in the Deccan region of India, leaving behind a rich legacy of military strength, administrative brilliance, and cultural contributions. Their origins can be traced back to the 10th century, though historical records regarding their early rulers remain scarce. Initially, the Kakatiyas served as feudatories under the Rashtrakutas and later the Western Chalukyas, gradually expanding their influence over the Telugu-speaking region. 
  The name "Kakatiya" is believed to have originated from their association with the goddess Kakati, a form of Durga, who was worshipped as their family deity. The earliest known ruler, Venna or Beta I, established the dynasty’s foundation, but it was during the reign of Prola I that the Kakatiyas started asserting their independence. Prola II played a crucial role in strengthening their foothold by resisting Chalukyan dominance and expanding Kakatiya control over the eastern Deccan. 
  During this period, the Deccan was a contested space where multiple regional powers sought dominance. The Kakatiyas capitalized on the declining influence of the Western Chalukyas, strategically aligning themselves with or resisting various rulers to carve out an independent identity. Their stronghold was initially located in Hanamkonda, which later evolved into the grand city of Warangal, a center of Kakatiya power and cultural patronage.

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