Altri libri che potrebbero interessarti

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  Discovering Classical Music:...

  Ian Christians

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  "I recommend this book wholeheartedly to new music lovers"  Sir Charles Groves CBE      Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.

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  Politics and Performance -...

  Megan Lewis

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  For most theatregoers today, Realism is the standard. We are accustomed to seeing characters on stage who walk, talk, and sound just like real people. Everyday speech is commonplace in theatrical scripts, as are stage sets that look and feel and smell like real places - complete with running water and electric lights that work exactly as if we were in a real apartment, or office, or kitchen. But it wasn’t always this way. In fact, Realism was once an Avant-garde movement, a cutting edge revolutionary idea that disrupted the way theatre had always been done up until the dawn of the 20th century. It was at this time that a number of social, political, and artistic movements began to influence theater artists and lead them to create the theater most of us recognize today.  
  In this enlightening series of lectures, Professor Megan Lewis of the University of Massachusetts, Amherst, takes us on an engaging journey through the history of theater in the 20th century. She explores some of the century's early movements such as Symbolism, Expressionism, and Dada, which arose amid political turmoil and quickly began to fuel rapid change in the way playwrights, directors, and actors where approaching theater. In subsequent lectures, Professor Lewis also explores how currents such as politics, race relations, and the women’s movement also began to influence theater and use it as a force for social change. Her analysis takes us to the dawn of the 21st century as theatre artists continue to re-envision and expand the definition of theatre itself. She discusses topics such as Performance Studies, which expands the idea of performance beyond the theater; Sports as Theatre, which radically reimagines the role of the audience; creative ways of trying to reach underrepresented audiences; and new ways of making theatre for a new century.

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  Steam on the Eastern & Midland -...

  David Knapman

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  The author and railway photographer presents a stunning collection of original images showing steam locomotives in action in the mid-20th century.   This is the second book from David Knapman’s personal record of railway views that were captured on black and white film in the late 1950’s and 1960’s, until the demise of steam on British Railways. Using the same format as its companion volume, Steam on the Southern and Western, this book presents chapters covering different locations in the Eastern and London Midland regions.   Knapman captures branch and mainline trains as well as locations of interest and historical infrastructure. Where preservation starts to overlap with the still active steam scene, some historic photographs are also included. Each chapter begins with an overview of the station it depicts, providing local and historical context. Each photograph is paired with a detailed caption describing the specific trains at work.

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  Directing Shakespeare - Matthew...

  Russ Hope

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  Follow acclaimed theatre directors Matthew Dunster and Natalie Abrahami throughout preparation and rehearsals for their respective Shakespeare productions: Dunster's 'intelligent production' (Guardian) of Troilus and Cressida at Shakespeare's Globe, and Abrahami's A Midsummer Night's Dream at the Nuffield Theatre, Southampton, praised by The Reviews Hub as 'a cutting-edge make-over'. First published as part of Getting Directions: A Fly-on-the-Wall Guide for Emerging Theatre Directors.
  With unprecedented access to the rehearsal room, the book outlines exactly what it takes to get a play from the page to the stage, from first concept to first night. It provides an invaluable, practical handbook - part portrait, part masterclass - on how to stage Shakespeare in the twenty-first century, and a revealing insight into the work of two of the UK's most exciting young directors.
  Matthew Dunster is an Olivier-nominated director. He is an Associate Artist of the Young Vic and Associate Director at Shakespeare's Globe. Credits include Martin McDonagh's Hangmen (Royal Court and West End), Love's Sacrifice (RSC) and The Seagull (Regent's Park Open Air Theatre).
  Natalie Abrahami was formerly Artistic Director of the Gate Theatre, Notting Hill, and is an Associate Director at the Young Vic and Associate Artist at the Nuffield Theatre, Southampton.
  'Vital reading for anyone working or wanting to work as a director' The Public Reviews on Getting Directions

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  This Is a Book About the Kids in...

  John Semley

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  The first book to explore their history, legacy, and influence
   
  This is a book about the Kids in the Hall — the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall — told by the people who were there, namely the Kids themselves. John Semley’s thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the Kids’ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a critic’s eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly.
   
  The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, they’re always better when they’re together. This is a book about friendship, collaboration, and comedy — and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.

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  Hello Sunshine

  Ryan Adams

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  Poetry from “one of America’s most consistently interesting singer/songwriters” (Stephen King).   Fans who have enjoyed the lyrics and music on such albums as Cardinology, Easy Tiger, and Prisoner, or hit songs including “When the Stars Go Blue,” know that Ryan Adams is a poet at heart. In this follow-up to his first collection of poems, Infinity Blues—praised by Stephen King as “a passionate, arresting, and entertaining book of verse”—readers will discover new ideas, deeper insights, and graceful, sensual compositions that reveal another side of Ryan Adams.   “Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer.” —Mary-Louise Parker

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