Altri libri che potrebbero interessarti

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  The Poetry of Claude McKay - A...

  Claude McKay

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  Festus Claudius McKay was born in Sunny Ville, Jamaica on the 15th September 1890, He was the youngest son to parents who had gathered enough assets to secure them the right to vote. 
   
  As a boy he was fascinated by English Poetry and literature, although at 17 he took on work as an apprentice woodcutter for two years before becoming a police constable in the capital, Kingston.  In this mainly white and affluent town racism was rife and its nature awakened his political instincts and pursuit of social justice.  He soon returned home and published his first two poetry collections in 1912. 
   
  By the early 1920’s he had travelled extensively across the United States and parts of Europe and was recognised as a very talented poet and an essential founding component of the Harlem Renaissance.   
   
  As well as poetry he also wrote several novels and was a dedicated activist for social reform.  
   
  By the late 1930s he had developed a deep interest in Catholicism and several years later moved to Chicago as a teacher for a Catholic organisation. 
   
  By the mid 1940’s several illnesses has further debilitated his health. 
   
  Claude McKay died of heart failure on the 22nd May 1948.  He was 57.

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  The Poetry of Birds

  Samuel Carr

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  A beautifully illustrated collection of famous poems written about birds to read and cherish as a source of comfort and joy.
  Poets have long looked to birds for inspiration and this anthology of 65 poems is an ode to the myriad of way that these creatures bring us joy and solace. The poets here represented are amongst the greatest who have ever lived, and their joint celebration of a common theme has resulted in an enchanting book.
  Amongst the poets whose work is included are Blake, Shakespeare and Wordsworth; Tennyson, Keats and Shelley; twentieth-century writers, amongst them Yeats, Laurie Lee and Ted Hughes; and such American poets as Thoreau, Emily Dickinson, Robert Frost and Theodore Roethke.
  Each poem is illustrated by iconic artworks by JJ Audubon, creating a beautiful book to cherish for years to come. 

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  Much Ado About Nothing

  William Shakespeare

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  Shakespeare wrote Much Ado About Nothing towards the middle of his career, sometime between 1598 and 1599. It was first published in quarto in 1600 and later collected into Mr. William Shakespeare's Comedies, Histories, and Tragedies in 1623. The earliest recorded performance of Much Ado About Nothing was performed for the newly-married Princess Elizabeth and Frederick the Fifth, Elector Palatine in 1613.
  Shakespeare's sources of inspiration for this play can be found in Italian culture and popular texts published in the sixteenth century. Gossip involving lovers deceived into believing each other false was often spread throughout Northern Italy. Works like Ludovico Ariosto's Orlando Furioso and Edmund Spencer's Fearie Queene also feature tricked lovers like Claudio and Hero. Besides these similarities, the idea of tricking a couple like Benedick and Beatrice into falling in love was an original and unusual idea at the time.
  The play focuses on two couples: upon the noblemen's return to Messina, Claudio and Hero quickly fall in love and wish to marry in a week; on the contrary, Benedick and Beatrice resume their verbal war, exchanging insults with each other. To pass the time prior to the marriage a plot to trick Benedick and Beatrice into falling in love has been set in motion. Unbeknownst to both our couples, a fouler plot to crush the love and happiness between Hero and Claudio has also begun to unfold.

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  Seal Of Approval - The Search...

  Kirk Hunter, Steve Winchell

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  Come and experience a journey of self-discovery through fabulous 1980s-derived music, an epic original orchestral score, and thrilling dialog and narration! 
   In a complex web of relationships, Adam, a charismatic and independent man haunted by childhood insecurities, believes that he finds solace and strength in his quest to save the Guatemalan rainforest. Unbeknownst to him, his attraction and growing friendship with Josh, a hardworking yet insecure man longing for excitement and love, stems from those same childhood insecurities. Through their adventures, Adam and Josh slowly, find their strengths from within rather than from without. Josh's friendship with Em, his quirky, yet devoted friend and assistant secretly in love with him, offers a glimpse of unconditional care, while Tess, the radiant and flamboyant drag-queen guide, assumes a sage-like role, instilling confidence in their journeys. Meanwhile, Vi, the cunning CEO of DEJ, Inc., becomes entangled in a manipulative game with Lucas, a man relentlessly pursuing her. Amidst it all, Almi, the noble chief of a Guatemalan tribe, collaborates with "Save La Selva" (A charity focused on saving the Guatemalan rainforest and spirited by Adam), provides a bridge between worlds and reinforcing the importance of their cause. Through these intricate relationships, the characters embark on a path of self-discovery, ultimately finding the strength to confront their insecurities and embrace their true selves. Through it all, the epic and yet intimate songs (inspired by the fabulous 1980s) and musical score provide a soaring ride through the plot.

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  The Theogony

  Hesiod

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  The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. 
  Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing.
  Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.

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  The Grays - A short science...

  Dr. Amr Mounir

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  What if humans returned after years of hiding to find that what the invaders left behind in their homes was more dangerous than they ever imagined? Would they confront this new threat... or flee again?

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