Altri libri che potrebbero interessarti

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  Tender is the Night (Unabridged)

  F Scott itzgerald

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  Dick and Nicole Diver are a glamorous couple who rent a villa in the South of France and surround themselves with a coterie of American expatriates. Rosemary Hoyt, a 17-year-old actress, and her mother are staying at a nearby resort. Rosemary becomes infatuated with Dick and becomes close to Nicole.

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  Christmas Formula - From their...

  Stella Benson

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  Stella Benson was born on the 6th January 1892 in Easthope, Shropshire to parents who were landed gentry. 
  Her early years involved frequent household moves which was difficult for the child as she suffered from ill-health.  Some of her early education was spent at schools in Germany and Switzerland and by 10 she had developed a lifelong habit of keeping a diary. 
  In the following years her parents separated, and she rarely saw her father. When she did, he encouraged to pause her writing until she had further experience and could better make sense of the world.  When he died, she learned he had been an alcoholic. 
  A winter spent in the West Indies provided material for her first novel ‘I Pose’ published the following year in 1915. 
  During the War years she became involved in the women's suffrage movement and dedicated time outside of writing to support the troops and help the poor. 
  In 1918 she decided to travel spending much time in California, where she also tutored at the University of California, and continued to write.  In China she met her future husband and after marrying in London, journeyed with him to his various Custom postings through Nanning, Beihai, and Hong Kong and the Far East. 
  The works continued to flow novels, short stories, travel essays all helped to build a deserved and burgeoning reputation. 
  Although her works are now in the forgotten and neglected department her writing style, characters, and narratives more than capably demonstrate her obvious talents.   
  Stella Benson died of pneumonia on the 7th December 1933, at Hạ Long in the Vietnamese province of Tonkin.  She was 40.

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  Father Brown: The Three Tools of...

  G.K. Chesterton

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  Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

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  The Model Millionaire

  Oscar Wilde

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  "The Model Millionaire" is a short story by the Irish author Oscar Wilde. It first appeared in print in the newspaper The World in June 1887. It was published again in 1891 as part of the anthology Lord Arthur Savile's Crime and Other Stories.
  The story concerns a young man who, although he does not have much money himself, is moved to pity by the sight of an elderly beggar who is posing as a model for his artist friend. Although he can barely afford to do so, the young man gives the beggar the largest denomination coin that he has in his pocket. The young man's act of kindness has unexpected positive consequences for him.

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  Tono-Bungay - Book the Second:...

  H. G. Wells

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  Herbert George "H. G." Wells (1866 - 1946) was an English writer.
  He was prolific in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction"
  BOOK THE SECOND: THE RISE OF TONO-BUNGAY: I came to live in London, as I shall tell you, when I was nearly twenty-two. Wimblehurst dwindles in perspective, is now in this book a little place far off, Bladesover no more than a small pinkish speck of frontage among the distant Kentish hills; the scene broadens out, becomes multitudinous and limitless, full of the sense of vast irrelevant movement. I do not remember my second coming to London as I do my first, for my early impressions, save that an October memory of softened amber sunshine stands out, amber sunshine falling on grey house fronts I know not where. That, and a sense of a large tranquillity.

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  At the Edge of the Night

  Friedo Lampe

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  Banned by the Nazis, the haunting novel At the Edge of the Night (Am Rande der Nacht), by the German writer Friedo Lampe, is a work of magic realism. This poignant book, beautifully translated by Simon Beattie, was, in Lampe’s own words, ‘born into a regime where it could not breathe’; he hoped that one day it might rise again. It evokes the sensations and impressions of a sultry September evening on the waterfront of Bremen, with its charm and tenderness, squalor and lust. The plot contains a stream of images with many characters: children, old and young people, men and women, townsfolk, performers, students and sailors. Its depiction of raw reality was unacceptable to the Nazis: the book was seized by them in December 1933 and withdrawn from sale.
  At the Edge of the Night is a powerful and thought-provoking novel that offers a unique perspective on the experience of the Second World War. Lampe’s prose is lyrical and evocative, and his characters are complex and multi-dimensional. The book is a must-read for anyone interested in the history of the war or the human experience of conflict. It drew praise from Hermann Hesse, who first read it in 1933 and said that ‘what struck us at the time... as so beautiful and powerful has not paled, it has withstood; it proves itself with the best, and captivates and delights just as then’.

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