Altri libri che potrebbero interessarti

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  The Exiles

  Vivian Stuart

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  VOYAGE TO THE LAST FRONTIER...
  The first book in the dramatic and intriguing story about the colonisation of Australia: a country built on blood, passion, and dreams.
  They were transported from 1780s' England, packed like cattle in cargo compartments: scammers and prostitutes, thieves and murderers — doomed to build His Majesty's new colony in Captain Cook's anchorage in Botany Bay.
  It was a cruel fate even for the toughest of individuals but especially for 15-year-old Jenny Taggart, who was sentenced to lifelong exile for a crime she did not commit. Will there be a future for her in this unknown country, or will she succumb to a rough and brutal life?
  
  Rebels and outcasts, they fled halfway across the earth to settle the harsh Australian wastelands. Decades later — ennobled by love and strengthened by tragedy — they had transformed a wilderness into a fertile land. And themselves into The Australians.

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  The Adventures of Captain Hatteras

  Jules Verne

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  A letter from a sea captain, signed only with cryptic initials, directs an experienced sailor to built and outfit a ship, and to assemble a crew to sail on a dangerous adventure. The voyage starts towards a northerly destination with, as far as anyone knows, no captain aboard. After some time at sea, the captain finally appears and announces his identity, and his plan to sail to the North Pole. The crew faces dangers and hardship as they fight their way through the icy seas, while the captain drives them with single-minded focus to find a passage ever farther north.   
  In his usual style, Verne includes lots of history and scientific explanations in the story. The Adventures of Captain Hatteras was first published in 1864 under the title Voyages et aventures du capitaine Hatteras. At the time, the polar regions hadn't been fully explored; with the story set in 1861, it would be nearly fifty years before an explorer reached the pole.

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  Meet Me at the Clock - A Hotel...

  Tanya E Williams

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  Step into the opulent world of The Hotel Hamilton, where the chandelier sparkles while a maid’s aspirations fade into the woodwork. 
  Vancouver, Canada, 1927. A hotel maid’s duty is to never be seen. That’s no problem for Clara, who finds safety in her station. But for her sister, Louisa, it’s cold outside the limelight. 
  Clara is content being an obliging working girl, but she doesn’t feel worthy of the leadership responsibilities the hotel matron seems intent to thrust upon her. Torn between the unspoken limitations of her social standing and the demands of a fast-changing world, Clara is paralyzed by her fear of stepping out of line. 
  Louisa, an aspiring actress, is grateful for her employment at the prestigious hotel, but the feeling that she is meant for more haunts her as she sleepwalks through her days. Though Louisa’s ambitious nature yearns for a life in the theatre, she hasn’t auditioned in months. When she finally steps back into the spotlight, she brings her demons along with her, unable to forget what happened the last time she was on stage. 
  Already challenged with holding their family together, the sisters face the limits of their bond when prejudice and cruelty rear their dark heads. With Clara trapped in her comfortable cocoon and Louisa terrified of repeating the past, the sisters must learn from each other in order to stand against injustice and chart their own path through life.

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  Poison is a Woman's Weapon:...

  Janet McGiffin

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  In the ruthless world of 8th-century Constantinople, where alliances shift like the tides and betrayal lurks behind every gilded door, Irini of Athens fights to secure her place as Empress of the Byzantine Empire. But power comes at a deadly cost. 
  Surrounded by enemies within her own palace—her scheming mother-in-law, five treacherous step-brothers, and a husband who sees her as a threat—Irini knows that survival is not guaranteed. With childbirth looming, she summons the only person she can trust: Abbess Thekla, the knife-wielding woman who owes her a life debt. But Thekla soon realizes that Irini's ambitions reach far beyond being a dutiful wife and mother—she craves absolute power, and she will stop at nothing to seize it. 
  As blood stains the marble halls of the Great Palace, Thekla must navigate a web of intrigue, deception, and vengeance. Can she survive Irini’s unrelenting thirst for dominance, or will she become just another casualty in the empress’s ruthless ascent? Loyalties will be tested. Betrayals will be paid in blood. The empire will never be the same. 
  Poison is a Woman's Weapon is the second book in the thrilling Empress Irini Serie that chronicles the dramatic ascent of Irini of Athens to become Empress of the Byzantine Empire.

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  The House in the Orchard

  Elizabeth Brooks

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  When a World War II widow inherits a dilapidated English estate, she uncovers a diary written by an adolescent girl named Maude Gower. Looking for answers, she begins reading, only to unravel more questions about the mysterious past and many secrets hidden deep within the walls of Orchard House. 
   
   
   
  In 1876, orphaned Maude is forced to leave London, and her adored brother, Frank, to live with a stranger. Everyone—especially Frank—tells her not to trust Miss Greenaway, the enigmatic owner of Orchard House, but Maude can't help warming to her new guardian. Encouraged by Miss Greenaway, Maude finds herself discovering who she is for the first time, and learning to love her new home. But when Frank comes for an unexpected visit, the delicate balance of Maude's life is thrown into disarray. Complicating matters more, Maude witnesses an adult world full of interactions she cannot quite understand. Her efforts to regain control result in a violent tragedy, the repercussions of which will haunt Orchard House for the rest of Maude's life—and beyond. 
   
   
   
  With each psychologically gripping turn, Elizabeth Brooks masterfully explores the blurred lines between truth and manipulation, asking us who we can trust, how to tell guilt from forgiveness, and whether we can ever really separate true love from destruction.

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  A Procession of One

  Evelyn Hood

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  Not Yet Available

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