Altri libri che potrebbero interessarti

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  A Rhyme A Dozen ― Trees - 12...

  Charlotte][AUTHOR Mew, A E...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems  - 1 Topic. Trees - An Introduction 
  2 - The Forest Road by Charlotte Mew 
  3 - The Forest Path by Lucy Maud Montgomery 
  4 - In the Forest by Sarojini Naidu 
  5 - In the Black Forest by Amy Levy 
  6 - Loveliest of Trees, The Cherry Now by A E Housman 
  7 - Song 30 - On This Tree is a Bird by Kabir 
  8 - The Fir Tree and the Brook by Helen Hunt Jackson 
  9 - The Hawthorn Tree by Willa Cather 
  10 - Pine-Trees And The Sky by Rupert Brooke 
  11 - The Oak by Alfred Lord Tennyson 
  12 - To the Willow Tree by Robert Herrick 
  13 - Roots and Leaves Themselves Alone by Walt Whitman

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  Mrs Warren's Profession

  Bernard Shaw

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  'I am my mother's daughter. I am like you. But my work is not your work, and my way is not your way.'
  Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky and a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.
  Her mother, however, is a part of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter's expensive education – but at what cost?
  Bernard Shaw's incendiary moral classic was written in 1893, but, after being banned by the Lord Chamberlain, didn't receive a full public production in London until 1925. This version of the play, edited and introduced by director Dominic Cooke, was produced at the Garrick Theatre in London's West End in 2025, starring real-life mother and daughter Imelda Staunton and Bessie Carter.

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  The Poetry of Ben Jonson - Poems...

  Ben Jonson

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  Benjamin "Ben" Jonson was born in June, 1572. A contemporary of William Shakespeare, he is best known for his satirical plays; Volpone, The Alchemist, and Bartholomew Fair, and his equally accomplished lyric poems.  
  A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets. 
  In 1616 Jonson was appointed by King James I to receive a yearly pension of £60 to become what is now recognised as the post of the first official Poet Laureate.    
  He died on the 6th of August, 1637 at Westminster and is buried in the north aisle of the nave at Westminster Abbey. 
  A master of both playwriting and poetry his reputation continues to endure and reach a new audience with each succeeding generation. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Plays from VAULT 6 - Five new...

  Various Various

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  An anthology of five of the best plays from VAULT Festival 2023, London's leading festival of live performance.
  Fanboyby Joe Sellman-Leava is a love-hate letter to pop culture and nostalgia. A five-star hit at the Edinburgh Fringe, it's the story of a thirty-something, self-confessed nerd – obsessed with Star Wars and Nintendo – asking why his generation can't let go of their childhoods.
  Five Years with the White Man by Eloka Obi and Saul Boyer is a startling account of satirist ABC Merriman-Labor – the greatest Black Briton ever to have been forgotten – whose dreams of becoming the greatest writer of his generation lead him on a defiant journey from Sierra Leone to Edwardian London.
  Honour-Bound by Zahra Jassi is a powerful solo show about family, anti-Blackness, and what we're willing to sacrifice for love. After Simran loses her friend to honour-based violence, she has to answer some life-changing questions: will she and her boyfriend be able to live safely ever after?
  How We Begin by Elisabeth Lewerenz is a tender exploration of love, queerness and identity. Helen and Diana are perfect for each other: they've both got good degrees, busy jobs and nice flats. There's just one small problem – Diana's got a boyfriend.
  I Fucked You in My Spaceship by Louis Emmitt-Stern is a razor-sharp comedy-drama about sex and relationships. Two couples each invite a stranger into their homes with the hope of sparking new life. Instead, they find themselves threatened by alienation, abduction and invasion...
  'A major London festival... showcasing new and rising talent'Independent on VAULT Festival

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  Woman at the Crossing

  Susan Okie

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  In the poem that opens her debut collection, Susan Okie recounts an evening in the anatomy lab. Here we witness the depths of her curiosity toward her subject's inner workings. When I tugged on the flexor digitorum tendons, / her fingers partly closed and her thumb /crooked in. I seemed to see the two of us / as if from outside, and could no longer / name the tendons. I felt my fingers / from inside her hand." What to some might feel like harrowing proximity, Okie delivers, in astonishing verse, with wonder and even intimacy. To be sure, Woman at the Crossing is the work of a seasoned practitioner.

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  Lacunae - New Poems

  Scott Cairns

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   This is a book to savor slowly and return to often." —Malcolm Guite, author of Sounding the Seasons and other collections
  New poetry from Scott Cairns on containing the uncontainable
  
  Often, when speaking of what he has called the poetic operation of language, Scott Cairns has characterized that event as our "glimpsing an indeterminate, inexhaustible enormity within a discrete space." This is the poet's continuing fascination with lacunae, those spaces, those openings that offer more within than appearances can register from outside the ostensible covert of their terms. Cairns is here focused upon how an image, a word, or—in the case of the Theotokos—a womb can contain the uncontainable. As Orthodox hymnography avers, she is more spacious than the heavens. So, too, the poet suggests, in its own, modest way, the poem might give birth to more, and more, and yet more than even the poet supposes.

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