Altri libri che potrebbero interessarti

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  Sundaland: The History of the...

  Editors Charles River

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  By the time the Pleistocene Epoch ended around 12,000 years ago, Homo sapiens had become one of the most significant species on the planet. 	It was also near the end of that period of time that modern humans began to gradually populate what would become Europe, Asia, and the Americas, eventually becoming the inheritors of the Paleolithic era and the only human species to make it into the Neolithic era. The process was long and difficult, and the survival of the species only happened through a combination of human tenacity and a fair amount of luck. As much as humans evolved during the Pleistocene, the topography, geography, and environment changed even more. 
  The cold Pleistocene temperatures lowered water levels across the planet, exposing land that was not there before or after the period. At the same time, significant regions of the planet were very different during the Pleistocene, including Southeast Asia, particularly the modern islands of Bali, Borneo, Sumatra, and the Malay Peninsula, roughly equivalent to parts of Indonesia, Malaysia, Myanmar, and Thailand. This region, which modern scholars refer to as Sunda or Sundaland, was unique because all of it was connected by land, meaning today’s islands were once part of a contiguous subcontinent, and in terms of the people, flora, and fauna, it was very different than it is today. If a modern traveler could somehow transport back to the Pleistocene, Sundaland would look nothing like modern Southeast Asia and would resemble as much of a lost world as something out of a science fiction novel.  
  Although much is still unknown about Sundaland, researchers have uncovered plenty of evidence bringing this lost world to life. As anthropologists and archaeologists developed new models and discovered ancient material culture, they learned that Sundaland played a significant role in the development of Neolithic Southeast Asia in many ways. 

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  Transformer - A Story of Glitter...

  Simon Doonan

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  In this funny and poignant memoir and cultural history, the television personality, columnist, and author of Drag pays homage to Lou Reed’s groundbreaking album Transformer on its fiftieth anniversary and recalls its influence on his coming of age and coming out through glam rock. 
  In November 1972, Lou Reed released his album, Transformer because he thought it was “dreary for gay people to have to listen to straight people’s love songs.” That groundbreaking idea echoed with the times. That same year, Sweden was the first country to legalize gender-affirming surgery, and San Francisco struck down employment discrimination based on sexual orientation. 
  Sometimes an artistic creation perfectly aligns with a broader social and political history, and Transformer—with the songs “Walk on the Wild Side,” “Perfect Day,” and “Vicious”—perfectly captured its time. “Walk on the Wild Side” was banned on radio across the country but became a massive hit when young people threatened to boycott stations that would not play it. The album's cover featured a high-contrast image of Lou, flaunting a new mascara'd glamrock incarnation, shot by legend Mick Rock, thereby underscoring his intention to create ""a gay album."" 
  In Transformer, Doonan tells the story of how Lou Reed came to make the album with the help of David Bowie, and places its creation within the course of Reed’s life. Doonan offers first-hand testimony of the album’s impact on the LGBTQ+ community, recalling how it transformed his own life as a 20-year-old working class kid from Reading, England, who had just discovered the joys of London Glam Rock and was sparked by the artistic freedom of Warhol’s The Factory. Transformer was a revelation—hearing Reed’s songs, Doonan understood how the world was changing for him and his friends. 
  A poignant, personal addition to modern music and LGBTQ+ history, Transformer captures a pivotal moment when those long silenced were finally given a voice. As transgender icon Candy Darling, highlighted in his lyrics, told Reed, “It’s so nice to hear ourselves.” 
  Supplemental enhancement PDF accompanies the audiobook. 
  This book would make a great gift for any music lover, LGBTQ+ activist, or history buff looking to learn more about the cultural impact of Lou Reed's Transformer album on the world.

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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. 
    
  A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. 
    
  “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) 
    
  “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) 
    
  “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) 
    
  “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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  Raiders Of The Lost Ark - The...

  Film Trivia Metaverse

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  RAIDERS OF THE LOST ARK 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY STEVEN SPIELBERG 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Raiders of the Lost Ark is an action-adventure film directed by Steven Spielberg and produced by George Lucas. Set in 1936, it follows Indiana Jones, a daring archaeologist, as he races against Nazi forces to find the Ark of the Covenant, a biblical relic believed to possess immense power. Along the way, Jones faces treacherous enemies, dangerous traps, and a complicated relationship with his former lover, Marion Ravenwood. The film blends thrilling action, suspense, and historical mythology, paying homage to classic adventure serials while exploring themes of courage, greed, and the quest for power. 
    
  TRIVIA SAMPLES: 
    
  “Harrison Ford ad-libbed the line "It's not the years, honey, it's the mileage" to Marion on the ship.” 
    
  “The "body blow" sounds were made by striking a pile of leather jackets with a baseball bat.” 
    
  “Alfred Molina had his first credited role in this film, where he had to endure being covered in tarantulas.” 
    
  “During filming in Tunisia, almost everyone on set fell ill, except for Steven Spielberg. He avoided sickness by only eating cans of Spaghetti-O's that he brought himself.” 
    
  “A python bit first assistant director David Tomblin during the "Well of Souls" scene, and it wouldn’t let go until someone grabbed its tail and snapped it, making the snake release its bite.”

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  MINSTREL BOY: Picasso of Song...

  Chris Gregory

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  MINSTREL BOY: Picasso of Song Part 2 
  This book is about is one of the major cultural figures of the modern age, combining a reverence for the traditions of many forms of American music with a distinctly postmodern sensibility. It is no exaggeration to state that he has revolutionised the art of poetic songwriting. He is a recipient of the Nobel Prize for Literature, the Pulitzer Prize and numerous other awards, as well as being arguably the most influential single artist in the history of rock music.  
  This book is the second volume of Chris Gregory’s Picasso of Song, a highly comprehensive ‘trilogy in reverse’ which takes ‘deep dives’ into all of the songs, while exploring the many ways in which he has used live performance to expand and deepen the effects of his art. Following on from the acclaimed Determined to Stand which covered his later years, Minstrel Boy focuses on the many artistic and personal metamorphoses he went through between 1967 and 1990 - what might be called his ‘years of struggle’. Dylan could easily have rested on the laurels of his early fame but he refused to be categorised or ‘boxed in’ by the intense personal pressures that were placed on him. Instead, he continued his restless quest to find new ways to present his songs to fans and followers, knowing that they would hang onto every word he said or sang.

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  MOOD - Interiors & Inspiration

  Anne Hepfer

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  In Anne Hepfer’s first book, the acclaimed designer explores the power of a stylish and soul-nourishing refuge of one’s own. Drawing inspiration from influences such as travel, music, food and drink, fashion, and nature, Hepfer shares her process and opens the doors to the masterful spaces she has crafted for both clients and her own family.

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