Short Poems
Emily Dickinson
Casa editrice: Latorre-Editore
Sinossi
A sepal, petal, and a thorn Upon a common summer's morn - A flash of Dew, a Bee or two - A Breeze A caper in the trees - And I'm a Rose!
Casa editrice: Latorre-Editore
A sepal, petal, and a thorn Upon a common summer's morn - A flash of Dew, a Bee or two - A Breeze A caper in the trees - And I'm a Rose!
You never know how things really are in other people's families, in other people's homes. There's the public face and the private truths – the personal griefs and tragedies, whether festering or resting in peace. In her wry, engagingly strange poems, Anne Bailey takes the door off the latch and lets us inside. She shows us loss and disappointment, as well as hardness and resilience, particularly through the eyes of a daughter, wife and mother. We see the domestic sphere in such close-up detail that it becomes bizarre, an uncanny dimension that nonetheless rings horribly, weirdly true. "So you've put a picture on the lovely blank wall that used to go pink in the sun and feel like an ice cream. A wall on which I used to rest my eyes in pleasant contemplation." - from 'Domestic'Mostra libro
John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family. He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound. His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot. Her adultery with Fletcher was the grounds for her divorce. They married on 5th July 1916 but later divorced. Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. Although he was highly regarded as a poet, he was not very prolific. However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’. He was the first poet from the south to receive such an accolade. Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. A second marriage followed in 1936 to the children’s author, Charlie May Simon. They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. In 1937 he wrote his autobiography, ‘Life is My Song’. His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas. He was 64.Mostra libro
1st Poetry collection from Toni Lynn Britton -- Toni B. A Hampton Roads poet in true fashion, as she came upon our shores from distant lands, starting in Ohio. This is the story of how a poet leaves home to find... Home.The author brings us through her experiences with family, relationships, grief, life challenges and finding peace in a moving world.Mostra libro
Hear rare recordings from five of the most-respected African American poets reading their own works: Langston Hughes, The Negro Speaks of Rivers; Arna Bontemps, Nocturne at Bethesda; Countee Cullen, Heritage; Gwendolyn Brooks, The Vacant Lot; and Sonia Sanchez, Black Magic. . ©2009 Rick Sheridan (P)2009 Rick SheridanMostra libro
Cate McNider's poetry is a remarkable journey through the depths of the human experience. In Escape Velocity, she invites us to explore the uncharted territories of our inner selves and discover what lies beneath the surface. With each poem, she fearlessly confronts her own conditioning and strips away the layers of habit and illusion that obscure our true nature. Her words are a profound meditation on the power of vulnerability and the transformative force of love and understanding. McNider takes us on a journey through the Void, the space within ourselves where we can find the answers to life's most profound questions. Through her daring, honest, and often humorous approach, McNider reminds us that we are all the Source of our own reality. Her poetry is not just a reportage of her own transcendent process, but a call to action for each of us to undertake our own journey of self-discovery. Escape Velocity is not just a collection of poems, but a profound work of art that challenges us to see ourselves and thus the world with new eyes. McNider's courage and insight will leave you potently aware, daring you to take the leap into the unknown and discover the truth that lies within.Mostra libro
"Grimm Tales Made Gay" is a hilarious reinterpretation of classic Grimm fairy tales infused with humor and irreverence. In this collection, each Brother's Grimm tale is transformed into a witty and whimsical narrative, featuring absurd situations, clever wordplay, and unexpected plot developments. From Cinderella's sassy stepsisters to Little Red Riding Hood's encounter with a cunning wolf, Carryl's reinterpretations offer a fresh and entertaining take on beloved childhood favorites. With its charm, wit, and laugh-out-loud humor, "Grimm Tales Made Gay" is sure to delight readers of all ages! (Illustrations by Albert Levering)Mostra libro