Casa editrice: Desire Blossom Books
Daddy Erotica – Secrets of Dominance18 stories. Power. Control. Seduction.Step into a world where dominance meets forbidden desire. These stories explore the intoxicating pull of control, the thrill of surrender, and the raw intensity of taboo passions.Dark. Sensual. Addictive.
Dorothy Parker's complete weekly New Yorker column about books and people and the rigors of reviewing.
When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rupic "Constant Reader," she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ("She can go on like that for hours. Can, hell—does"), praising Hemingway's latest collection ("He discards detail with magnificent lavishness"), or dissenting from the Tao of Pooh ("And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up").
Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post.
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In this beautiful and transformative book, 24 Māori academics share their personal journeys, revealing what being Māori has meant for them in their work. Their perspectives provide insight for all New Zealanders into how mātauranga is positively influencing the Western-dominated disciplines of knowledge in the research sector. It is a shameful fact, says co-editor Jacinta Ruru in her introduction to Nga Kete Mātauranga, that in 2020, only about 5 percent of academic staff at universities in Aotearoa New Zealand are Māori. Tertiary institutions have for the most part been hostile places for Indigenous students and staff, and this book is an important call for action. ‘It is well past time that our country seriously commits to decolonising the tertiary workforce, curriculum and research agenda,’ writes Professor Ruru. Edited By Jacinta Ruru & Linda Waimare Nikoa This audiobook is narrated by the authors, Author List.Jacinta RuruMeihana DurieWendy LarnerMarama Muru-LanningTahu KukutaiShaun OgilvieShaun AwatereJoanna KidmanAlice Te Punga SomervilleJani WilsonNaomi SimmondsDan HikuroaNèpia MahuikaMarami StephensChellia SpillerRangi MatàmuaMorehu McDonaldSuzanne PitamaKrushil WateneOcean RipekaAnne - Marie JacksonMaria BarghJane KitsonSacha McMeekingLinda Waimarie NikoraLinda Tuhiwai SmithMostra libro
In this funny and poignant memoir and cultural history, the television personality, columnist, and author of Drag pays homage to Lou Reed’s groundbreaking album Transformer on its fiftieth anniversary and recalls its influence on his coming of age and coming out through glam rock. In November 1972, Lou Reed released his album, Transformer because he thought it was “dreary for gay people to have to listen to straight people’s love songs.” That groundbreaking idea echoed with the times. That same year, Sweden was the first country to legalize gender-affirming surgery, and San Francisco struck down employment discrimination based on sexual orientation. Sometimes an artistic creation perfectly aligns with a broader social and political history, and Transformer—with the songs “Walk on the Wild Side,” “Perfect Day,” and “Vicious”—perfectly captured its time. “Walk on the Wild Side” was banned on radio across the country but became a massive hit when young people threatened to boycott stations that would not play it. The album's cover featured a high-contrast image of Lou, flaunting a new mascara'd glamrock incarnation, shot by legend Mick Rock, thereby underscoring his intention to create ""a gay album."" In Transformer, Doonan tells the story of how Lou Reed came to make the album with the help of David Bowie, and places its creation within the course of Reed’s life. Doonan offers first-hand testimony of the album’s impact on the LGBTQ+ community, recalling how it transformed his own life as a 20-year-old working class kid from Reading, England, who had just discovered the joys of London Glam Rock and was sparked by the artistic freedom of Warhol’s The Factory. Transformer was a revelation—hearing Reed’s songs, Doonan understood how the world was changing for him and his friends. A poignant, personal addition to modern music and LGBTQ+ history, Transformer captures a pivotal moment when those long silenced were finally given a voice. As transgender icon Candy Darling, highlighted in his lyrics, told Reed, “It’s so nice to hear ourselves.” Supplemental enhancement PDF accompanies the audiobook. This book would make a great gift for any music lover, LGBTQ+ activist, or history buff looking to learn more about the cultural impact of Lou Reed's Transformer album on the world.Mostra libro
At twenty-three, Michelle Ephraim was failing at everything. The only child of reclusive Holocaust-survivor parents who were dismayed by her literary studies, she found herself dumped by her boyfriend and bombing out of graduate school. Then, one night, she crashed a Shakespeare recitation party. Loopy from vodka and never having read a single line of Shakespeare, she was transfixed. Shakespeare, she decided, was the lifeline she needed. Green World is the hilarious and heartbreaking story of Ephraim's quest to become a Shakespeare scholar and to find community and home. As she studies Shakespeare, Ephraim's world uncannily begins to mirror the story of the Jewish daughter in The Merchant of Venice, and she finds herself in a Green World, an idyllic place where Shakespeare's heroines escape their family trauma. Green World reckons with global, historical, and personal tragedy and shows how literature—comic and tragic—can help us brave every kind of anguish.Mostra libro
The correspondence of Oscar Wilde volume four. This fourth collection of the correspondence of Oscar Wilde includes the letters Wilde wrote while living in Berneval, in the months after his release from prison, and in Naples, where he shared a villa with his former lover, Lord Alfred Douglas. In a long letter to the editor of the Daily Chronicle, Wilde describes the cruelties of prison life. At this time Wilde was writing The Ballad of Reading Gaol, and the poem is a frequent topic in his letters to his friend, Robert Ross, and publisher, Leonard Smithers. Oscar Fingal O'Flahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890sMostra libro
What do George Whitefield, Elisabeth Elliot, and J. Gresham Machen have in common? They were all Evangelical Heroes. In the Evangelical Heroes series, Joel Beeke and Douglas Bond present thirty biographical sketches of faithful evangelical leaders from the eighteenth, nineteenth, and twentieth centuries. From George Whitfield to Charles Spurgeon to R.C. Sproul, these men and women held firm to the authority of Scripture and the reality of Christ's death and resurrection in the face of rising liberalism in the Church. These inspiring volumes introduce us to faithful Christians from the past and encourage us to stand firm today!Mostra libro
