Altri libri che potrebbero interessarti

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  All's Well That Ends Well

  William Shakespeare

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  A Shakespeare Society Production. The complete play in five acts. 
  Desperately in love with Bertram, the son of a Spanish countess, Helena schemes with the virginal Diana to fulfill Bertram’s stipulations and win his love. As Bertram’s infidelity and Helena’s deceits are revealed, the estranged lovers reunite, but the audience is left to wonder if, in love, the end justifies the means.

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  Breadth of a Tree The: Poems...

  Peaches Gillette

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  The Breadth of a Tree is about an enduring search for spiritual freedom. First-time author I. Peaches Gillette courageously steps out into the world and allows herself to be seen through her profound and compassionate writing. This collection of poetry, letters, and transcriptions of dreams explores a wide range of emotions. It is a loving disclosure of deeply personal events that shaped the heart and soul of who Peaches has come to be. The Breadth of a Tree is about life and the thoughts, feelings, and words that provide a way to share that life with others.

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  Judgment at Nuremberg

  Abby Mann

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  Abby Mann's classic story about the Nuremberg trials, under which German leaders were found guilty of crimes against humanity in 1945 and 1946. Even today, the play remains a shattering indictment of the consequences of unchecked authority and the seductive power of group thought.Includes an audience talkback with Judge Bruce Einhorn, who served at the Justice Department supervising litigation against Nazi war criminals and is currently a professor at Pepperdine University.An L.A. Theatre Works full-cast production, starring Ryan Vincent Anderson, Michael Canavan, Jake Green, Harry Hamlin, Shannon Holt, Alan Mandell, James Morrison, David Selby, Kate Steele, Nick Toren, and John Vickery. Honorary Executive Producer, David Kavner. Special thanks to Metro-Goldwyn-Mayer Studios. Directed by Shannon Cochran and recorded before an audience by L.A. Theatre Works.

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  After the Love (OLD & MATURE) -...

  Jeffrey V. Perry

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  Finding one’s self is not a product of age or time. But, learning to love and accept ourselves can be. Every day we learn that we cannot deceive our self until we must face our truth. You need no mirror nor any outside help. You will only have you. 
  This poetry is written in various styles and on different subjects. It is inspired writing on spirituality, religion, history, romance, and social commentary.  
  "Rebuke not an elder, but entreat him as a father, and the younger men as brethen". Timothy 5:1 (KJV) 
  After the Love is the ultimate reflection, once age and experience have become memories. Hope is now not what we await, but what we finally can give.

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  Lover's Vows

  Elizabeth Inchbald

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  Lovers' Vows (1798), a play by Elizabeth Inchbald arguably best known now for having been featured in Jane Austen's novel Mansfield Park (1814), is one of at least four adaptations of August von Kotzebue's Das Kind der Liebe (1780; literally "Child of Love," or "Natural Son," as it is often translated), all of which were published between 1798 and 1800. Inchbald's version is the only one to have been performed. Dealing as it does with sex outside marriage and illegitimate birth, Inchbald in the Preface to the published version declares herself to have been highly sensitive to the task of adapting the original German text for "an English audience." Even so, she left the setting as Germany.The play was first performed at Covent Garden on Thursday, 11 October 1798, and was an immediate success: it ran for forty-two nights, "making it by some distance Covent Garden's most successful venture of that season," and went on to be performed in Bristol, Newcastle, Bath, and elsewhere. It was likewise successful as a print publication, though it also aroused controversy about its "levelling" politics and moral ambiguity. Anne Plumptre, who translated Kotzebue's play as The Natural Son, wrote (perhaps not disinterestedly as the production of Inchbald's work effectively precluded the production of her own) that Inchbald had transformed the character of Amelia into a "forward country hoyden." Others, however, defended the morality of the play. And indeed, various characters indulge in considerable moralizing about charity, honour, and forgiveness. (Summary by wikipedia) 
  Cast: 
  Baron Wildenhaim, Countryman, and Prologue: Algy PugCount Cassel: John FrickerAnhalt and Narrator: AlanFrederick: Peter BishopVerdun the Butler and Epilogue: Ernst PattynamaLandlord: Martin GeesonCottager: David LawrenceFarmer: Dale BurgessGentleman: Ric FServant and Cottager's Wife: Amy GramourAgatha Firburg and Dramatis Personae: Sandra GAmelia Wildenhaim: Elizabeth BarrCountry Girl and Preface: rigbyjmNarrator: Paul AndrewsAudio edited by: Algy Pug

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  Transformations - Poems

  Anne Sexton

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  Pulitzer Prize–winning poet Anne Sexton morphs classic fairy tales into dark critiques of the cultural myths underpinning modern society Anne Sexton breathes new life into sixteen age-old Brothers Grimm fairy tales, reimagining them as poems infused with contemporary references, feminist ideals, and morbid humor. Grounded by nods to the ordinary—a witch’s blood “began to boil up/like Coca-Cola” and Snow White’s bodice is “as tight as an Ace bandage”—Sexton brings the stories out of the realm of the fantastical and into the everyday world. Stripping away their magical sheen, she exposes the flawed notions of family, gender, and morality within the stories that continue to pervade our collective psyche.   Sexton is especially critical of what follows these tales’ happily-ever-after endings, noting that Cinderella never has to face the mundane struggles of marriage and growing old, such as “diapers and dust,” “telling the same story twice,” or “getting a middle-aged spread,” and that after being awakened Sleeping Beauty would likely be plagued by insomnia, taking “knock-out drops” behind the prince’s back. Deconstructed into vivid, visceral, and often highly amusing poems, these fairy tales reflect themes that have long fascinated Sexton—the claustrophobic anxiety of domestic life, the limited role of women in society, and a psychological strife more dangerous than any wicked witch or poisoned apple.  

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