Altri libri che potrebbero interessarti

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  A Dream (NHB Modern Plays)

  Chris Bush

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  Packed with songs, mischief and mistaken identities, this riotous and joyful play transports Shakespeare's most beloved characters to the chaos of a busy modern-day hospital.
  Romeo and Jules are recovering from an accidental overdose, Antony and Cleo are reminiscing in the waiting room, and Beatrice and Benedict are bickering over the cause of the latter's knee operation.
  As night falls on A&E, and Pharmacist Puck starts to dole out medicine, a very midsummer madness begins to take root…
  Chris Bush's A Dream was first performed at the Crucible Theatre, Sheffield, in a production by Sheffield People's Theatre.
  The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to older teenagers and young adults.

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  Born in England – Exploring...

  Geoffrey Chaucer, William Blake,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume the instantly globally recognisable city of London has, for century after century, dominated the country.  Its rich history of art, culture and commerce interweave with generation after generation of poets to produce a supremely rich tapestry of undimmed brilliance.  Our poets include Alexander Pope, Amy Levy, Edmund Spenser, John Keats, G K Chesterton and a host of others.  Genius has many names.

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  The Ballad of a Nun - A decadent...

  John Davidson

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  John Davidson was born at Barrhead, East Renfrewshire on 11th April 1857.  
  In 1862 his family moved to Greenock and there he began his education at Highlanders' Academy.  Davidson would now spend many years at school and the beginnings of a career in various industries before gaining employment in various schools. 
  By now literature was a large part of his activities and his first published work was ‘Bruce, A Chronicle Play’ in 1886. Four other plays quickly followed including the somewhat brilliant pantomimic ‘Scaramouch in Naxos’ (1889). 
  With his reputation gradually providing an income he was also able to explore his true medium; Verse.  ‘In a Music Hall and Other Poems’ (1891) together with ‘Fleet Street Eclogues’ (1893) were ample proof that he possessed a quite rare, genuine and distinctive poetic gift.   
  Davidson now turned further and further towards verse. In 1894 he published his most popular volume, ‘Ballads and Songs’ (1894), and this was followed by a further ‘Fleet Street Eclogues’ (Second Series) (1896) and by ‘New Ballads’ (1897) and ‘The Last Ballad’ (1899). 
  As the new century dawned Davidson was hard at work on a series of ‘Testaments’, in which he gave definite expression to his philosophy and were published over a seven year period; ‘The Testament of a Vivisector’ (1901), ‘The Testament of a Man Forbid’ (1901), ‘The Testament of an Empire Builder’ (1902), and ‘The Testament of John Davidson’ (1908).  
  However, on 23rd March 1909, with his finances in ruins, the onset of cancer and profound hopelessness and clinical depression he left his house for the last time.  His body was only found on September 18th by some local fishermen.

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  A Spring Harvest - Edited by JRR...

  Geoffrey Bache Smith, Charles...

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  The poems of this book were written at very various times, one (“Wind over the Sea”) I believe even as early as 1910, but the order in which they are here given is not chronological beyond the fact that the third part contains only poems written after the outbreak of the war. Of these some were written in England (at Oxford in particular), some in Wales and very many during a year in France from November 1915 to December 1916, which was broken by one leave in the middle of May. “The Burial of Sophocles,” which is here placed at the end, was begun before the war and continued at odd times and in various circumstances afterwards; the final version was sent me from the trenches. Beyond these few facts no prelude and no envoi is needed other than those here printed as their author left them. J. R. R. T.

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  The Trials

  Dawn King

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  'Everyone lived like we did! Well maybe not everyone, everyone. But… I wasn't any worse than anyone else.'
  The near future. The climate emergency is gathering pace, and our generation is being judged.
  The jurors are children. But are they delivering justice – or just taking revenge?
  Dawn King's searing play The Trials was first performed at the Düsseldorfer Schauspielhaus in January 2022, and was a finalist for the Susan Smith Blackburn Prize. It received its British premiere at the Donmar Warehouse, London, in August 2022, directed by Natalie Abrahami.
  The Trials offers an exciting opportunity for theatre companies to address the climate emergency and intergenerational conflict, as the jury of 12 to 17-year-olds hold the stage alongside three adult defendants.

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  The correct fury of your why is...

  Kevin Andrew Heslop

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  Poet-critic Jim Johnstone has described Kevin Heslop's the correct fury of your why is a mountain as among “the most promising poetic projects to come out of Canada in recent years.” This debut collection communicates Heslop’s sense of balance as a visual artist, curator, and poet who weights the page with visual harmony. By turns experiment, lyric, and incantation, the book nods to its author’s training as an actor, combining a command of language, form, character, and polyphony to make something performatively unique.

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