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  Riddle of Spirit and Bone

  Carolyn Korsmeyer

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  In contemporary Buffalo, Dan's world is upended when he unearths a young woman's skeleton while replacing the gas main in a city neighborhood. Using the meager clues available, he and his archaeologist friends embark on a quest to piece together the mystery of her death. In 1851, the newly widowed Madeleine Talmadge and her orphaned nieces, Jane and Lydia, seek the aid of a cunning spiritualist, Alexander Dodge Lewis. Lewis leads them on a perilous journey from one séance to the next, attempting to summon the spirit of Madeleine's late husband and promoting Lydia's latent abilities as a medium. Jane, suspicious of his motives and fearful of his influence, seeks to disentangle her aunt and cousin from Lewis's beguiling sphere—with dire consequences. As the past collides with the present, layers of time peel back to reveal long-buried secrets of loss, love, and murder. Alongside its riveting plot, Riddle of Spirit and Bone offers subtle rumination on what can be observed, what can be known, and what can be trusted.

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  Kalki in Parthiban Kanavu Pagam...

  Kalki Krishnamurthy

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  Parthiban Kanavu, a famous Tamil historical novel by Kalki Krishnamurthy, now available as an audiobook. A timeless classic that portrays the dreams of King Parthiban and the valor of his son Vikraman, blending history, patriotism, and imagination in Tamil literature.

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  3 Christmas Stories - With a...

  O Henry, Willa Cather, William...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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  The Botanist's Tracks

  Michael Reit

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  Felcia Hodaks's vital botanical skills are the only thing keeping her away from the gas chambers. 
  Against the backdrop of Auschwitz-Birkenau's ever-present brutality, Felcia tends to the plants needed for one of the Reich's most ambitious experiments—one that could tip the war in favor of the Nazis. 
  When Sabina Kupka discovers the horrifying nature of her father's job at a coal mine run by Nazis, she agrees to work with an increasingly defiant resistance. What starts small but significant soon propels her into a frontline role—dangerous enough to cost her her life if caught. 
  Soon, both women are engaged in a daring plan to arm the prisoners of Auschwitz-Birkenau. 
  The Botanist's Tracks is the third installment in the Beyond the Tracks series and takes readers to the Nazi agricultural camp of Rajsko, a ten-minute ride from Auschwitz-Birkenau. 
  Based on actual events, The Botanist's Tracks is the first-ever book set primarily in Rajsko and shows the incredible ingenuity of prisoners in finding ways to rise against impossible odds.

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  The Colony

  Audrey Magee

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  It is the summer of 1979. An English painter travels to a small island off the west coast of Ireland. Mr. Lloyd takes the last leg by curragh, though boats with engines are available and he doesn't much like the sea. He wants the authentic experience, to be changed by this place, to let its quiet and light fill him, give him room to create.
  
  He doesn't know that a Frenchman follows close behind. Masson has visited the island for many years, studying their language. He is fiercely protective of their isolation; it is essential to exploring his theories of language preservation and identity.
  
  But the people who live on this rock—three miles long and half a mile wide—have their own views on what is being recorded, what is being taken, and what ought to be given in return. Over the summer, each of them—from great-grandmother Bean Uí Fhloinn to widowed Mairéad and fifteen-year-old James, who is determined to avoid the life of a fisherman—will wrestle with their own values and desires. Meanwhile, all over Ireland, violence is erupting. And there is blame enough to go around.
  
  An expertly woven portrait of character and place, a stirring investigation into yearning to find one's own way, and an unflinchingly political critique of the long, seething cost of imperialism, The Colony is a novel that transports, that celebrates beauty and connection, and that reckons with the inevitable ruptures of independence.

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  The Opium Gates - A tale from...

  Marcel Schwob

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  Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family.  
   
  As a child he devoured the works of Poe and Stevenson in French and then again in English.  His attachment to the bizarre and dark was already forming. 
   
  His education at the Lycée of Nantes earned him the 1st Prize for Excellence.  In 1881, he was in Paris with his maternal uncle to study at the Lycée Louis-le-Grand.  Schwob quickly developed his multilingual abilities and then studied philology and Sanscrit at the École pratique des hautes études before completing his military service in Vannes with the artillery. 
   
  After completing a Bachelor of Arts in 1888 he became a professional journalist and worked for the Phare de la Loire, the Événement and L'Écho de Paris. 
   
  The 1890’s marked his establishment as a brilliant writer with the publication of six short story collections.   
   
  He fell ill in 1896 with a chronic, incurable intestinal disorder.  He also suffered recurring bouts of influenza and pneumonia.  Intestinal surgery was given several times, at first with success but, by 1900, after two more surgeries, he was told that nothing more could be done for him.  Schwob now existed on kefir and fermented milk. 
   
  By the turn of the century, despite failing health, and often too ill to write, he embarked on several long travels, including to Vailima in the South Pacific where his literary hero Stevenson had died.  
   
  Schwob was regarded as a symbolist writer and a ‘precursor of Surrealism’.  He wrote over a hundred short stories, journalistic articles, essays, biographies, literary reviews and analysis, translations and plays.  
   
  Marcel Schwob died on 26th February 1905 of Pneumonia.  He was 37.

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