Altri libri che potrebbero interessarti

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  Home Burial - a poem

  Robert Frost

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  "Home Burial" is a poem about a man and woman whose baby has died. It tells of the burial, how the parents react to this death, particularly their lack of communication. 
  This piece is especially poignant given that Frost's son Elliot died at age 4, his daughter Elinor Bettina died when she was a few days old, his wife experienced a miscarriage, two of his daughters suffered mental breakdowns and died, and his son Carol committed suicide. 
  A Blackstone Audio production.

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  The Rime of the Ancient Mariner...

  Samuel Taylor Coleridge

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  "The Rime of the Ancient Mariner" by Samuel Taylor Coleridge is a classic narrative poem that follows the harrowing journey of a mariner who faces supernatural occurrences and the consequences of his actions.
  Each poem in this collection showcases Coleridge's mastery of language, imagery, and symbolism, inviting readers on a journey through landscapes both real and imagined. 
  From the eerie enchantment of "Kubla Khan" to the gothic suspense of "Christabel" and the tranquil introspection of "Frost at Midnight," this collection offers a diverse range of poetic experiences. Through themes of nature, imagination, and the human condition, Coleridge's poetry continues to resonate with readers across generations.
  "The Rime of the Ancient Mariner" is a captivating compilation that showcases the timeless beauty and enduring appeal of Coleridge's poetry.

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  Love Language

  Nasser Hussain

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  CBC BOOKS CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2023In his follow-up to SKY WRI TEI NGS, Nasser Hussain tackles the absurdity of the English language through a modern take love poemsThe term “Love Language” can be read at least three ways: as an imperative, as the signoff to a letter, and as a contemporary way of talking about relationship styles. None of these would be wrong in this book.  
  Love Language loves language. These are poems that repeat and hypnotize as English becomes more absurd: from Apple's terms and conditions to other poet's love poems, from performance reports to pop songs, Hussain skillfully and joyfully toys with everyday texts to talk about love, to think about poems, to call out racism, to remind us that words can be fun. Allow these playful poems to woo you, to let you fall in love with language again. 
  "Think of 'time as a lantern,' suggests Nasser Hussain, in these inimitable poems that take play seriously and allow seriousness to enter the room disguised as incantation. These are poems that long to dismiss the lyric’s most recent pretty mask of polite propriety and instead take us to the lyric’s ancient roots. It started way back, the poet says, 'when a cave person made a grunt,' to speak the name of a thing. Indeed. This is the lyric’s ancient pact with the world: to spin playful language into seriousness of giving things their names—what are we without this speaking, this tune? Hussain knows this and writes beautiful poems—and I, for one, am grateful." – Ilya Kaminsky, author of Deaf Republic 
  "Hussain's humour is never complacent; it is the opposite of a defence mechanism (we are encouraged to imagine such a thing) and wryly sidesteps the bad binary of conservative withdrawal as set against algorithm-envenomed hyperassertion. He puts into words a new masculinity maturer than we deserve, that acknowledges swerves of defiance to be inseparable from underswells of doubt." – Vidyan Ravinthiran, author of The Million-Petalled Flower of Being Here

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  Be

  Adrian Cox-Settles

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  Be is a collection of poems that delve into the intimate feelings of a young woman who didn’t see light at the end of the tunnel yet felt the light in her heart growing up in a dysfunctional family and community. The poems are raw. They describe a myriad of internal and external struggles the author endured that helped to shape the woman she is today. The poems speak of survival and success as the reader is encouraged to thrive in the face of adversity. The reader experiences the author’s vulnerabilities and the depths of her feelings as her sentiment unfolds on the pages—"There is light at the end of the tunnel, even if I can’t see it.” Be is a work of trials and triumphs. “Be” inspired.

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  Your Emergency Contact Has...

  Chen Chen

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  What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness. Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.

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  The Book of Hours - a new poetic...

  Rainer Maria Rilke, Brett Alan...

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  Written at the turn of the twentieth century, The Book of Hours is one of the most significant works of modern German poetry. There has never been an English translation that preserved the tight poeticism and Christian mysticism of the original until now. In this long poem, the narrator-poet is a monk and icon painter desperately trying to see God in a way that his art can’t capture. Over three sections (The Book of Monkish Life, The Book of Pilgrimage, and The Book of Poverty & Death), Rilke takes the narrator on a journey from the pastoral lands of his monastery to the bustling and inhuman cities of the world on a quest to make sense of God's central mystery. A variety of images recur: building, trees (roots and fruits), ripening, ore, and what Rilke simply calls "the things". Through these motifs, the narrator seeks to understand God by exploring imagery that is the inverse of the usual Biblical symbols. What can we learn by thinking of God as darkness, as son, as poor neighbor, or as the rock that runs through the earth...? And, ultimately, what truly are poverty and death to the holy pilgrim?

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