Altri libri che potrebbero interessarti

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  Karolina's Sweet Dreams -...

  Mike Blake

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  Karolina's Sweet Dreams.This is the 3rd Poem about the audaciously talented Karolina Protsenko.It is just simply a reverie of her music playing ability.A series of her poems have now been created.

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  Ultimate Guide to Music...

  Shawn Folk

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  The Ultimate Guide to Music Monetization 
  A Practical Breakdown of How Artists Earn in the Modern Music Industry 
  In today’s music industry, making great music isn’t enough—understanding how money is made is just as essential. The Ultimate Guide to Music Monetization is a practical, research-driven resource created to help artists, managers, and independent creatives make sense of the evolving monetization landscape. 
  This guide breaks down the many different ways artists can earn income, not to promise riches, but to help you understand how each model actually works, where its limitations lie, and how artists are using them today. 
  Inside, you'll find:Clear explanations of streaming, licensing, NFTs, catalog advances, social tokens, direct sales, subscriptions, and moreAnalysis of the platforms and companies leading each monetization modelInsights into the incentives behind industry messaging—from distributors to marketers to creatorsReal-world pros and cons of each path, so you can make informed decisions based on your goals and circumstances 
  Written by Gif of Payusnomind, an artist, marketer, and founder of the first YouTube channel offering comparative analysis of music distribution platforms, this guide offers an unbiased look at the business side of music, free from hype, and focused on helping you understand the options available. 
  If you're trying to find the right path, build sustainable systems, or just want to know what’s behind the curtain, this book is a valuable starting point.

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  Bob Dylan and Dylan Thomas - The...

  Jeff Towns, K G Miles

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  There are so many strange and wonderful connections and coincidences; shared passions and associations that tie these two cultural icons – BOB DYLAN and DYLAN THOMAS together.
  This provides a rich tapestry – from the ancient Welsh folk tales of the Mabinogion to the poems of the Beat Generation; from Stravinsky to John Cale; from Johnny Ray to Charlie Chaplain. Rimbaud and Lorca, Sgt Pepper and The Bells of Rhymney, Nelson Algren and Tennessee Williams and much more. And the wonderful connections between authors K G Miles and Jeff Towns makes it the perfect partnership to write this book.
  Fifty-two years ago, author Jeff Towns opened his first bookstore in Swansea – he called it Dylans Bookshop – a youthful homage to the poet Dylan Thomas born and raised in Swansea, an author he admired. Eight years before that, in 1962, (when he had never really heard of Dylan Thomas), he had bought his first ever LP record, Bob Dylan's first ever LP release calledBob Dylanwith a track list; In My Time of Dyin', Fixin' to Die, See That My Grave is Kept Clean and so on; baker's dozen of powerful songs. Jeff read that his new hero had been born Robert Zimmerman but had changed his name to BOB DYLAN, a homage to a Welsh poet named DYLAN THOMAS.
  From that moment on THE TWO DYLANS became a constant part of and backdrop to his life. And the two Dylans kept on giving – they were both on the cover of the Beatles Sgt Pepper album. Peter Blake who fashioned the cover of Pepper, was a huge fan on Dylan Thomas' radio play Under Milk Wood. Jeff went to see Peter, they became friends and still are. Peter gave permission to use his wonderfulTiny Tina the Tattooed Lady©Peter Blake image for the cover of this book.
  London co-author K G Miles has been inspired by BOB DYLAN since being an awestruck child at Bob's Isle of Wight Festival in 1969. He is now the co-curator the of theDylan Room at London's Troubadour Cluband was honoured to address the inaugural conference at the Tulsa Archive in 2019.

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  One Last Song - Conversations on...

  Mike Ayers, Jim James

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  An ironically upbeat book that asks some of today's most inimitable musicians which song they would choose to be the last one they ever hear 
   
   
    
  If you could choose the last song you'd hear before you died, what would it be and why? Your favorite song of all time? Perhaps the one you danced to at your wedding? The song from that time you got super stoned and just let the chords speak to you? It's a hard question that Mike Ayers has thought about for years. 
   
   
    
  In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes—what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

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  Beethoven Symphony No 4 and...

  Ludwig van Beethoven

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  Rain and thunder envelop Beethoven Symphony No. 4 in B Flat Major, Op. 60 
   
   
   
  Escape the stress and pace of the daily grind and transport your mind to an alternative reality. 
   
   
   
   
  I. Adagio - Alle 
   
  II. Adagio 
   
  III. Allegro vivace 
   
  IV. Allegro ma non troppo

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  As the Stage Turned - A Front...

  Jeannie Emser Schultz

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  Sammy Davis, Jr. opened it. Luther Vandross closed it. During the 19 years in between, a who’s who of the world’s top entertainers and speakers performed on the novel revolving stage of the Front Row Theatre, from Liberace to Alice Cooper, Jay Leno to Jerry Seinfeld, Marlene Dietrich to Dolly Parton, Presidents Ford and Carter and culinary grand dame Julia Child. Many were unknown opening acts, like Whitney Houston. Another, the legendary Roy Orbison, would unknowingly perform the final concert of his life there. 
  Cleveland Landmarks Press’ newest release, As the Stage Turned: A Front Row Theatre Memoir, captures the dynamic energy that sprung from one of the most unique entertainment venues in the country – a theater-in-the-round located in the sleepy suburb of Highland Heights, just outside of Cleveland. 
  Jeannie Emser Schultz, the venue’s longtime former director of marketing and publicity, has written a memoir capturing the star power and draw of the Front Row. It’s an homage to seemingly everything related to show business and the cultural significance of that famed theater that drew the biggest and brightest stars of its day. 
  For instance, where else would you learn that several days into Sammy Davis’s opening run at the Front Row in 1974, he received a phone call threatening his life? Or that the only way Frank Sinatra would agree to perform there was if he and his entire entourage could rent out the Shaker Heights home of Larry Dolin, the founder and president of the Front Row? Or that comedian Bob Newhart always kept a nude picture on his dressing room table of Anthony Newley looking backwards through his legs (Newhart told Emser Schultz it was one of the funniest pictures he ever saw)? 
  Emser Schultz’s narrative takes readers on a detailed and behind-the-scenes firsthand journey of the almost 20-year history of what was considered one of America’s most significant entertainment venues. Revisit your own fond memories of a lost Cleveland classic.

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