Altri libri che potrebbero interessarti

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  Echoes of Military Souls - A...

  Jerusha Kananu Marete

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  Echoes of Military Souls is a power-packed package of art that promises to keep you on the edge of your seat. It is a roller coaster stream of emotion. The poems forcefully remind us that soldiers lay down their lives for fellow humans. But do we really value this singular sacrifice? The theatrical ambience of the poems imprints indelible vistas of hope for the indefatigable human spirit!

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  Rust Belt Chicago - An Anthology

  Martha Bayne

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  “A lively grab bag of essays, fiction and poetry that reads at times like a who’s who of contemporary Chicago writers/residents”(Chicago Tribune). Chicago is a city built on meat, railroads, and steel, on opportunity and exploitation. But its identity has long involved so much more than manufacturing. Today, the city continues to lure new residents from around the world, and from across a region rocked by recession and deindustrialization.Rust Belt Chicago collects essays, fiction, and poetry from more than fifty writers who speak directly to the concerns the city shares with the Midwest at large, and the elements that set it apart. With contributions from writers like Aleksandar Hemon, Kathleen Rooney, and Zoe Zolbrod, here you’ll find stories about:  Buying Bread on Devon Street  The Cantinas of Pilsen  Bike commutes through the North Side  Adventures on the El.  Writing with affection, frustration, anger, and joy, the writers in this collection capture all the harmony and dissonance that define one cacophonous place.

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  A Healer’s Hymns

  Ved Vyas

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  "Dedicated to my mother, the Great Goddess." 
  Life, unpredictable, yields return for sacrifices made. Departing from the conventional path, I surrendered much to existence. Pain, a constant companion, birthed verse—each line a product of anguish turned art. In the ebb and flow of life's challenges, I found solace in writing. What emerged were rhythmic verses, transforming suffering into poetry. Some reflect, others introspect; some offer insight, and others observe. Regardless, each verse is a product of life's trials and emotions. Surprisingly, these verses multiplied over the years. Today, I share them not for accolades, but to be heard amidst the chaos. Some stories must be told, some silences shattered. I offer my rhymes openly, a reflection, a token of my journey.

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  Leaves of Grass

  Walt Whitman

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  Leaves of Grass is a groundbreaking collection of poems by Walt Whitman, often hailed as the most influential American poet of the 19th century. Known for its unconventional themes and free verse style, the work challenged traditional poetic conventions and established Whitman as a revolutionary figure in American literature. 
  At the heart of Leaves of Grass is a celebration of the individual, the body, and the natural world. Whitman's poetry often explores themes of democracy, equality, and the interconnectedness of all things. The collection is filled with vivid imagery, powerful metaphors, and a sense of boundless optimism. 
  One of the most striking aspects of Leaves of Grass is Whitman's use of free verse. By abandoning traditional poetic structures, he was able to capture the rhythm and cadence of everyday speech. This innovation allowed him to express his ideas with greater freedom and spontaneity

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  The Black Man's Lament or How to...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  The Essential Hits of Shorty Bon...

  Willie Perdomo

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  A suite of poems about a percussionist in 1970 Spanish Harlem music circles, from the author of The Crazy Bunch 
    
  A National Book Critics Circle 2014 Finalist for Poetry 
    
  Through dream song and elegy, alternate takes and tempos, prizewinning poet Willie Perdomo’s third collection crackles with vitality and dynamism as it imagines the life of a percussionist, rebuilding the landscape of his apprenticeship, love, diaspora, and death. At the beginning of his infernal journey, Shorty Bon Bon recalls his live studio recording with a classic 1970s descarga band, sharing his recollection with an unidentified poet. This opening section is followed by a call-and-response with his greatest love, a singer named Rose, and a visit to Puerto Rico that inhabits a surreal nationalistic dreamscape, before a final jam session where Shorty recognizes his end and a trio of voices seek to converge on his elegy. 
    
  “A vivid portrait of a late-20th century Nuyorican musical community … Perdomo manages to mix the language of city life with a sense of the transcendent.”—NPR.org 

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