Altri libri che potrebbero interessarti

• 

  French Cinema - A Very Short...

  Dudley Andrew

  • 0
  • 0
  • 0

  It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. 
   
   
   
  This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic oeuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analyzing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today.

  Mostra libro

• 

  How to Be Avant-Garde - Modern...

  Morgan Falconer

  • 0
  • 0
  • 0

  Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas. 
   
   
   
  Avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the Futurist founder Filippo Tommaso Marinetti, whose manifesto seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret, and the Surrealists tried to exchange it for tools to plumb the unconscious. He guides us through the Russian Constructivists with their adventures in advertising and utopianism and De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with their ideas inspiring the 1968 Paris student protests. 
   
   
   
  How to Be Avant-Garde is a journey through the interlocking networks of these creative lives with their visions of a better world, their sometimes sympathetic but often strange conversations, and their objects and writings that defied categorization.

  Mostra libro

• 

  Elvis Presley - His Music His...

  Kelly Mass

  • 0
  • 0
  • 0

  Elvis Presley is the famous singer who caused so much controversy that he was hated and loved among most of the American people. His sexual moves, his novel way of putting songs together… there was just something about him that attracted the ladies and the media attention at the same time. 
  Elvis didn’t grow up with wealth and fame. In a way, you could say he was living the American dream. However, he was kind of a bad boy as well, facing legal troubles, broken relationships and drug abuse. His death was lamented by many but his music lived on. Explore the era and methods of Elvis with us in this concise book/biography about his life.

  Mostra libro

• 

  Inception - The Ultimate Trivia...

  Film Trivia Metaverse

  • 0
  • 0
  • 0

  INCEPTION 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY CHRISTOPHER NOLAN 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Inception is a mind-bending science fiction thriller directed by Christopher Nolan. The film follows Dom Cobb, a skilled thief who specializes in "extraction," stealing secrets from within a person's subconscious during dreams. Cobb is offered a chance to have his criminal past erased if he can perform the impossible: "inception," planting an idea in someone's mind without them realizing. To achieve this, he assembles a team and navigates multiple layers of dreams within dreams. The movie explores themes of memory, guilt, reality, and the power of the subconscious, blending action with deep philosophical questions about perception and identity. 
    
  TRIVIA SAMPLES: 
    
  “Christopher Nolan has said that the snow-based third-level dream was inspired by his favorite James Bond film, On Her Majesty's Secret Service (1969).” 
    
  “Joseph Gordon-Levitt performed all but one of his own stunts during the famous hallway fight scene, which took place in a spinning hallway.” 
    
  “According to cinematographer Wally Pfister, Warner Brothers executives suggested making this movie in 3D, but Christopher Nolan rejected the idea, claiming it would distract from the storytelling.” 
    
  “Leonardo DiCaprio was the only choice for the role of Cobb, according to Christopher Nolan and producer Emma Thomas.” 
    
  “Christopher Nolan first pitched Inception to Warner Brothers after completing his third film, Insomnia (2002), and received approval. However, the movie wasn't written at that time. It took nearly eight years to complete the script.”

  Mostra libro

• 

  Metaphor and Musical Thought

  Michael Spitzer

  • 0
  • 0
  • 0

  "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.

  Mostra libro

• 

  Rock and Roll Children - An 80's...

  Sean Frazier

  • 0
  • 0
  • 0

  It was the best of times, it was the worst of times... it was the 80's! 
  A fictionalized retelling of somewhat real events about a boy and his band. We didn't have any money, we didn't think we had a future, all we had was the music. A coming of age tale in the era of spandex, big hair and Reganomics.

  Mostra libro