Other books that might interest you

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  Africanesque Folktales - from...

  M. Taylor

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  This audiobook contains what I call my “Africanesque Folktales”. They appear in my audio and print book “Remembering Your Ancestral Fire” and are all original compositions of mine. My teacher, Grand Master Drummer Mamady Keïta said about them, quote: 
  “Taylor’s folktales draw from his experiences with me and his times in Africa. They contain the stuff of folktales of old. They are a wonderful interpretation of African tradition.” All of my stories are sourced from my decades of study with the djembe, my teachers, especially Mamady Keïta, and my numerous times traveling to Guinea, West Africa. The names are based on a 
  ctual people I’ve known or heard of; the places, on actual places. The sounds you hear in the village were field recordings I did when I was there. I have and continue to create these Africanesque folktales, but there is a trilogy I created that represent origin, duality and plurality, which are presented in this short audiobook.

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  A Rhyme A Dozen ― The Night - 12...

  John Keats, Charlotte][AUTHOR...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - The Night - An Introduction 
  2 - To Night by Lope de Vega 
  3 - Mother Night by James Weldon Johnson 
  4 - Night by John Ruskin 
  5 - A Night in June by James Edwin Campbell 
  6 - Summer Night by Alfred Lord Tennyson 
  7 - In Drear Nighted December by John Keats 
  8 - A Winter Night by Sara Teasdale 
  9 - Night Piece by James Joyce 
  10 - Moorland Night by Charlotte Mew 
  11 - The Children of the Night by Edwin Arlington Robinson 
  12 - Ships That Pass in the Night by Paul Laurence Dunbar 
  13 - Wild Nights, Wild Nights by Emily Dickinson

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  Songbook

  Joshua Idehen

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  "We know where we came from. We came on boats, onplanes, with passports and on the back of trucks. Weworked three jobs and sent the money back home. Webrought our motherland to life in our kitchens, ourbedrooms, our churches, our songs, our dance, our sex,our pidgin, our patois…"
  Joshua Idehen's collected works has been a long time coming. Songbook comprises verses from Mercury-nominated and MOBO-winning albums by Sons of Kemet and The Comet Is Coming, alongside watershed poems of spoken word legend, newly captured in book form. From Poejazzi and Benin City to a string of supreme collaborations, Idehen's impact resonates far and wide across the landscapes of poetry and jazz/electronica. Cross-examining colonialism, masculinity, mental health and ways of healing, his writing is an essential provocation, a diasporic dance, a comedy roast, an intervention, a cannonball from which no one is safe, least of all himself.
  "The poet laureate of UK jazz" Kate Hutchinson, The Guardian
  "Idehen's words are always worth leaning in for." Q Magazine

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  If I Didn’t Love the River - Poems

  Robert Priest

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  In this virtuoso display of sonnets, free verse, prose poems, villanelles, ghazals, and aphorisms, People’s Poet Robert Priest makes it clear why the Pacific Rim Review has called him “surely the most imaginatively inventive poet in the country.” A profound meditation on love, death, sex, and sickness, If I Didn’t Love the River speaks directly to the polarizations of our time. Priest’s mastery of dark satire, lyric ebullience, erotic verse, and the pithy maxim is as gratifying as it is unique and will appeal to the yearning for poetry, which so often goes unsatisfied in the reading public. No emotional territory — from angst, anger, anguish, and despair to whimsical delight — is off-limits here. Intent on releasing reverberations from the full depths and heights of what it is to be human, this is Robert Priest at his protean best.

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  The Divine Comedy Paradise

  Dante Alighieri

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  Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.While the structures of the Inferno and Purgatorio were based around different classifications of sin, the structure of the Paradiso is based on the four cardinal virtues (Prudence, Justice, Temperance, and Fortitude) and the three theological virtues (Faith, Hope, and Charity).

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  Shangri LaTitudes

  Sean O'Caillane

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  The Shangri LaTitudes of the title are not some imaginary abodes in the clouds, above and beyond ordinary reality. These latitudes are the ones which lie where the paths of Truth and Beauty cross, forming quadrants where each sub-subject comingles to form fresh ruminations, not unlike those from Rumi, not unlike Four Quartets by Eliot, though using forms unfamiliar to either poet. There are four rooms in the human heart, each one its own experiential zone where passions move around, up down and around within the stream of consciousness, as well as stirring the subconsciousness. Perhaps the latter ruminations form the greater portion of the poems in this selection. This is a book of brief poems deliberately constructed for easy reading, brief pieces that can be picked up and put down within a few moments. One or two poems may take longer to digest, but hopefully the same intensity of feeling will be there, like a bonsai arriving at your coffee table, all trim, newly in flower.

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