Altri libri che potrebbero interessarti

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  Marlon Brando in Private - 'I...

  George Englund

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  'Riveting' Kirk DouglasFrom his first Oscar, Marlon Brando built an impenetrable fortress around his private life: unauthorised releases—or snapshots of him, even by friends—were forbidden. George Englund was Brando's closest friend for almost fifty years and the last person to visit him before his death. Based on deeply personal stories from the death of their sons to Jackie Kennedy and Marilyn Monroe, he draws Brando's life as only they knew it. A young actor emerges who was beautiful in every way; driven by his instinctive talent to break new ground, athletic, muscular, seductive, intelligent and generous. And, from early on, seeds of self-destruction began to grow.

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  Little Republics: The Story of...

  Adrian Duncan

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  Bungalow Bliss, first published in 1971, was a book of house designs that buyers could use to build a home for themselves affordably. It first appeared two years before Ireland was to join the EEC as a self-published catalogue by Jack Fitzsimons from his Kells Art Studios in County Meath. He and his wife designed and collated it and printed it locally.
  Fitzsimons sold these books out of his car to newsagents, petrol garages and bookshops.
  Over the course of thirty years, Fitzsimons sold over a quarter of a million copies of his catalogue. The first edition contained twenty designs – the final edition contained two hundred and sixty.
  This guidebook of how to build your own home radically transformed housing in Ireland. Now, for the first time, author and structural engineer Adrian Duncan looks at the cultural impact that Bungalow Bliss and the accessible bungalow design had on the housing market, the Irish landscape, and on the individual families who made these bungalows their homes.

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  Why the Ramones Matter

  Donna Gaines

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  The central experience of the Ramones and their music is of being an outsider, an outcast, a person who’s somehow defective, and the revolt against shame and self-loathing. The fans, argues Donna Gaines, got it right away, from their own experience of alienation at home, at school, on the streets, and from themselves. This sense of estrangement and marginality permeates everything the Ramones still offer us as artists, and as people. Why the Ramones Matter compellingly makes the case that the Ramones gave us everything; they saved rock and roll, modeled DIY ethics, and addressed our deepest collective traumas, from the personal to the historical.

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  Horror for Weenies - Everything...

  Emily C. Hughes

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  You don't have to miss out just because you don't like to be frightened! Stop trying to read nonsensical Wikipedia plot summaries (we know you're doing it), and let an expert tell you everything you need to know about the most influential horror films of the past sixty years—without a single jump scare or a drop of gore. 
   
   
   
  With a rundown of the history and significance of horror cinema, explanations of common tropes, and detailed entries on twnety-five important movies ranging from Night of the Living Dead to The Blair Witch Project to Get Out, Horror for Weenies will turn even the scarediest of cats into a confident connoisseur. 
   
   
   
  Each entry includes: a detailed plot summary, with enough jokes that it won't freak you out; smart, illuminating analysis of the film's themes and cultural significance; descriptions of iconic scenes you definitely do not want to look at; and talking points for impressing even the biggest scary-movie buffs. 
   
   
   
  Horror for Weenies is the first installment in the Outsider's Guide series, which offers highly listenable crash courses in major cultural phenomena, so you can catch the references and understand the big deal. Never get left out of a conversation again!

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  Sounds of Other Shores - The...

  Andrew J. Eisenberg

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  Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.

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  James McNeill Whistler 1834-1863

  Patrick Chaleyssin

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  Whistler's work can be divided into four periods. The first was a research period in which the artist was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Gray and Black, and this is symbolic of his aesthetic theories.

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