Casa editrice: Imagination Books
Versailles Beauty Through Watercolors A wonderful collection of watercolor paintings of this beautiful palace, showcasing the sublime and amazing sites through the beauty of the brush stroke...Get it now!
St. Irenaeus teaches that “Christ brought all newness in bringing himself.” This representative collection of the writings of Father Robert Imbelli proclaims, celebrates, and sounds the depths of the newness of Jesus Christ and the radical transformation to which Christ calls believers. Rooted in Scripture and the Fathers of the Church, these essays, reviews, and reflections explore the Christian faith’s rich liturgical, artistic, literary, and theological traditions across the centuries. At a time when Catholic theology too often risks being reduced to sociology and Christian faith and discipleship diluted to mere moralism, the author proposes a vibrant and profound mystagogic theology. In such theology, the mystery of Christ is not only notional but real, not only described but evoked. Imbelli offers a theology and vision of the Christian faith at once intellectually stimulating and deeply affective.Mostra libro
You Are Looking Live! is about the genesis, success, and magic of a live television show that in 1975 captured the excitement of the country, and launched four magnetic personalities to stardom: Brent Musburger, Phyllis George, Irv Cross, and Jimmy The Greek Snyder. It was the first NFL studio show to go live and the first to have both a Black and female cohost. Those four personalities battled each other and the competition, and America loved them for it. This is the story of how Brent, Phyllis, Irv, and Jimmy got there, their drama and front-page headlines, and what happened to them after the magic ended. Those headlines included Brent and The Greek's famous fight at Peartrees, Phyllis first marrying the man who produced The Godfather, then dropping him after two months for the next governor of Kentucky, and the shocking firing of Musburger on April Fool's Day, 1990. America had never seen a show like this before. The NFL Today became so popular that it not only dominated the ratings, but also won its timeslot eighteen straight years, from 1975 to 1993, until CBS lost its NFL package to Fox. And today, looking back, these four personalities, like any family, had their own battles, and became even more famous for them.Mostra libro
This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation and demonstrates that Philadelphia was a hub of avant-garde painting in the early twentieth century. This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation as artistically stodgy—unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art—and demonstrates that Philadelphia was more avant-garde in the early twentieth century than previously thought. This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home. In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical.Mostra libro
This audiocourse offers a focused and comprehensive guide for actors and stage performers to authentically learn and adopt the Texan accent. It presents a thorough exploration of the accent's nuances, helping learners understand and replicate its distinctive sounds and rhythms for their performances. The course begins by introducing the fundamental characteristics of the Texan dialect, emphasizing its unique phonetic qualities. Through detailed lessons, learners are familiarized with the key elements of the accent, including its notable drawl, specific vowel sounds, and the rhythmic patterns that distinguish it from other American dialects. The instruction is clear and methodical, providing step-by-step guidance to ensure learners can gradually build their proficiency. In addition to technical instruction, the course offers insights into the cultural and historical contexts that have shaped the Texan accent. This background knowledge enriches the learning experience, allowing performers to imbue their portrayals with authenticity and depth. The course carefully avoids stereotypes, encouraging a respectful and accurate representation of the dialect. Practical exercises and examples are integrated throughout the lessons, enabling learners to practice and refine their accent skills. These exercises are designed to be engaging and accessible, catering to a range of experience levels from beginners to more advanced students. The course is structured to be flexible, accommodating the varying schedules of busy performers. Its audio format makes it easy to practice and learn on the go, whether at home, in a studio, or while traveling. Overall, this audiocourse serves as a valuable tool for actors and performers aiming to master the Texan accent for their stage performances. It combines technical instruction with cultural insights, providing a well-rounded and effective approach to learning this distinctive American dialect.Mostra libro
Ride Lonesome, the fifth film in the "Ranown cycle," is both the best and most representative of the whole series, which has been called "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking." Director Bud Boetticher captures the alienation and loneliness of an America faced with the Cold War and the daily threat of nuclear annihilation. Shot in seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism. Veteran screenwriter Kirk Ellis brilliantly unpacks the themes, narrative, visual language, and editing in this seminal film. In Ride Lonesome Ellis not only shows how this one film embodies a turning point for the Western, but he also explores the unique vision and contributions of director Boetticher and his writing partner Burt Kennedy.Mostra libro
In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the "shadow archive" of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, she demonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.Mostra libro
