Altri libri che potrebbero interessarti

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  Marcus Douglas Presents The...

  Marcus Douglas

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  New Jerusalem stands sealed away from a world destroyed by disease and war, but their Orator Nebuchadnezzar has led them astray from what built their utopia. In the wake of his pride, a new disease began ravaging the city until one of the seven Localities needed to be sealed off for the good of the others. 
  With the city foundering, critical systems grinding to a halt, and food stores dwindling, they find hope in young David Shakir, whose grandfather founded this great haven. But will that burden crush the young boy whose spent his life thought sickly and weak, confined to his wheelchair? 
  The city looks to David and his closeness to God for leadership and his armor bearer, Elijah Ruiz. Can they be able to lead them out of these dark times, or will the looming threat within the sealed off Locality Seven consume them all?

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  Building Bridges

  Marie Dunlop

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  Building Bridges is set in 1965 in Anderston, Glasgow and examines the reaction of deserted husband, Billy Speirs, and his family to the return of his estranged wife, Bernie, whose mother has been taken seriously ill.  
  It is a tale of bitterness, betrayal, and the absolute enduring strength of love when a community was sliced up to make way for a stretch of inner city motorway and the Glasgow Kingston Bridge. Just as the earmarking of Anderston as a Glasgow Comprehensive Development Area faced mixed reactions, the couple’s tentative and nervous steps back to one another faced opposition and difficulty and like the opinion of much of the community at that time, it was clear that things were never going to be the same again.  
  The heart was getting ripped out of the place, just as it had been ripped out of Billy. Decisions have to be made, loyalties examined, and painful truths faced. Better days were coming, however, in the promise of new corporation housing, and it is against this backdrop of demolition and renewal that Building Bridges opens.

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  Poetry: A Symphony of Words -...

  Azhar ul Haque Sario

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  "Poetry: A Symphony of Words" is a profound collection of 81 poems, divided into seven thematic sections. The book covers a wide range of human emotions, experiences, and issues, from grief and loss to self-discovery, politics, and memory. Each poem carries a different title, offering the reader an opportunity to explore the varied themes and insights presented in this book. The sections are thoughtfully arranged to take the reader on a journey that explores the beauty and complexity of life, nature, and the human experience. In some poems, the author shares a sense of loss and absence, while others reveal insights into identity, aging, social and political issues, and the transformative power of poetry. Overall, this book is a must-read for poetry lovers, as it captures the essence of life in all its complexities and beauty.

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  The World Keeps Ending and the...

  Franny Choi

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  From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. 
  Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. 
  With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.  
  Supplemental enhancement PDF accompanies the audiobook.

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  Mother Night - Poems

  Serge ♆ Neptune

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  Mother Night is a hallucinogenic journey across a city with too many alleyways and across a life surviving childhood sexual assault. Forming a nocturnal séance, Serge ♆ Neptune resurrects abusive old lovers and ghosts of the queers of the past – conjures men in cars and men in bedrooms – providing them invitation and shelter, or casting them to stormy waves.
  In a book of many types of darkness – across poems of vulnerability and harm – what persists in Mother Night is its celebration of resilience, what shines brightest is the many ways it reaches for the light.

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  Green

  Suzannah Evans

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  'My mother was an oak treemy dad a garage mechanicMy father was a field of wheatmy mother the Prime MinisterMy mother was an innkeeperand my father a lonely cactus…'
  Suzannah Evans' new pamphlet introduces us to Green, half human, half angry nature spirit. Green serves as a stunt double for our own rage and complicity in nature's destruction. He shows us nature's delights so we may mourn their loss more deeply.
  'In this delicious mini-biography of the mythic figure, Suzannah Evans has conjured up a Green Man – now modishly monikered 'Green' – who is witness, listener, accountant, cheerleader, of all and every aspect of nature. An inveterate listicle maker, he can't help but nag us until our attention is drawn back inexorably to the wonder of the world; it's nightmares too. Whether he is supervising extinctions, lavender farming, or picking up plastic litter on the beach, Green is unabashedly a fun, wry and playful personality to spend some time with.' Rishi Dastidar
  'Green is a contemporary secular canticle, where matter and living beings are in mischievous, polyphonic dialogue. Channelled through this beyond-human figure, it presents a decentred ecology where "Green isn't rooting for anyone" – but where we must find a way to befriend 'him', without turning him into a 'man'. Earth is lively and re-enchanted, in Green's contemporary and accessible animism. We are invited to accept the majesty of llama memes alongside the 'death drop' of species extinction. Fuck you, Green says to the wasps, stinging him all over, I still love you. A gentle, passionate, good-natured plea, for even the stickiest, ickiest, grossest creatures to be named in Green's – and humanity's – affections.' Caleb Parkin

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