Altri libri che potrebbero interessarti

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  VIRGINS AND THE LAMP THE - No

  Tope Joseph

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  "The Modules Operandi of Jezebel" is a gripping exploration of manipulation, power, and ambition, woven through the story of a complex and enigmatic protagonist. Jezebel, both alluring and dangerous, operates in a world where control and deception are her greatest tools. This book is classic, delving into the strategies and psychological tactics Jezebel employs to navigate her way through a web of intricate relationships, shifting alliances, and moral ambiguity among brethren, and the world at large. With each chapter, readers are pulled deeper into the acts of Jezebel, revealing her calculated moves and the lengths she’s willing to go to achieve her goals. This narrative not only examines the dark allure of power but also points the genealogy of Jezebel and raises thought-provoking questions about identity, influence, and the consequences of dangerous ambition.

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  Brilliant Sounding Rubbish - A...

  Kev Nixon

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  A sharp, thoughtful and ultimately hopeful look at the past, present and future of the music industry from one of the people who helped shape it. 
  Kev Nixon, musician, songwriter, producer, artist manager, music educator and writer charts the unprecedented fall of British music’s global dominance with unflinching honesty, deep affection and biting wit.  Drawing on five decades in the business, Nixon reveals how the UK’s once world-leading musical culture has suffered from an obsession with technology, addiction to nostalgia and has become increasingly disconnected from artistic substance. 
  What began as a phrase coined while observing music students making overly-polished recordings using GarageBand, Nixon evolved “brilliant sounding rubbish” into a damning metaphor for an entire industry. Part memoir, part manifesto, and part behind-the-scenes exposé, the book journeys from Nixon’s childhood musical awakenings in 1960s Yorkshire to the chaos of modern streaming culture, tracing the roots of the crisis in everything from the collapse of artist development, to the rise of corporate ownership, and the devaluation of true music education. 
  Nixon details class prejudice in genre and music industry hierarchies, the myth of the self-made artist and the digital structures that control what the world hears and what it doesn’t.  Through personal stories, case studies and bold provocations, Brilliant Sounding Rubbish offers a clear-eyed vision for rebuilding an industry with heart, integrity and risk at its core while returning to the musical standards that put British music into world domination.  Nixon believes there’s still time to turn things around. If we bring back risk, nurture real talent and cease allowing technology to dominate creativity, the music business might just get its soul back. The future, he says, could have brilliant sounding substance – this time for all the right reasons.

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  Gay Art

  James Smalls

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  This book is not a panegyric of homosexuality. It is a scientific study led by Professor James Smalls who teaches art story . His works examines the process of creation and allows one to comprehend the contribution of homosexuality to the evolution of emotional perception. In a time when all barriers have been overcome, this analysis offers a new understanding of our civilisation's masterpieces.

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  Text in Public – Zine...

  Emma Wolf-Haugh

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  Scriptings’ Reader-Format „Political Scenarios“ wird in Zusammenarbeit mit Archive Books und dem E-Book-Verlag EECLECTIC herausgegeben. Ziel ist es, sorgfältig ausgewählte Skripte und Texte von Künstler*innen zu veröffentlichen, die sich weder auf akademische noch auf rein literarische Schreibformen beziehen, sondern „Text“ als integralen Bestandteil einer zeitgenössisch-politischen Kunstpraxis einbetten.

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  Classic Rock & Rock Radio...

  Jefferson Airplane, The Moody Blues

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  Formed in 1965, Jefferson Airplane was an American rock band based in San Francisco, California, that became one of the pioneering bands of psychedelic rock. Their 1967 break-out album Surrealistic Pillow includes two songs, "Somebody to Love" and "White Rabbit", that are among Rolling Stone's "500 Greatest Songs of All Time". The October 1966 to February 1970 lineup of Jefferson Airplane, consisting of Marty Balin (vocals), Paul Kantner (guitar, vocals), Grace Slick (vocals), Jorma Kaukonen (lead guitar, vocals), Jack Casady (bass), and Spencer Dryden (drums), was inducted into the Rock and Roll Hall of Fame in 1996. The Moody Blues were an English rock band formed in Birmingham in 1964. During the band's "classic era" into the early 1970s, the lineup included keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, drummer Graeme Edge, guitarist Justin Hayward, and bassist John Lodge. Their second album, Days of Future Passed, which was released in 1967, was a fusion of rock with classical music which established the band as pioneers in the development of art rock and progressive rock. The band has sold 70 million albums worldwide, which includes 18 platinum and gold LPs. They were inducted into the Rock and Roll Hall of Fame in 2018. This fascinating audio program includes actual radio commercials from the 1960s for each of the bands.

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  Why Solange Matters

  Stephanie Phillips

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  Growing up in the shadow of her superstar sister, Solange Knowles became a pivotal musician in her own right. Defying an industry that attempted to bend her to its rigid image of a Black woman, Solange continually experimented with her sound and embarked on a metamorphosis in her art that continues to this day.In Why Solange Matters, Stephanie Phillips chronicles the creative journey of an artist who became a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange Knowles's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange’s progress through an inflexible industry, charting the artist’s development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019’s When I Get Home, Phillips describes how Solange embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the place of its subject in the pantheon of world-changing twenty-first century musicians, it introduces its writer as an important new voice.

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