Outros livros que poderiam interessá-lo

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  Classic Rock & Rock Radio...

  Jefferson Airplane, The Moody Blues

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  Formed in 1965, Jefferson Airplane was an American rock band based in San Francisco, California, that became one of the pioneering bands of psychedelic rock. Their 1967 break-out album Surrealistic Pillow includes two songs, "Somebody to Love" and "White Rabbit", that are among Rolling Stone's "500 Greatest Songs of All Time". The October 1966 to February 1970 lineup of Jefferson Airplane, consisting of Marty Balin (vocals), Paul Kantner (guitar, vocals), Grace Slick (vocals), Jorma Kaukonen (lead guitar, vocals), Jack Casady (bass), and Spencer Dryden (drums), was inducted into the Rock and Roll Hall of Fame in 1996. The Moody Blues were an English rock band formed in Birmingham in 1964. During the band's "classic era" into the early 1970s, the lineup included keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, drummer Graeme Edge, guitarist Justin Hayward, and bassist John Lodge. Their second album, Days of Future Passed, which was released in 1967, was a fusion of rock with classical music which established the band as pioneers in the development of art rock and progressive rock. The band has sold 70 million albums worldwide, which includes 18 platinum and gold LPs. They were inducted into the Rock and Roll Hall of Fame in 2018. This fascinating audio program includes actual radio commercials from the 1960s for each of the bands.

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  Albert Marquet The Paradox of...

  Mikhail Guerman

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  It is a paradox that Marquet belongs more to the past and future than to the present. His art awaits the silence that is yet to fall. He nevertheless teaches us to appreciate the riches of meditation, directing us to that exalted place of peace so central to his vision. This book traces his artistic journey, from his early training in Paris to his travels abroad, highlighting his unique approach to light, atmosphere, and form. Through his restrained yet expressive style, Marquet offers a contemplative alternative to the bold intensity of his contemporaries.

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  The Nadra Tragedy: The Maria...

  Hajamaideen

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  A gripping, real-life drama about the two women battling for custody of a 13-year-old girl in post-war colonial Singapore is set against religious zealotry, racial tensions, and burgeoning nationalism. As a proxy conflict between East and West, this harrowing tale is steeped in prejudice and mob violence, with the resulting court battle shaking the very foundations of the British Colonial Government.
  
  Many innocent lives were lost in the violence that followed the controversial court decision, but Maria Hertogh, also known as Nadra, was perhaps the most tragic victim. Caught between two worlds she could scarcely comprehend, the impact of the upheaval during her most impressionable years was something few of us can fathom. The author crafts a poignant and deeply researched account of the tragic affair, drawing from exhaustive investigations in both Singapore and Holland.
  
  Over 70 years since the events unfolded, the narrative resonates with a powerful relevance, serving as a stark reminder of how the mishandling of delicate matters can precipitate the unravelling of an entire society.

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  Abundance in the Bush - 52...

  Linda Watt

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  Here in 52 rural devotions  you will find seasoned drovers  cattle herds  stock horses  working dogs  swagmen  rodeo riders  cattle duffers  timber fellers  fences and floods. You can almost smell sweaty saddle blankets and branding fires  as author and ringer  Linda Watt  relates fair dinkum faith in Jesus Christ to daily adventures in the Aussie bush. This devotional is for every country-hearted person  young or old  whether you were weaned on fencing wire or live hobbled to the Big Smoke. (Included is a glossary to explain some of that down-to-earth Aussie strine). Roll out your swag  boil the billy  pull up a log  and discover how the bush offers lessons richer than can be found in any classroom.

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  Michelangelo - The Divine Genius

  Eugène Müntz

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  Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, all the passions, all the thoughts of humanity were personified in his eyes in the naked bodies of men and women. He rarely conceived his human forms in attitudes of immobility or repose. Michelangelo became a painter so that he could express in a more malleable material what his titanesque soul felt, what his sculptor's imagination saw, but what sculpture refused him. Thus this admirable sculptor became the creator, at the Vatican, of the most lyrical and epic decoration ever seen: the Sistine Chapel. The profusion of his invention is spread over this vast area of over 900 square metres. There are 343 principal figures of prodigious variety of expression, many of colossal size, and in addition a great number of subsidiary ones introduced for decorative effect. The creator of this vast scheme was only thirty-four when he began his work. Michelangelo compels us to enlarge our conception of what is beautiful. To the Greeks it was physical perfection; but Michelangelo cared little for physical beauty, except in a few instances, such as his painting of Adam on the Sistine ceiling, and his sculptures of the Pietà. Though a master of anatomy and of the laws of composition, he dared to disregard both if it were necessary to express his concept: to exaggerate the muscles of his figures, and even put them in positions the human body could not naturally assume. In his later painting, The Last Judgment on the end wall of the Sistine, he poured out his soul like a torrent. Michelangelo was the first to make the human form express a variety of emotions. In his hands emotion became an instrument upon which he played, extracting themes and harmonies of infinite variety. His figures carry our imagination far beyond the personal meaning of the names attached to them.

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  Janet Jackson's The Velvet Rope

  Ayanna Dozier

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  The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson’s career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman. This book examines Janet’s continuation of her quest for control as heard in her sixth album, The Velvet Rope. Engaging with the album, the promotion, the tour, and its accompanying music videos, this study unpacks how Janet uses Black cultural production as an emancipatory act of self-creation that allows her to reconcile with and, potentially, heal from trauma, pain, and feelings of alienation. The Velvet Rope’s arc moves audiences to imagine the possibility of what emancipation from oppression--from sexual, to internal, to societal--could look like for the singer and for others. The sexually charged content and themes of abuse, including self-harm and domestic violence, were dismissed as “selling points” for Janet at the time of its release. The album stands out as a revelatory expression of emotional vulnerability by the singer, one that many other artists have followed in the 20-plus years since its release.

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