Altri libri che potrebbero interessarti

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  British Short Story The - Volume...

  Mary Diana Dods, Charles...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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  The Field Campaigns of Alexander...

  Stephen English

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  Alexander the Great is one of the most famous men in history, and many believe he was the greatest military genius of all time (Julius Caesar wept at the feet of his statue in envy of his achievements). Most of his thirteen year reign as king of Macedon was spent in hard campaigning which conquered half the then-known world, during which he never lost a battle. Besides the famous set-piece battles (Granicus, Issus, Gaugamela, Hydaspes), Alexander's army marched thousands of miles through hostile territory, fighting countless smaller actions and calling for a titanic logistical effort.There is a copious literature on Alexander the Great, but most are biographies of the man himself, with relatively few recent works analyzing his campaigns from a purely military angle. This book will combine a narrative of the course of each of Alexander's campaigns, with clear analysis of strategy, tactics, logistics etc. This will combine with Stephen English's The Army of Alexander the Great and The Sieges of Alexander the Great, to form a very strong three-volume examination of one of the most successful armies and greatest conquerors ever known.

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  Letters to Gwen John

  Celia Paul

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  Celia Paul's Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John's reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John's life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public's reception of their work.Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters, and a writer/artist's daybook, describing Paul's first exhibitions in America, her search for new forms, her husband's diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.Contains mature themes.

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  Temperance Gems

  William Topaz McGonagall

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  Good people all, of every degree,I pray, ye all be warned by me:I advise ye all to pause and think,And never more to taste strong drink. 
  Some people do say it is good when taken in moderation,But, when taken to excess, it leads to tribulation,Also to starvation and loss of reputation,Likewise your eternal soul’s damnation. 
  McGonagall has been widely acclaimed as the worst poet in British history. He campaigned vigorously against excessive drinking, appearing in pubs and bars to give edifying poems and speeches. These were very popular, the people of Dundee possibly recognising that McGonagall was “so giftedly bad he backed unwittingly into genius”. Six of those poems are recited here. 
  (Summary collated from McGonagall’s verse and Wikipedia by Cori Samuel.)

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  Elvis Presley #01

  Wink Martindale

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  We begin our exploration of the career of Elvis Presley, which found him recording for the now world-famous Sun Records with producer Sam Phillips in 1954. Only a few short years later, he would shift to RCA Records, releasing his first single for the label, “Heartbreak Hotel,” in January of 1956. As host Wink Martindale recalls, “Presleymania” was in full swing by 1957.Longtime Presley associates Carl Perkins, Scotty Moore, Ray Walker and Gordon Stoker are just a few of the names who join Wink to share their memories of those early days of Presley’s career -- including his first TV appearances on Tommy and Jimmy Dorsey, Steve Allen, Ed Sullivan and his first recorded television interview on Wink’s Top Ten Dance Party.

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  Showgirls Teen Wolves and Astro...

  Michael Adams

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  "Michael Adams's book is great fun! No one intends to make a truly bad movie, but when they do, Michael Adams will be there to watch it...and make it entertaining!" —John Landis, director of Trading Places and The Blues Brothers In Showgirls, Teen Wolves, and Astro Zombies, film critic Michael Adams embarks on a year-long odyssey to discover the worst movie ever made, which Mystery Science Theater 3000 star, writer, and director Kevin Murphy calls "disturbingly comprehensive, joyously critical, and the best of its kind." From all-time cult classics such as Reefer Madness and Plan 9 from Outer Space to new entries to the pantheon such as Gigli and Baby Geniuses, no genre, star, or director is safe from Adams’s acerbic wit and hilarious observations. In the vein of A.J. Jacobs’s New York Times bestselling book The Know-It-All, and with the snarky sarcasm of television’s Mystery Science Theater 3000 and The Soup, Showgirls, Teen Wolves, and Astro Zombies leaves no stone unturned. With a foreword by cult director George A. Romero (Night of the Living Dead and Dawn of the Dead).

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